Zift

Watching this innovative black and white noir thriller, I kept thinking that Frank Miller must have written it, so perfectly does it fit the sensibility of his Sin City comic book series. Innovative, not exactly original: one can indeed detect the influence of any number of famous noir flicks, most notably D.O.A. But it's executed so perfectly that I wouldn't want to complain. My wife said that the film was rich in allusions to Bulgarian life and culture which went right past me. She is definitely not a genre fan but she really liked this movie. Certainly the best Bulgarian movie I've seen since the magically-realistic anti-communist fable The Well.

This is the top of the Bulgarian film industry,I think.Not forever,but for the past 25-30 years.This is the Bulgarian movie,that has the biggest chance of winning ANY award worldwide.It's about the drama,the innovative story told by it,and the acting.The old school Bulgarian actors like Djoko Rosich for example,along with the younger actors,made a great masterpiece of the already brilliant script. My new favorite film,getting "The Shawshank redemption" off the top. Congratulations Bulgaria,you made me proud with your present achievement for the first time.You made me proud with your past only,but until I saw this! 10/10 from me!

One of the best new Bulgarian films. Dzift is a dark white film with cynicism, a fun sense of humor and a really well developed main character. The moth quotes are really interesting and can connect you to real life. The story at the beginning with the cheating wife that ended with the bigger the feces, the bigger the damage morally rather than materially was really interesting. The acting was good, cinematography was on point and the soundtrack was really good. It wasn't some full blown anti-communnist propaganda. The characters and stories throughout out the movie were really well done. After all it is definitely worth a watch.

Saw this at the Sydney Film Festival and was a little disappointed. Seemed to be a lot of hype surrounding this. Really liked the black and white photography and had high hopes after a nice opening. Unfortunately the movie lost me in the middle and never quite recovered.

I'd have to agree with one of the earlier posts. I think Gardev has definitely borrowed from other films and directors. Apart from that Todorov's screenplay doesn't quite work for me but I would love to read the book (the English translation is released next year). I found the little stories and anecdotes from minor characters to be intrusive and tiresome after a while and I don't know if the voice-over was that effective.

Thought the acting was fine and there were some amusing moments but overall I can't work out if this was supposed to be a thriller or black comedy, heist flick, noir potboiler or a bit of all of these.

This movie has given back to me the hope that Bulgarian cinema is going upward! Tha last few bg titles that i've seen all seemed to have a problem - they were weird (in terms of plot, acting, locations, camera angles). And just because a movie is tragic, strange, original and twisted doesn't mean it's good. Yes, maybe it can move you. Maybe. Maybe one can admit that the movie is totally genuine. But that still doesn't mean it's a masterpiece. Something is just missing for the movie to be enjoyable and moving while you're in the theater and mind blowing when you get out and think it over. The missing parts probably are the perfect storyline of Zift, the look of Zift, the action of Zift, the soundtrack of Zift, the grotesque humor of Zift! That's what makes the film of Yavor Gardev so successful - perfection itself!