IMDb RATING
6.6/10
2.6K
YOUR RATING
Two couples are enjoying their summer at the beach, but when the grown son of one couple arrives, it surprisingly stirs something in the husband of the other couple, will the forbidden feeli... Read allTwo couples are enjoying their summer at the beach, but when the grown son of one couple arrives, it surprisingly stirs something in the husband of the other couple, will the forbidden feelings end badly?Two couples are enjoying their summer at the beach, but when the grown son of one couple arrives, it surprisingly stirs something in the husband of the other couple, will the forbidden feelings end badly?
- Awards
- 2 nominations total
Alessandro Gassmann
- Diego
- (as Alessandro Gassman)
Pilar Saavedra Perrotta
- Isabelle
- (as Pilar Saavedra)
Featured reviews
I am somewhere between liking and disliking this movie, so I am giving it five stars. What I like is the lovely performance by Massimo Poggio as Matteo; if the rest if the movie had been on his level it would have gotten an easy eight stars. But it was as if he was working all alone in an otherwise uniformly mediocre undertaking.
The story, the dialog, the pacing and all the other performances are more like a soap opera than any other movie I can think of, with overblown emotions, preposterous developments, a lot of yelling and crying, and almost continual minor crises of one kind or another - even convenient interruptions for commercial breaks (what another reviewer brilliantly described as fadeaways).
I am a gay man, but I did not find Thyago Alves attractive at all, so the fact that Massimo Poggio made his obsession with the boy totally credible is part of his achievement. His is a stunning, subtle, restrained, and deeply moving performance. So I can recommend this movie highly for his work, but not for anything else.
The story, the dialog, the pacing and all the other performances are more like a soap opera than any other movie I can think of, with overblown emotions, preposterous developments, a lot of yelling and crying, and almost continual minor crises of one kind or another - even convenient interruptions for commercial breaks (what another reviewer brilliantly described as fadeaways).
I am a gay man, but I did not find Thyago Alves attractive at all, so the fact that Massimo Poggio made his obsession with the boy totally credible is part of his achievement. His is a stunning, subtle, restrained, and deeply moving performance. So I can recommend this movie highly for his work, but not for anything else.
10enojones
Built on the theme of ill-fated love, this film merges modern cinema with opera and emerges with a hybrid which infuses the viewer with a morality tale under two hours duration. Emotional theatrics reveal the frayed and tattered mental state of these two couples as both attempt to keep the appearances of functional family ties and friendships. While some USA viewers may find the emotional intensity "over the top," I find it similar to the emotional intensity that was infused into American Western genre when it went Italian and added an operatic theme to the story-telling. While no bullets are flying in a "pulp fiction" sensational style, the emotional content and the poignant plot climax enliven a rather dull scenario of viewing yet another "Doing Time on Maple Drive" clone-film with subtitles.
Movie opens with a melodramatic opera scene and the ending of the movie finishes likewise. So over the top that the tragedy at the end seemed too contrived and unrealistic. The sex the married Italian had with the tempting young man was made to seem like the worst thing possible and the guilt trip over what accidentally happened at the end would last a lifetime. Oh come on...give me a break. Total overreaction....totally unreal drama!!! Not interesting and not sexy.
Maybe it's because I'm Italian but this Italian film is absolutely brilliant. Anyone who says otherwise obviously doesn't get it based on what the various reviews here say. Nor is this film for the faint of heart or the weak of mind. It is stimulating, thoughtful, and very intense because you never know what will happen next, a true sign of a great film. It keeps you at the edge of your seat biting your fingernails. But any film that begins with a Wagner opera is nothing to sneeze at and if you don't get Wagner you won't get this film either. Visually, it is nothing less than stunning, in fact may very well be the most beautiful film I have ever seen. The eroticism is unprecedented, true art, done so perfect that I sat there with my mouth open because it never borders on the vulgar. The cast is sublime, just about the most perfect casting you can imagine.
Forgetting its homosexual subject matter for a moment, no one commenting on this film seems to critique it for content and execution. The gay audience pans it for it not being gay enough and out comes the gay card in accusing it of being homophobic, and I feel that the very positive comments are made only because it is gay themed. Anyway, the story was very thought-provoking, and it was dealt with in a very sober way, but in a way that was so slow paced and drawn out that it become boring by the second half of the film.
And part of the drawn-out aspects was the usual European arty scenes of sunsets, seagulls flying in front of clouds and brooding distance and close-up views of the waves. Every movie made in Italy has to be an Art House production with deep underlying meanings and this one is a prime example of that over blown propensity!
The movie was a modern tragedy and conveyed that very well, it was not a rainbow flying gay movie, but a human story that happened to involve homosexual feelings awakening in a married "straight" man - deal with it!
This would have been a very entertaining hour-long drama presentation, but as a full-length movie it detracted from its overall appeal.
And part of the drawn-out aspects was the usual European arty scenes of sunsets, seagulls flying in front of clouds and brooding distance and close-up views of the waves. Every movie made in Italy has to be an Art House production with deep underlying meanings and this one is a prime example of that over blown propensity!
The movie was a modern tragedy and conveyed that very well, it was not a rainbow flying gay movie, but a human story that happened to involve homosexual feelings awakening in a married "straight" man - deal with it!
This would have been a very entertaining hour-long drama presentation, but as a full-length movie it detracted from its overall appeal.
Did you know
- TriviaFilm debut of Thyago Alves.
- ConnectionsReferences Damage (1992)
- How long is David's Birthday?Powered by Alexa
Details
- Runtime
- 1h 46m(106 min)
- Color
- Aspect ratio
- 1.78 : 1
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