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Personality Crisis: One Night Only (2022)

Metacritic reviews

Personality Crisis: One Night Only

80

Metascore

9 reviews · Provided by Metacritic.com
  • 85
    The Daily BeastNick Schager
    The Daily BeastNick Schager
    Rock ‘n’ roll portraits this vibrant, introspective, and nimble don’t come around very often.
  • 85
    Paste MagazineMatthew Jackson
    Paste MagazineMatthew Jackson
    Personality Crisis: One Night Only retains the impish mystery surrounding one of rock’s most underrated frontmen while building a beautiful and slightly abstracted portrait of a man in a constant state of transformation.
  • 83
    IndieWireDavid Ehrlich
    IndieWireDavid Ehrlich
    The documentary lets its subject’s weathered charisma do most of the hard work here — Scorsese and Tedeschi love him too much to beg for your attention — and yet it weaves in enough context to convince even the biggest New York Dolls neophytes of the band’s legacy. Even longtime fans might be struck by the contrast between the breeziness of the film’s tone and the weight of its history.
  • 83
    The PlaylistJason Bailey
    The PlaylistJason Bailey
    The film’s key asset is Johansen, and “Personality Crisis” pulls off the neat trick of serving as an introduction for us newbies while providing new insights and footage for the fans – the latter primarily in the form of the mellow concert footage.
  • 80
    The New York TimesLisa Kennedy
    The New York TimesLisa Kennedy
    A first-rate raconteur, Johansen — wearing a pompadour, sunglasses and bespoke suit — brings the funk. The storied Café Carlyle delivers the chic.
  • 80
    Wall Street JournalJohn Anderson
    Wall Street JournalJohn Anderson
    The results leave one thinking of the film’s subject as too delicate for punk, too vulnerable for the Rat Pack, and happy to be the kind of singular phenomenon worthy of Scorsese-ian scrutiny.
  • 80
    The Hollywood ReporterDaniel Fienberg
    The Hollywood ReporterDaniel Fienberg
    It’s a documentary of sterling musical moments and clever connections between culture and the city that all the principals here so clearly adore.
  • 75
    RogerEbert.comBrian Tallerico
    RogerEbert.comBrian Tallerico
    One Night Only becomes the story of a man surrounded by music his whole life who knew how to filter those influences through a distinct voice. The film sometimes runs too long, but its subject has earned that length. He sounds phenomenal, and he’s filled with, well, personality.
  • 67
    The Film StageMichael Frank
    The Film StageMichael Frank
    Johansen is a force despite this film’s flaws, undeniable in both charms and quirks. His talent remains emphatic, and his stage presence is enough for the camera to sit back and appreciate him. Being enigmatic yet accessible, Scorsese and Tedeschi must capture his substantial coolness. They succeed in spades.
  • See all 9 reviews on Metacritic.com
  • See all external reviews for Personality Crisis: One Night Only

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