Jeon Woochi

+ A good mix between classic Wu-Xiapian movies and time-travel humor. It never fails to deliver laughs or to impress with witty action. Scrolls, seals, ideograms and magic tricks dispensed by the terrific cast are used to serve both the action and the comic relief. No flashy CGI it's cool and discrete. (The audience burst in laughs when they did the old school 'white smoke' metamorphosis trick.)

• The film lacks a good editing though (a recurrent handicap in Korean movies). Despite the great acting of the cast, it tends to slow down when trying to develop the very secondary female characters. This is probably due to the presence of many Korean movie stars who always insist to get a lot of screen time for their characters even if that doesn't serve the storyline.

I'll give it a 8 because of all the good laughs and this very refreshing and magical atmosphere the movie provides. While Korea's grown famous for pushing to export crappy CGI movies out of sheer patriotism but this isn't one of them. Woochi actually delivers.

For once, I found the movie actually better than the underwhelming trailer. Woochi is an action fantasy comedy movie with one half taking place in the past and the other in modern South Korea. It's not traditional fantasy with traditional magic. The so-called goblins, only fantasy creatures in here, are actually beast-men able to take human appearance and you only really see two of them (maybe 3 depending on how you count). However, they're really well done and animated. The magic is of the taoist kind with "spells" written on little pieces of paper. Sounds lame but works wonderfully. I found it quite different than the usual and often a delight to behold. Wooji, the title character, is a very confident trickster mage who is a lot of fun and his introduction was a great moment. He's constantly surprising and I loved the character as well as his comic-relief sidekick. The 3 taoist monks were also quite enjoyable and got way more interesting as the movie went on. The ambiguous and stoic main villain had a lot of presence but the "goblins", although excellent martial artists, were bland in terms of personality.

The plot and motives, mostly exposed in the starting moments and in snippets afterwards, were quite forgettable and not really necessary for enjoyment. The special effects were very well done combining seamlessly CGI and real actors. It was even better sometimes than big-budget American movies. Not only that but there were several beautiful original sequences rarely or never seen before (at least by me). Some of those include going in and out of paintings, multiplication of bodies (think Naruto) and flying tramways. The action scenes were exciting and very cool but unfortunately the fights were often too closed-in and fast for my poor eyes. The comedic moments were funny and didn't turn the film into bad parody. I must admit becoming fidgety and my mind wandering more than half-way through as if the movie was too long or had lost part of my interest. I've seen movies that were as long or longer not thinking of when they would end as I did in Woochi. I had a good time watching this film and would recommend a rental to those who like somewhat exotic martial arts fantasies with comedic elements.

Rating : 7 out of 10.

To make a long thought short: I've watched The Sorcerer's Apprentice first, and then the War of the Wizards the same evening. While the Disney flick was plain boring, I really enjoyed the Korean piece. Given, that the CGI is not 100% of the stuff, Hollywood's money can buy, it has all the rest I've missed in The Sorcerer's Apprentice. War of the Wizards has fun story, nice yeah-I'm-a-great-magician-fights (I loved the boss-fight). Summarised: The Sorcerer's Apprentice sticks to it's name: merely an apprentice compared to this lovely crafted Asian movie. Watch it if you like cool magician battles and have an eye and heart for eastern humor.

A film with time travelling Goblin Rabbits trying to steal a pipe that will….I don't know what. This is Asian cinema at its best. A story built on eastern story telling. Young buck, wise old master, humorous sidekick (who may or may not be a dog of indeterminate gender) and a love interest with guts and gumption when needed most.

Following the apprentice Wizard Woochi (Don Wong-Kan) and his shape shifting Dogberry-esque friend Chorangyi and their hunt for the magic that will make Woochi's name and Chorangyi human.

Fight scenes of inventiveness that take the stylistic quirks of the later Matrix films and make them great, comedic timing and watch out for the reality of magic in the second act (21st century) as we find out what would really happen if you had to seek out a magic painting at two in the morning in downtown Pyongyang.

Betrayal, magic, drunken Taoist gods who can't seem to get anything right and a downbeat upbeat ending that wraps the film up in the brilliance of the eponymous hero's own imagination.

This is a film for teenagers, lovers of story and people who don't take themselves seriously.

Big bag of popcorn.

An action-packed Korean fantasy epic that charts the story of warring wizards transported to a modern city and the chaos they wreak therein, WOOCHI THE DEMON SLAYER sounds great when you see the story written out. Sadly, though, watching the actual movie is a different story altogether. WOOCHI THE DEMON SLAYER turns out to be a weakly-plotted comedy, full of irritating breakneck editing and general disregard for the usual conventions of cinema: it's overlong, rambling, trivial and most of all a bore.

The trailer sells this as a full-blown action movie but it turns out to be a comedy. Now, Asian comedies don't typically do well overseas, so I can see why the trailer was cut that way, but it's still a bit of a cheat. The humour isn't very funny and the script, including various evil wizards, travelling between dimensions, shape-shifting goblins and the like, is all over the place. The one thing the film does boast is some excellent special effects work in the form of above-average CGI, but the elaborate action scenes are spoilt slightly by the disjointed editing and general lack of cohesion. It's a shame, because if the comedy had been toned down and the drama upped, this could have been a very good film indeed; as it stands it's an overlong misfire.