Mid-August Lunch

The cliché of the Italian bachelor living at home with a doting mother who waits on him and prepares his favorite meals is turned on it's head in the delicious Italian treat, "Mid-August Lunch." In this film, unemployed fifty-ish bachelor Gianni (Gianni Di Gregorio) shows respect for his ninety-something mother by taking good care of her and lovingly preparing their meals.

The small family has been living off of credit for some time and is months behind on their maintenance and electric bills for their ancient apartment. The landlord is willing to forgive the dept if they take in his mother so he can get away for the Mid-August holiday. The landlord drops off his mother AND his aunt. And soon the doctor's mother joins the mix. So Gianni must survive the weekend playing good host to four strong-willed shut-ins. What impressed me most was how he never loses his manners but treats these woman with the respect earned by those who have reached a certain age.

This is a film about the joys of entertaining. It illustrates the isolation that comes with aging and our continued need to socialize. There is an Italian saying, "A tavola no s'invecchia," that articulates the theme perfectly, "The passage of time is suspended with experiencing the pleasure of good food, good wine and company."

"Mid-August Lunch" dishes up "slice of life" humor with simple, authentic Italian flavors like those in the perch with potatoes, oregano and rosemary lovingly served at the holiday feast.

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Writer/director Gianni Di Gregorio is also the star of this delightful little film about loneliness, tolerance, and seeing the silver lining. The film glows with a richness of spirit that is very satisfying and humorous and uplifting. Apparently Pranzo di Ferragosto (or Feast of Assumption) is that holiday in mid august when all Italians head for the shore so get away from the heat. Gianni lives in Rome with his very elderly and demanding mother (Valeria De Franciscis), broke, with mounting tabs at the grocers and the winery, but he prides himself in his culinary skills with which he keeps his mother satisfied. He spends his days whopping and sipping wine with his old friend Viking (Luigi Marchetti). When his friend and condo manager Alfonso (Alfonso Santagata) pays a visit to remind Gianni how he is behind in his rent and obligations for the condo, Gianni is depressed but Alfonso has a plan: take care of his mother (Marina Cacciotti) during the weekend of Pranzo di Ferragosto and Gianni's debts will be forgiven. Gianni agrees as does his mother, but when Alfonso arrives with his mother in tow he also brings his aunt (Maria Cali) who also needs a place to stay in Alfonso's absence. The local doctor (Marcello Ottolenghi) pays a house call to check on Gianni and his mother and in passing asks Gianni to look after HIS mother (Grazia Cesarini Sforza), too. This leaves Gianni with a full house, a shared television, minimal beds, but they all make do and with the help of his old friend Viking the two to entertain the three old ladies. They cook a fine mid-August meal and the old lades dress up and dance, having more fun than they have had since their youth.

It is a slight story but one told with a warmth and compassion that is endearing to experience. For light but tender entertainment this film is a major winner!

Grady Harp

I loved this movie! It's a little movie that totally captivated me. It's the story of a middle-aged unmarried man who lives in Rome with his mother. Money is obviously tight but they seem to live a very nice life. Unfortunately, the condominium bills keep piling up. So when the head of the condominium offers to forgive the expenses in return for his caring for the condo head's mother for 2 days (over Ferragosto), he agrees. When the mother shows up, an aunt also comes - obviously a packaged deal. Through another act of fate, another elderly woman comes to share the overnight experience. The women are wonderful as is the main actor (Gianni DiGregorio) - he is also the writer and director. He was at the showing I attended and shared some interesting info. These women are not actors. One is his aunt and one is a family friend. He found the other two at a home for the elderly. Said he interviewed 100 women and had trouble deciding because so many were so wonderful. The crew was exhausted at the end of the day - these women were on a roll - and all were over 90 years old. The apartment in which he lived was actually the apartment in which he had lived with his mother. This was a low- budget film which was one of the reasons that he starred in the film, i.e., he couldn't afford to hire a "real" actor. Thank you Gianni for a wonderful movie!

Gianni is a man entering the later years of his life. He has no job,no wife,drinks perhaps a bit too much for his own good,but seems to be content in looking after the needs of his somewhat demanding mother. They both live in a flat in the centre of Rome,despite the fact that Gianni hasn't paid the rent in three years. The landlord offers to wave the rent money if Gianni will look after his equally aged mother for the weekend,which Gianni has no choice but to say yes to. Gianni ends up the care taker of a house full of elderly Italian ladies for the weekend (the landlord shows up with not just his mother,but her sister,as well). Add on top of that,his doctor manages to sweet talk Gianni into also looking after his aged mother. Gianni now has to play host,wet nurse & baby sitter,all rolled into one (eccentric behavior,hissy fits & other things figure into it)for four demanding women. All of this makes for a low key,loving homage to family love & respect for the aged. Gianni DiGregorio,screenwriter of the acclaimed Mafia drama,'Gamorra' from a few years back,wears three hats in the gentle comedy/drama,'Pranzo De Ferragosto' (released in most English speaking countries as,'Mid August Lunch' (director/co writer,with Simone Riccardini,as well as acts in the central role as Gianni). Gian Enrico Bianchi is the director of photography of this (mostly)chamber piece,with editing by Marco Spoletini. Most of the cast go by they're own names,with Valeria DeFranciscis,as Gianni's mother,Maria Cali,as Aunt Maria,Grazia Santagata as Grazia,Alfonso Santagata as Alfonso,Marinina Caccoiotti,as Alfonso's mother (yep,you guessed it), Marinina,with Maricello Ottolenghi,as the doctor,and Luigi Marchetti as Gianni's neighbour & friend,Viking. This is a film that will appeal to those who are tired of the usual glut of Hollywood bombast (car chases, explosions,graphic violence and sexual situations,not to mention vulgar language),and want a breezy,Italian comedy/drama that goes down like a nice piece of light,Italian puff pastry,with no ill effects. Not rated by the MPAA,this film serves up little that could offend,outside of much drinking of alcohol,and a bit of smoking. Would possibly bore most under the age of 35.

Gianni (Gianni Di Gregorio) spends the majority of his time looking after his elderly and demanding mother (Valeria De Franciscis). His bills are way overdue and his fellow tenants are becoming uneasy with the fact that he never puts into the kitty. A friend offers to help him out only if he takes his mother and aunt for a while, and soon his once- quiet apartment becomes overrun with chatty and restless old ladies. After a medical check-up, he agrees to take his doctor's mother on board as well. Soon Gianni is struggling with keeping up with the ever- increasing demands and mischievous behaviour from his new inhabitants.

Ending at around the 71 minute mark, this film does quite a lot in a relatively slight running time. It manages to be sweet, funny and moving in a very subtle way, that doesn't completely hit home until after the film has ended. While a film of similar theme may patronise old age and add sentimentality, Mid-August Lunch portrays old age as something to cherish. The old ladies seem to come to life when together, when previously Gianni's mother had been almost melancholy on her own. The bubbly Marina (Marina Cacciotti) sneaks out at night and a panicked Gianni finds her drinking and smoking in a bar, only for Gianni to have trouble putting her to bed later as she flirts and demands to play cards. Grazia (Grazia Cesarini Sforza) uses it as an opportunity to eat baked pasta, something her doctor son has banned her from eating.

I really got a feel for Italian life from the film - family, friends, great food, fine wine. In fact, the whole film washes down like a glass of chianti. This is a lovely little gem from actor-director Gianni Di Gregorio, and it's dealt with in an unfussy and sensitive manner. Di Gregorio also co-wrote the screenplay for 2008's Gomorrah, which I would also highly recommend.

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