In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sen... Read allIn 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
- Awards
- 18 wins & 47 nominations total
Qing Xu
- Old Joe's Wife
- (as Summer Qing)
James Landry Hébert
- Looper
- (as James Hebert)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
When one deals with time travel as the process has not been discovered everything written or filmed about is always speculative. For instance the Jean-Claude Van Damme film Time Cop shows something quite different when we meet our future and past selves as Joseph Gordon-Levitt and Bruce Willis do here in Looper.
Instead of the forces of law and latent fascism getting control of time travel in Time Cop, Looper has organized crime doing it and eliminating problems that Robert DeNiro in Casino remarked are usually swallowed up by the Nevada desert. Levitt is a Looper one who travels ahead to the future, specifically trained as an assassin and then goes back to his present origin and as targets come through a time portal, they get eliminated. Then at some point, the future selves are eliminated and the present selves just go on with normal lives as we define normal.
Bruce Willis is Levitt's future self only he doesn't like the idea of elimination. And the big boss Jeff Daniels doesn't like how Levitt screwed up the elimination of Willis. The chase is on.
Another question answered by Laurence Olivier in The Boys From Brazil said that we should not eliminate a cloned Hitler. Here a telekinesis gene has entered our gene pool and someone in the distant future has been harnessing its full potential to battle organized crime. That's an even bigger mission that the Levitt/Willis problem.
Looper is a nice and original take on time travel with an outstanding cast giving some standout performances. Note particularly Emily Blunt as the mother of young Pierce Gagnon who has powers and abilities far beyond those of other mortal beings. And young Gagnon is something to see as well.
Looper is definitely worth the price of admission.
Instead of the forces of law and latent fascism getting control of time travel in Time Cop, Looper has organized crime doing it and eliminating problems that Robert DeNiro in Casino remarked are usually swallowed up by the Nevada desert. Levitt is a Looper one who travels ahead to the future, specifically trained as an assassin and then goes back to his present origin and as targets come through a time portal, they get eliminated. Then at some point, the future selves are eliminated and the present selves just go on with normal lives as we define normal.
Bruce Willis is Levitt's future self only he doesn't like the idea of elimination. And the big boss Jeff Daniels doesn't like how Levitt screwed up the elimination of Willis. The chase is on.
Another question answered by Laurence Olivier in The Boys From Brazil said that we should not eliminate a cloned Hitler. Here a telekinesis gene has entered our gene pool and someone in the distant future has been harnessing its full potential to battle organized crime. That's an even bigger mission that the Levitt/Willis problem.
Looper is a nice and original take on time travel with an outstanding cast giving some standout performances. Note particularly Emily Blunt as the mother of young Pierce Gagnon who has powers and abilities far beyond those of other mortal beings. And young Gagnon is something to see as well.
Looper is definitely worth the price of admission.
i always approach a film especially when it is classified as scifi with liberal suspension of disbelief. because it is only through that that i was able to appreciate such scifi gems as Stargate and Fifth Element and many other that were otherwise written off by these so-called critics.
Looper is one of those films that should be appreciated by its message more than its genre. it uses the science fiction medium, complete with action stunts and wonders, as an apt and well-sculpted vehicle to a very beautiful message of self-sacrifice and positive reinforcement parenthood. the film goes to extra length to make the story plausible and solid and the actors, including the 'rainmaker' child, did a marvelous job of pulling it off.
i've always believed that the soul of any film, even as i appreciate great plot twists and great special fx and great acting and direction (yeah, i said great too many times!), is the message and/or portrait it intends to get across. Looper made a kill for it.
Looper is one of those films that should be appreciated by its message more than its genre. it uses the science fiction medium, complete with action stunts and wonders, as an apt and well-sculpted vehicle to a very beautiful message of self-sacrifice and positive reinforcement parenthood. the film goes to extra length to make the story plausible and solid and the actors, including the 'rainmaker' child, did a marvelous job of pulling it off.
i've always believed that the soul of any film, even as i appreciate great plot twists and great special fx and great acting and direction (yeah, i said great too many times!), is the message and/or portrait it intends to get across. Looper made a kill for it.
Sci-fi films often strive for originality. Contrary to what many spiteful internet fan boys claim, Hollywood is not afraid of new ideas, It just doesn't come up with them that frequently. But every so often amidst the failed attempts at being the next matrix or blade runner, there's an inception or a district 9 that makes you believe in the movie industry's commitment to quality once more. With Looper Rian Johnson manages to do something very few films ever do. It makes us think, feel and sit on the edge of our seat often all at once. The premise is not that mind boggling. Whereas other intelligent sci-fi's have convoluted plots that we try to decipher amongst the spectacle Looper sets us up with a basic idea, but an idea that deepens and grows more dimensions than the trailers suggest. To give away too much would be a crime, so its best to go in knowing the basics. Joseph Gordon Levitt plays Joe, a specialised assassin known as a Looper. These Loopers are hired for the not too taxing job of assassinating people sent from the future all tied up with a bag over their heads. They then receive payment in the form of "silver" attached to the targets back. The looper then disposes of a body that technically doesn't exist and so wont be looked for. However with the job comes a specific requirement. A looper will also have to retire himself by assassinating their future selves this is called "closing the loop". And this is where the core of our story begins, but crucially it is not the real focus of the story as it moves on. As you'll know from the trailers Joe is tasked with killing his future self (Bruce Willis) and when he fails to do so is on the run from the criminals who hired him to do so in the first place. Where the story goes from there is unexpected and in places rather dark. There are many smart little details in Johnsons phenomenal script, that really flesh out the world he has created for his film. The characters use their own lexicon and slang, they have their own type of future drugs (taken through eye drops), and some of the details regarding the time travel are inspired. Again to say too much would do the film a great disservice but its clear Johnson has an eye for both ideas and spectacle. The camera moves in such an organic involving way, each frame is so precisely positioned you know if you got the chance you wouldn't change a thing. Techinically the film cannot be faulted. The look is warm and believable, stylistically there are moments that will stay with you long after you've left the cinema (a moving and thrilling ride through 30 years in particular is very cleverly interwoven into the story structure) and the soundtrack fits exquisitely. The characters are all sympathetic and deep with multiple dimensions. Even when one character goes to do something unspeakable mid way through the film, its believable through the brilliant direction of Johnson. The cast are all superb, especially Gordon Levitt who plays a complicated character and evolves him masterfully with the aid of a screenplay that puts character in the foreground and lets the action merely be the cherry on top. Thats not to say that the action is anything less than outstanding. Looper proves that action can still be thrilling with just a few men and some guns but at the same time provides us with some fantastical comic book fantasy spectacle with a dash of surprisingly brutal violence. As the film powers towards an awe inspiring and heartbreaking conclusion we begin to realise just how involved we've become. It actually matters to us what becomes of Joe and how this stylish, smart tale will end. Perhaps its down to a great cast giving it there all. Perhaps its down to great technical wizardry, but most likely its down to the vision of Rian Johnson, who does that rare thing of proving, Hollywood can take risks.
Rian Johnson (The Brothers Bloom, Brick) is the writer and director of this sci-fi film. Like his other projects, this has original if slightly off-kilter thinking in its story. It is not a regular sci-fi movie. There are some crazy ideas going on here. Time travel is not enough. There is also telekinesis, post collapse apocalypse, mob killings, and pre-planned suicide for hire (yeah figure that one out). Does it all make logical sense? I can't tell. But it sure was fun trying to follow it. Joseph Gordon-Levitt is great as the young Bruce Willis. Emily Blunt is refreshingly new. Also staring is Paul Dano and Piper Perabo.
No Spoilers will be shown, the story is basically the public knowledge shown on the trailers.
The story is about this man named Joe who is played by both Joseph Gordon-Levitt and Bruce Willis. Basically his job is a looper. In the Year 2074 civilization has created time travel however it is highly illegal to use it. It is then controlled by the highest criminal mafia in the world. In the future they cannot kill a person, so instead they send them back 30 years and the looper will kill them. When the young Joe saw the Old Joe standing there, he hesitated and the plot clashed.
The story was very confusing at first, but the movie does a good job to explain to us as it goes along. To be honest at first I thought this was going to be bad, the story took some time to build up, and the plot just didn't seem to have any structure. Once the movie did pick up, boy did it pick up. It became intense as the hunter became the hunted.
The story had emotion, action, we laughed and cried. Many places where things appeared to be stupid ended actually be part of the story and working out. There are though, a lot of silly moments in the story that to my opinion could have been left out and the story would have been just as good. The acting was very good. Also kinda shows how much Bruce Willis is getting old, but can still pack a punch. I give this movie an 8.5/10!
The story is about this man named Joe who is played by both Joseph Gordon-Levitt and Bruce Willis. Basically his job is a looper. In the Year 2074 civilization has created time travel however it is highly illegal to use it. It is then controlled by the highest criminal mafia in the world. In the future they cannot kill a person, so instead they send them back 30 years and the looper will kill them. When the young Joe saw the Old Joe standing there, he hesitated and the plot clashed.
The story was very confusing at first, but the movie does a good job to explain to us as it goes along. To be honest at first I thought this was going to be bad, the story took some time to build up, and the plot just didn't seem to have any structure. Once the movie did pick up, boy did it pick up. It became intense as the hunter became the hunted.
The story had emotion, action, we laughed and cried. Many places where things appeared to be stupid ended actually be part of the story and working out. There are though, a lot of silly moments in the story that to my opinion could have been left out and the story would have been just as good. The acting was very good. Also kinda shows how much Bruce Willis is getting old, but can still pack a punch. I give this movie an 8.5/10!
Did you know
- TriviaJoe (Joseph Gordon-Levitt) falling off the fire escape was filmed on the actor's 30th birthday. Gordon-Levitt was left hanging on the stunt wires while the crew sang "Happy Birthday" and wheeled out a birthday cake.
- GoofsJoe is right-handed, whereas Old Joe is left-handed. Not only that, all of Old Joe's mannerisms - the smirk to one side, the head tilt, and so on - are mirrored.
- Alternate versionsThe version shown on FX in the US features replacement footage for Piper Perabo's nude dialogue scene featuring her in lingerie; according to Rian Johnson on Twitter, it's also a different performance altogether.
- ConnectionsFeatured in Projector: Looper (2012)
- SoundtracksFear Makes a Man Do Funny Things
Written and Performed by The Mashnotes
Courtesy of Glimmerfed Records
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Asesino del futuro
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $66,486,205
- Opening weekend US & Canada
- $20,801,552
- Sep 30, 2012
- Gross worldwide
- $176,506,819
- Runtime
- 1h 59m(119 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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