IMDb RATING
6.8/10
1.3K
YOUR RATING
A film that gives a child's eye view of the U.K.'s government-run care system for orphans and children in danger.A film that gives a child's eye view of the U.K.'s government-run care system for orphans and children in danger.A film that gives a child's eye view of the U.K.'s government-run care system for orphans and children in danger.
- Director
- Writers
- Stars
- Won 1 BAFTA Award
- 3 wins & 4 nominations total
Marie Wheeler-King
- Marie
- (as Marie Wheeler King)
- Director
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Featured reviews
Congratulations to first time director Samantha Morton and Channel 4 for showcasing this magically poignant portrait of a maltreated child suffering the indignities of Britain's under-resourced care system.
Star: Molly Windsor delivers a masterful evocation. The Unloved avoids the inherent pitfalls of such difficult subject matter.
Morton herself went through care, but this is no angry rant against her experiences, but an enlightening reconstruction of events exorcised through a perceptive and beguiling work of artistry.
Strong support from co-stars Robert Carlyle and Susan Lynch as Molly's estranged and troubled parents seeking personal redemption for the hurt caused and subsequent loss of their angelic daughter.
I can only hope this is not the only helmed piece Samantha Morton brings to this world, as she is indeed a talented voice in a world of increasingly entertainment driven indifference to the bigger issues which surround and impact upon us all. This cinematic picture should have been given a much deserved big-screen distribution.
Assured best new British drama since Red Ridding.
Star: Molly Windsor delivers a masterful evocation. The Unloved avoids the inherent pitfalls of such difficult subject matter.
Morton herself went through care, but this is no angry rant against her experiences, but an enlightening reconstruction of events exorcised through a perceptive and beguiling work of artistry.
Strong support from co-stars Robert Carlyle and Susan Lynch as Molly's estranged and troubled parents seeking personal redemption for the hurt caused and subsequent loss of their angelic daughter.
I can only hope this is not the only helmed piece Samantha Morton brings to this world, as she is indeed a talented voice in a world of increasingly entertainment driven indifference to the bigger issues which surround and impact upon us all. This cinematic picture should have been given a much deserved big-screen distribution.
Assured best new British drama since Red Ridding.
Saw this on Channel 4 tonight. 2 key words: Bleak & beautiful.
The acting during the bust-up at the Christmas Party was very realistic. The last continuous shot of the young girl on the bus home was very poignant. That image really stays with you.
If Samantha is reading this: Congratulations and well done on this great film. The subject matter was presented 'just right'. Coleen's music felt really natural (and, never forced). If you never direct again, that's fine, you can be very proud of this. I understand completely that this was something felt you had to do - rather than it being 'another gig' (like most directors).
Can you please provide details of all the music used in the film. The end credits text (font) was so small, I could barely read it! The subtitles didn't note every song, either. In particular, I'd like to know the name of track used at the Christams party - the one with the dance-off.
Thank you. All the best for the future :) HP
The acting during the bust-up at the Christmas Party was very realistic. The last continuous shot of the young girl on the bus home was very poignant. That image really stays with you.
If Samantha is reading this: Congratulations and well done on this great film. The subject matter was presented 'just right'. Coleen's music felt really natural (and, never forced). If you never direct again, that's fine, you can be very proud of this. I understand completely that this was something felt you had to do - rather than it being 'another gig' (like most directors).
Can you please provide details of all the music used in the film. The end credits text (font) was so small, I could barely read it! The subtitles didn't note every song, either. In particular, I'd like to know the name of track used at the Christams party - the one with the dance-off.
Thank you. All the best for the future :) HP
Lucy (Molly Windsor) is eleven years old living with her abusive father (Robert Carlyle). She is put into foster care and faces a chaotic unloving system. Her roommate is 16 year old Lauren (Lauren Socha). Lauren runs away taking the quiet Lucy with her. They get into trouble with the police and brought back to the home.
It's an impressive directorial debut from Samantha Morton. The tone is very haunting. The young girl is put to the great use by keeping her mostly silent. It permits the audience to inhabit her character. Lauren Socha is also quite effective as the teen delinquent character. The biggest drawback is the long running time. This movie could be even better distilled into a tighter pace. Morton seems to be indulging a little too much in long ambling scenes.
It's an impressive directorial debut from Samantha Morton. The tone is very haunting. The young girl is put to the great use by keeping her mostly silent. It permits the audience to inhabit her character. Lauren Socha is also quite effective as the teen delinquent character. The biggest drawback is the long running time. This movie could be even better distilled into a tighter pace. Morton seems to be indulging a little too much in long ambling scenes.
Almost the British Florida Project. Good music choices. I'm a fan of the extended closeup without dialogue, and Molly Windsor was able to convey so much with her eyes in many of those. Recommend.
This was so well-directed and acted that it seemed at times like a documentary. Avoiding any clichés and easy answers it was moving and compelling. Clearly Samantha Morton is going to be as great a director as she is an actress. The expressionistic filming style and the long static shots reminded me a bit of Lynne Ramsay's work, which is a compliment in itself! I wish it had been shown in cinemas, as it would have won many awards in my opinion. All the actors were great, as i said above so naturalistic that it seemed at times like watching a documentary. Great performances in particular from the little girl Lucy, and the troubled Lauren that she met whilst in the care home. Highly recommended.
Did you know
- TriviaSamantha Morton wished The Unloved to be filmed for television rather than for Cinema. The reason being is that she thought, as in her own childhood experiences with going to the cinema, younger audiences' might not afford the price of a cinema ticket. Thus, younger audiences' would see this production "for free".
- Quotes
Lucy: [Lucy's mother is hugging her daughter and crying hysterically at the bus stop. Lucy thinks that she has done something wrong by going to visit her mom away from her foster home] ... I'm sorry.
Lucy's Mother: [sounding lividly angry] Don't you EVER be sorry for visiting your mum!
[Lucy's mother hugs her daughter again before letting her get onto the bus]
- SoundtracksParty
By Durutti Column
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- 不被愛的人
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