Don't Be Afraid of the Dark

Well. Where to start?

This is a film that starts badly, and save two relatively well executed scenes, gets worse. If you have seen the original seventies TV movie you will be sorely disappointed. What made the original frightening was the bareness of the plot, the ordinariness of the location and the bleakness of the ending. All of these elements have been removed. The story is over written, the location of overly ornate, and the ending, although quite nasty, is not as disturbing as it should have been. Add to this the frankly deplorable CGI and iffy direction. Well...

The kid is good though (that's where the 4 points comes from)

Verdict: Don't be afraid of avoiding don't be afraid of the dark

I do not know where all of these other cynical, angry reviews are coming from. Sure they showed the 'goblins' in abundance, but this isn't your typical jump-scare movie; which is fine by me. This was more of a fantasy-horror film where you are supposed to be as much enthralled by the creatures as you are 'afraid' of them.

I thoroughly enjoyed how the creatures looked, moved, and acted. It reminded me of a more modern-made version of the little imps from the movie "The Gate." Instead of dreading them and being on the edge of my seat, I was waiting to see them and their antics again. Perhaps that's why the other reviewers are angry. Perhaps this film has been mis-marketed.

If you like creepy little bipedal monsters that look like imps/goblins, then this movie is for you. If you like fantasy monsters and played Dungeons and Dragons as a kid then you will enjoy this film. If you enjoy medieval European folklore and cryptozoology then you will be as entertained as I was.

Pros: beautiful scenery/sets, a few good jumps, and about 5-10 minutes of eerie atmosphere

Cons: not very scary, too much CGI'd gremlins, and a very predictable/slow plot

Conclusion: rent the original and skip this remake

The much anticipated, by me, remake of the 1973 made for TV movie of the same name left me feeling extremely disappointed. The plot was fairly simple. A young girl Sally (Bailee Madison) moves in with her father Alex (Guy Pearce) and his girlfriend Kim (Katie Holmes), into a house Alex and Kim are fixing up to sell. Soon upon arriving, adventurous Sally discovers the house has a basement and that the family is not alone. The basement's fireplace is inhabited by little CGI'd creatures that terrorize the family, especially Sally. The actors I felt all did an adequate job playing their parts, especially young Sally (Bailee Madison), who played a convincingly cynical little girl fed up with being 'sold' by her mother to live with her father. Overall the movie was very predictable and offered very few scary moments. The creatures from the original, people dressed in little goblin costumes, were sparingly showed. I think it was way more effective than the over-shown little gremlins in this movie, which looked to me like Chihuahuas that could speak. Save your money and skip this one!

Katie Holmes performed beautifully and Pearce performed very well, as he always does. I liked the old house and garden, and the horrifying creatures were quite imaginative.

But one thing I hate in these kind of movies is people behaving stupidly.

There were opportunities to grab a weapon of some kind, but the characters wandered around with just flashlights. There were multiple opportunities for the adults to crush the creatures, but the only one who did so was the 8 year old girl.

The young girl was not likable - she brought on the crisis by discovering the basement, and for no good reason, opening up the sealed exit for the creatures.

Don't Be Afraid of the Dark is exactly the kind of horror movie you want to hate. It's a remake, it involves a child in peril, and it contains some (and I say "some") very nasty violence. Just watch--you'll have trouble hating it.

Guillermo del Toro's new collaborative effort with first-time director Troy Nixey is, simply put, horror done right. There's a lot here that can be found in any horror movie that comes out now, but this one succeeds for relying on tone and setting rather than blood and guts. The acting from all three leads is surprisingly good, and Nixey shines as well behind the camera.

However, at the heart of the film is a ballsy story co-written by del Toro that really keeps the film stable. Don't Be Afraid of the Dark is originally based on a 1973 British TV movie that has been hailed as one of the scariest movies ever made. The remake features a new main character: Sally, a child, played by Bailee Madison. Sally moves into a new Gothic mansion with her father (Guy Pearce) and a new stepmother (Katie Holmes). There, she discovers a ventilation system where she hears breathy voices calling to play with her. At first, the voices are friendly. Then, they're vicious and violent.

The violence of the movie is one of the reasons why this movie succeeds so nicely. The first scene is grisly and is, without a doubt, the reason why Don't Be Afraid of the Dark earned its R-rating rather than its intended PG-13. There isn't constant violence. In fact, there isn't even that much of it. Most of it is bloodless, but all of it is enough to make us squeamish and afraid.

Another area in which the movie excels in that respect is its design. The mansion that Nixey and del Toro chose is gorgeous. The intense lighting, which Nixey noted as "inspired by Rembrandt" in the Q&A following the film, is moody and adds to the heavy tone of the movie. The house is just creepy on its own, but it becomes creepier thanks to the creature design. Unlike what the trailer tells you, the creatures are pretty tiny. What creeped me out about them was the loud, shrill screeches they let out. It'll give you chills. Keep a keen ear and listen for del Toro, as he voices a few of the creatures.

Don't Be Afraid of the Dark is a very fun and very creepy horror movie experience. Though not without its flaws, it has a strong story stabilized by good characters and a surprisingly dark ending, and it's got some good acting too. It's hard not to be absorbed in the mesmerizing light pools of the mansion, and it's even harder not to be entertained. As usual in del Toro films, darkness and unseen monsters reign, and as usual, it's pretty damn unnerving.