A chilling vision of the house of Saddam. The world of Hussein comes to life through the eyes of the man who was given a choice; either be the double for Saddam's sadistic son, or die.A chilling vision of the house of Saddam. The world of Hussein comes to life through the eyes of the man who was given a choice; either be the double for Saddam's sadistic son, or die.A chilling vision of the house of Saddam. The world of Hussein comes to life through the eyes of the man who was given a choice; either be the double for Saddam's sadistic son, or die.
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- Writers
- Stars
- Awards
- 4 nominations total
- Ali
- (as Mimoun Oaissa)
- School Girl
- (as Amrita Acaria)
- Amer
- (as Sarah Lee Zammit)
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Featured reviews
The reality of Latif's life was that he became so entrenched in Uday's character that he practically became him. He became violent and even after he escaped with his wife and kids (not with a hooker on a horse) he continued to behave like Uday.
The acting was not great. The portrayal of Uday was over the top and not believable. Same with the constant backchat from Latif to Uday considering that an out of line comment is the reason Latif ended up getting shot in reality.
The film could have been an intelligent psychological drama instead of a dumbed blockbuster. Shame.
8.5/10 Stars****
The film starts off with Uday hiring a doppleganger of himself (Latif), to pass off as him publicly. Latif, hasn't really a choice, and is portrayed as having some morals, Uday is portrayed as a millionaire playboy, who is a murdering brute who gets off on violence, sodomy and rape. His only redeeming quality is his penchant for 80s British synth pop (?).
The film becomes increasingly outlandish. If it were a true story, then this could have been quite fascinating. I learnt nothing, and by the end had tuned out. It reminded me of the last king of Scotland, which I didn't enjoy either.
I thought it were unnecessary for Cooper to play both the leads. It felt unbelievable as both characters appeared unrealistically identical.
I knew nothing of the back story of Uday, a quick glance at Wikipedia describes him as quite the devil. That much the film gets right. There's some artistic license used at the end of the movie.
Some seem to find fault with this film because it reminds them of Scarface. I don't get that at all. Perhaps they mean that at times it is operatic, over the top, but it is, after all, a biopic about a crazy man, and to me anyway, the parts of the film that deal with the double offset the high drama perfectly. Highly recommended!
The actual truth and reality behind the film is washes aside for repetitive Hollywood storytelling which ends up making NO SENSE in several parts and is a true waste of time.
This film was recommended to me several years ago, now I have a week off work I decided to watch it. Since it finished I now longer have said friend on Facebook. You're deleted for your terrible taste you turd.
Did you know
- TriviaA very long list of sources have challenged Yahia's claims, including a former palace guard, one of the Hussein family's surgeons, a CIA officer, and at least two of Uday's confidantes. One of the latter claimed Yahia was nothing more than a lookalike who used his resemblance to pick up women.
- GoofsIn a lot of car scenes the driver is on the right side, but in Iraq the driver seat is on the left.
- Quotes
Munem: Please be clear about this, Latif. Uday has chosen you. You belong to him. You have about five minutes to think about this. Before a car pulls up outside your house in Al-Adhamiya and your family, everyone one of them - your father, your mother, your sisters and brothers; is thrown into Abu Ghraib. God willing, they will die quickly. I've said too much. You have about two minutes left.
- ConnectionsFeatured in Breakfast: Episode dated 10 August 2011 (2011)
- SoundtracksYou Spin Me Round (Like A Record)
Written by Pete Burns (as Peter Jozzepi Burns), Steve Coy(as Stephen Coy), Mike Percy (as Michael David Percy), Tim Lever (as Timothy John Lever)
Performed by Dead or Alive
Courtesy of Sony Music Entertainment UK Ltd
Published by Burning Music Ltd (PRS), Westbury Music Ltd
All rights on behalf of Burning Music Ltd
Administered by Warner/Chappell Ltd
All Rights Reserved
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Details
Box office
- Budget
- $19,100,000 (estimated)
- Gross US & Canada
- $1,361,512
- Opening weekend US & Canada
- $96,414
- Jul 31, 2011
- Gross worldwide
- $5,728,213
- Runtime
- 1h 49m(109 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1