Mid-August Lunch

This gentle movie, about a middle-aged man left caring for some elderly relatives (and non-relatives) during a public holiday, is notable for some fine performances from a truly aged cast; at least one member was 94 when the film was made. It's quite perceptive about the way that old people interact; and it's younger male lead (played by the writer and director) is also shrewdly drawn. What there isn't is any real plot beyond the set-up: there's almost unlimited potential for disaster here, but none of it ultimately happens. The result is mild, in places amusing, but something short of riveting: rather like visiting an elderly aunt's for tea.

Gianni (Gianni Di Gregorio), who is well into his forties, has no job or income and still lives in his comfortable family home with his ageing mother. She is a capricious but refined woman who requires a lot of attention and even more patience. Gianni offers her those but can barely squeeze a little life of his own in there. When those around him escape from Rome for some fresh countryside air in the mid-summer weekend, he finds himself left behind in the empty city with a motley of elderly ladies.

I suppose many people will amuse themselves wondering if Mr Di Gregorio is playing himself, or at least a little... as the Gianni in the movie is somewhat removed from normal society. He seems to have accepted that he will be taking care of his mother, at the expense of having his own life. This is a rare form of self-sacrifice in our day, and shows, through our own eyes, our expectations of an individual's life. Can you live a full life without a romantic relationship? Can you feel content without being able to provide for yourself (and your family), without perusing some kind of personal development? How far from the ordinary can you be removed and still feel content about your life?

It is not easy. Gianni needs money and yet does not work. Of course if he would work, then who would take care of his mother? Should he be working to be able to pay for a home for her, so that he can start a relationship of his own? Then his mother would be all alone, unhappy and less well taken care of than in the company of her own son. The dilemma of the ageing society laid bare.

When we see the elderly ladies laughing and interacting together, it is almost as if a choice has to be made in society, that either the elderly or the young have to sacrifice themselves for the other. This awkward thought is dispelled later on, at least somewhat, as the characters all find a place for themselves in this unexpected weekend away without leaving. This is a touching and funny film, which should have been released here in May when everyone has one foot at home and the other in a long weekend away. It would have added a nice tie-in with the reality around us.

Gianni (Gianni Di Gregorio) spends the majority of his time looking after his elderly and demanding mother (Valeria De Franciscis). His bills are way overdue and his fellow tenants are becoming uneasy with the fact that he never puts into the kitty. A friend offers to help him out only if he takes his mother and aunt for a while, and soon his once- quiet apartment becomes overrun with chatty and restless old ladies. After a medical check-up, he agrees to take his doctor's mother on board as well. Soon Gianni is struggling with keeping up with the ever- increasing demands and mischievous behaviour from his new inhabitants.

Ending at around the 71 minute mark, this film does quite a lot in a relatively slight running time. It manages to be sweet, funny and moving in a very subtle way, that doesn't completely hit home until after the film has ended. While a film of similar theme may patronise old age and add sentimentality, Mid-August Lunch portrays old age as something to cherish. The old ladies seem to come to life when together, when previously Gianni's mother had been almost melancholy on her own. The bubbly Marina (Marina Cacciotti) sneaks out at night and a panicked Gianni finds her drinking and smoking in a bar, only for Gianni to have trouble putting her to bed later as she flirts and demands to play cards. Grazia (Grazia Cesarini Sforza) uses it as an opportunity to eat baked pasta, something her doctor son has banned her from eating.

I really got a feel for Italian life from the film - family, friends, great food, fine wine. In fact, the whole film washes down like a glass of chianti. This is a lovely little gem from actor-director Gianni Di Gregorio, and it's dealt with in an unfussy and sensitive manner. Di Gregorio also co-wrote the screenplay for 2008's Gomorrah, which I would also highly recommend.

www.the-wrath-of-blog.blogspot.com

The cliché of the Italian bachelor living at home with a doting mother who waits on him and prepares his favorite meals is turned on it's head in the delicious Italian treat, "Mid-August Lunch." In this film, unemployed fifty-ish bachelor Gianni (Gianni Di Gregorio) shows respect for his ninety-something mother by taking good care of her and lovingly preparing their meals.

The small family has been living off of credit for some time and is months behind on their maintenance and electric bills for their ancient apartment. The landlord is willing to forgive the dept if they take in his mother so he can get away for the Mid-August holiday. The landlord drops off his mother AND his aunt. And soon the doctor's mother joins the mix. So Gianni must survive the weekend playing good host to four strong-willed shut-ins. What impressed me most was how he never loses his manners but treats these woman with the respect earned by those who have reached a certain age.

This is a film about the joys of entertaining. It illustrates the isolation that comes with aging and our continued need to socialize. There is an Italian saying, "A tavola no s'invecchia," that articulates the theme perfectly, "The passage of time is suspended with experiencing the pleasure of good food, good wine and company."

"Mid-August Lunch" dishes up "slice of life" humor with simple, authentic Italian flavors like those in the perch with potatoes, oregano and rosemary lovingly served at the holiday feast.

Movie Blessings! Jana Segal, Reel Inspiration

Writer/director Gianni Di Gregorio is also the star of this delightful little film about loneliness, tolerance, and seeing the silver lining. The film glows with a richness of spirit that is very satisfying and humorous and uplifting. Apparently Pranzo di Ferragosto (or Feast of Assumption) is that holiday in mid august when all Italians head for the shore so get away from the heat. Gianni lives in Rome with his very elderly and demanding mother (Valeria De Franciscis), broke, with mounting tabs at the grocers and the winery, but he prides himself in his culinary skills with which he keeps his mother satisfied. He spends his days whopping and sipping wine with his old friend Viking (Luigi Marchetti). When his friend and condo manager Alfonso (Alfonso Santagata) pays a visit to remind Gianni how he is behind in his rent and obligations for the condo, Gianni is depressed but Alfonso has a plan: take care of his mother (Marina Cacciotti) during the weekend of Pranzo di Ferragosto and Gianni's debts will be forgiven. Gianni agrees as does his mother, but when Alfonso arrives with his mother in tow he also brings his aunt (Maria Cali) who also needs a place to stay in Alfonso's absence. The local doctor (Marcello Ottolenghi) pays a house call to check on Gianni and his mother and in passing asks Gianni to look after HIS mother (Grazia Cesarini Sforza), too. This leaves Gianni with a full house, a shared television, minimal beds, but they all make do and with the help of his old friend Viking the two to entertain the three old ladies. They cook a fine mid-August meal and the old lades dress up and dance, having more fun than they have had since their youth.

It is a slight story but one told with a warmth and compassion that is endearing to experience. For light but tender entertainment this film is a major winner!

Grady Harp