In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sen... Read allIn 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
- Awards
- 18 wins & 47 nominations total
Qing Xu
- Old Joe's Wife
- (as Summer Qing)
James Landry Hébert
- Looper
- (as James Hebert)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
"Looper" by Rian Johnson is an impressive film with an original story. Centers in the future where assassins known as "Loopers" kill targets who are transported from the past by the mob. Joe, a skilled assassin discovers he has to kill his older self sent from the past and unveils a plot that will effect his life of both his and his older self. The movie is great and relies on the term of "cat and mouse" game between all characters. Joseph Gordon Leavitt is a great actor and portrays perfectly every role of his. As the main character he does a good job. Bruce Willis is amazing yet again, his performance reminded me of his role in "12 Monkeys": a traveler from time who is a skilled assassin and needs to stop a plot from happening. Emily Blunt is as always, Emily Blunt. I mean there's nothing wrong with her performance but her character is annoying and reminded me of her role in "Sicario". The film in general is good and has it's moments but I wouldn't watch it again or recommend it immediately after seeing the movie.
Sitting here the day after viewing Rian Johnson's Looper, parts of it are still falling in to place. Standing out amongst this years crop of mostly underwhelming sequels and comic book adaptations, Looper thunders onto the screen, showing, much like Inception did two years ago, that there is a place in 2012 for fresh material and just how good it can be when it's done right.
The film tells the story of Joe (Joseph Gordon-Levitt), a hit-man for an organised crime syndicate tasked with assassinating targets sent from the future. After being confronted with his future self (Bruce Willis) and failing to perform, Young Joe is forced to track down Old Joe and finish the job before being tracked down himself by the nefarious mob led by Abe (Jeff Daniels). However there is much more to the story than the basic premise, and Johnson isn't afraid to keep details close to his chest until later in the film than most movies of this type, so I won't spoil them here.
While certainly paying subtle homage to its predecessors, Looper is a stunningly original sci-fi masterpiece, vastly superior to any of the higher profile action releases this year. While certainly made on a much larger playing field than Johnson's previous work (Brick, The Brothers Bloom), there is still a small-scale, independent feel to the film, and it benefits from clearly staying completely under the control of the young director. Delivering excitement sprinkled with thoughtful themes of personal sacrifice, he offers us much to chew on.
Johnson understands that a successful action film doesn't need an explosion every ten minutes, and allows ample time for developing character and story, something which will likely divide audiences. Looper is very deliberately constructed, and after the highly charged opening establishing the intricate time-travel premise and direction of the plot, Johnson scales back the action almost too much as he ambitiously juggles the many and varied story elements he has created. Thankfully, any weakness in the middle of the film is largely overshadowed as Johnson launches the third act with such ferocity that the stark change of pace leaves you breathless.
Despite the problems in the middle of the film, Looper overcomes its flaws purely by being that rare beast in Hollywood nowadays, the totally original script. Not an adaptation, not a sequel or remake, but a fresh idea from the mind of an immensely talented young film-maker. In a perfect world, Looper would be the game changer it deserves to be, slapping Hollywood studios across the face and announcing that not everything has to be a PG-13 franchise based on a comic book. It's unlikely that this will the case, and it remains to be seen whether or not the film will even be a success, but it's encouraging to see that there are young auteurs at work who are fighting to craft new and exciting stories, even if we only get to see the results every year or two.
tinribs27.wordpress.com
The film tells the story of Joe (Joseph Gordon-Levitt), a hit-man for an organised crime syndicate tasked with assassinating targets sent from the future. After being confronted with his future self (Bruce Willis) and failing to perform, Young Joe is forced to track down Old Joe and finish the job before being tracked down himself by the nefarious mob led by Abe (Jeff Daniels). However there is much more to the story than the basic premise, and Johnson isn't afraid to keep details close to his chest until later in the film than most movies of this type, so I won't spoil them here.
While certainly paying subtle homage to its predecessors, Looper is a stunningly original sci-fi masterpiece, vastly superior to any of the higher profile action releases this year. While certainly made on a much larger playing field than Johnson's previous work (Brick, The Brothers Bloom), there is still a small-scale, independent feel to the film, and it benefits from clearly staying completely under the control of the young director. Delivering excitement sprinkled with thoughtful themes of personal sacrifice, he offers us much to chew on.
Johnson understands that a successful action film doesn't need an explosion every ten minutes, and allows ample time for developing character and story, something which will likely divide audiences. Looper is very deliberately constructed, and after the highly charged opening establishing the intricate time-travel premise and direction of the plot, Johnson scales back the action almost too much as he ambitiously juggles the many and varied story elements he has created. Thankfully, any weakness in the middle of the film is largely overshadowed as Johnson launches the third act with such ferocity that the stark change of pace leaves you breathless.
Despite the problems in the middle of the film, Looper overcomes its flaws purely by being that rare beast in Hollywood nowadays, the totally original script. Not an adaptation, not a sequel or remake, but a fresh idea from the mind of an immensely talented young film-maker. In a perfect world, Looper would be the game changer it deserves to be, slapping Hollywood studios across the face and announcing that not everything has to be a PG-13 franchise based on a comic book. It's unlikely that this will the case, and it remains to be seen whether or not the film will even be a success, but it's encouraging to see that there are young auteurs at work who are fighting to craft new and exciting stories, even if we only get to see the results every year or two.
tinribs27.wordpress.com
No Spoilers will be shown, the story is basically the public knowledge shown on the trailers.
The story is about this man named Joe who is played by both Joseph Gordon-Levitt and Bruce Willis. Basically his job is a looper. In the Year 2074 civilization has created time travel however it is highly illegal to use it. It is then controlled by the highest criminal mafia in the world. In the future they cannot kill a person, so instead they send them back 30 years and the looper will kill them. When the young Joe saw the Old Joe standing there, he hesitated and the plot clashed.
The story was very confusing at first, but the movie does a good job to explain to us as it goes along. To be honest at first I thought this was going to be bad, the story took some time to build up, and the plot just didn't seem to have any structure. Once the movie did pick up, boy did it pick up. It became intense as the hunter became the hunted.
The story had emotion, action, we laughed and cried. Many places where things appeared to be stupid ended actually be part of the story and working out. There are though, a lot of silly moments in the story that to my opinion could have been left out and the story would have been just as good. The acting was very good. Also kinda shows how much Bruce Willis is getting old, but can still pack a punch. I give this movie an 8.5/10!
The story is about this man named Joe who is played by both Joseph Gordon-Levitt and Bruce Willis. Basically his job is a looper. In the Year 2074 civilization has created time travel however it is highly illegal to use it. It is then controlled by the highest criminal mafia in the world. In the future they cannot kill a person, so instead they send them back 30 years and the looper will kill them. When the young Joe saw the Old Joe standing there, he hesitated and the plot clashed.
The story was very confusing at first, but the movie does a good job to explain to us as it goes along. To be honest at first I thought this was going to be bad, the story took some time to build up, and the plot just didn't seem to have any structure. Once the movie did pick up, boy did it pick up. It became intense as the hunter became the hunted.
The story had emotion, action, we laughed and cried. Many places where things appeared to be stupid ended actually be part of the story and working out. There are though, a lot of silly moments in the story that to my opinion could have been left out and the story would have been just as good. The acting was very good. Also kinda shows how much Bruce Willis is getting old, but can still pack a punch. I give this movie an 8.5/10!
When one deals with time travel as the process has not been discovered everything written or filmed about is always speculative. For instance the Jean-Claude Van Damme film Time Cop shows something quite different when we meet our future and past selves as Joseph Gordon-Levitt and Bruce Willis do here in Looper.
Instead of the forces of law and latent fascism getting control of time travel in Time Cop, Looper has organized crime doing it and eliminating problems that Robert DeNiro in Casino remarked are usually swallowed up by the Nevada desert. Levitt is a Looper one who travels ahead to the future, specifically trained as an assassin and then goes back to his present origin and as targets come through a time portal, they get eliminated. Then at some point, the future selves are eliminated and the present selves just go on with normal lives as we define normal.
Bruce Willis is Levitt's future self only he doesn't like the idea of elimination. And the big boss Jeff Daniels doesn't like how Levitt screwed up the elimination of Willis. The chase is on.
Another question answered by Laurence Olivier in The Boys From Brazil said that we should not eliminate a cloned Hitler. Here a telekinesis gene has entered our gene pool and someone in the distant future has been harnessing its full potential to battle organized crime. That's an even bigger mission that the Levitt/Willis problem.
Looper is a nice and original take on time travel with an outstanding cast giving some standout performances. Note particularly Emily Blunt as the mother of young Pierce Gagnon who has powers and abilities far beyond those of other mortal beings. And young Gagnon is something to see as well.
Looper is definitely worth the price of admission.
Instead of the forces of law and latent fascism getting control of time travel in Time Cop, Looper has organized crime doing it and eliminating problems that Robert DeNiro in Casino remarked are usually swallowed up by the Nevada desert. Levitt is a Looper one who travels ahead to the future, specifically trained as an assassin and then goes back to his present origin and as targets come through a time portal, they get eliminated. Then at some point, the future selves are eliminated and the present selves just go on with normal lives as we define normal.
Bruce Willis is Levitt's future self only he doesn't like the idea of elimination. And the big boss Jeff Daniels doesn't like how Levitt screwed up the elimination of Willis. The chase is on.
Another question answered by Laurence Olivier in The Boys From Brazil said that we should not eliminate a cloned Hitler. Here a telekinesis gene has entered our gene pool and someone in the distant future has been harnessing its full potential to battle organized crime. That's an even bigger mission that the Levitt/Willis problem.
Looper is a nice and original take on time travel with an outstanding cast giving some standout performances. Note particularly Emily Blunt as the mother of young Pierce Gagnon who has powers and abilities far beyond those of other mortal beings. And young Gagnon is something to see as well.
Looper is definitely worth the price of admission.
i always approach a film especially when it is classified as scifi with liberal suspension of disbelief. because it is only through that that i was able to appreciate such scifi gems as Stargate and Fifth Element and many other that were otherwise written off by these so-called critics.
Looper is one of those films that should be appreciated by its message more than its genre. it uses the science fiction medium, complete with action stunts and wonders, as an apt and well-sculpted vehicle to a very beautiful message of self-sacrifice and positive reinforcement parenthood. the film goes to extra length to make the story plausible and solid and the actors, including the 'rainmaker' child, did a marvelous job of pulling it off.
i've always believed that the soul of any film, even as i appreciate great plot twists and great special fx and great acting and direction (yeah, i said great too many times!), is the message and/or portrait it intends to get across. Looper made a kill for it.
Looper is one of those films that should be appreciated by its message more than its genre. it uses the science fiction medium, complete with action stunts and wonders, as an apt and well-sculpted vehicle to a very beautiful message of self-sacrifice and positive reinforcement parenthood. the film goes to extra length to make the story plausible and solid and the actors, including the 'rainmaker' child, did a marvelous job of pulling it off.
i've always believed that the soul of any film, even as i appreciate great plot twists and great special fx and great acting and direction (yeah, i said great too many times!), is the message and/or portrait it intends to get across. Looper made a kill for it.
Did you know
- TriviaJoe (Joseph Gordon-Levitt) falling off the fire escape was filmed on the actor's 30th birthday. Gordon-Levitt was left hanging on the stunt wires while the crew sang "Happy Birthday" and wheeled out a birthday cake.
- GoofsJoe is right-handed, whereas Old Joe is left-handed. Not only that, all of Old Joe's mannerisms - the smirk to one side, the head tilt, and so on - are mirrored.
- Alternate versionsThe version shown on FX in the US features replacement footage for Piper Perabo's nude dialogue scene featuring her in lingerie; according to Rian Johnson on Twitter, it's also a different performance altogether.
- ConnectionsFeatured in Projector: Looper (2012)
- SoundtracksFear Makes a Man Do Funny Things
Written and Performed by The Mashnotes
Courtesy of Glimmerfed Records
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Asesino del futuro
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $66,486,205
- Opening weekend US & Canada
- $20,801,552
- Sep 30, 2012
- Gross worldwide
- $176,506,819
- Runtime
- 1h 59m(119 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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