Colin

Just to clear up two points that are repeated ad infinitum: 1 - it's not the first zombie movie shown from the zombies POV. 2 - it's not the first zombie movie to make the zombie empathetic.

Both these points were first done by George Romero. In 'Land of the Dead' one of the core story lines was zombies recognizing they were being attacked and moving towards the human settlement. Again in 'Land of the Dead', and also 'Dawn...' and 'Day of the Dead' there was a recognisably empathic portrayal of the pilot in 'Dawn'(when he turned) and Bub in 'Day'.

There's no doubt that 'Colin' is well done if the statements about the budget are correct - there are some very good aspects to the movie: the soundtrack/score; some of the make up and effects; some the acting.

But this movie is really an extended student film, the cinematography is awful, the editing is okay as long as there is no more than 1 or 2 actors in scene, any more than that and it's very difficult to work out what's going on.

Not to denigrate the efforts of the director, cast and crew - but this is an idea of a movie and should be seen almost as a showreel than a finished product.

Made for £45, my arse! This film's laundry bill alone would have amounted to more than that (fake blood doesn't come out of clothes by itself, you know), let alone all the other costs that are unavoidably incurred during the film-making process, no matter how cheap the production: catering, administration, travel, make-up supplies etc.

Sadly, Colin's clever '£45' marketing ploy turns out to be the most effective thing about the whole film. Despite a valiant attempt to try something different with the whole living-dead schtick, and for seriously less dosh than most low-budget horrors, most of the time the film proves to be a less than scintillating experience, the basic idea being far more suitable to a 10 minute short than a 97 minute feature.

Watching recently turned corpse Colin (Alastair Kirton) slowly dragging his feet around South London for an hour and a half, pausing to contemplate road signs or traffic lights on the way, is pretty dreary stuff. Director Marc Price occasionally picks up the pace, such as when Colin stumbles upon a house siege or a group of survivors take action against the undead (resulting in a unsettling scene where those wounded during the battle are cruelly dispatched before they can become zombies), but for the majority of the time, this is dead boring.

This is one of those rare films which I believe every serious zombie enthusiast needs to see. Now, that is not to say that every zombie fan will necessarily like it. But what it offers is a unique look at life (for want of a better word) from the zombie's point-of-view. On that note, I found it to be original, artistic and very well thought out. For those reasons I certainly understand some of the positive comments from other reviewers. That said however, I also understand some of the negative comments too. Obviously being a low-budget production it suffers accordingly. None of the actors or actresses were known to me and other than Daisy Aitkens (as Colin's sister, "Linda") none of them had any dialogue worth mentioning anyway. Even so, I thought the lead actor, Alastair Kirton ("Colin") performed in an excellent manner all the same. Unfortunately, the camera work was quite often shaky, in some cases the lighting was bad and other than Colin there really wasn't much character development. Additionally, some of the scenes were extremely slow and dragged on way too long while others could have been cut with little (if any) noticeable effect on the final product. Along with that, some of the special effects (i.e. gore) should have either been improved upon or eliminated all together. In short, this was a zombie film that definitely needed to be made. And while I seriously doubt the production costs listed in IMDb (of $70) are true, I will say that if it had even one-tenth of the money allocated to "World War Z" it could have been one of the best zombie films ever made. Sadly, this was not the case and while I believe the director (Marc Price) has every reason to be proud of his efforts, I still have to factor in some of the negative variables I mentioned earlier in my overall rating. Having said that, although I believe this film has a definite place in the zombie legacy, I rate it as slightly below average.

"Colin" is an amazing achievement, given its shoestring budget. Marc Price's ambitious independent and original zombie film shows us proceedings through the undead's perspective (the role of Colin played by Alastair Kirton).

This is a genuinely moving film which contains a number of unforgettable scenes. Taking the genre beyond mere blood and guts (but there are plenty of juicy entrails and examples of body dismemberment on display to keep the gorehound's interest fixed on the proceedings), "Colin" is a thought provoking, rather tragic, movie.

7 out of 10. Recommended viewing. Price shows genuine talent and it will be interesting to see where he takes the viewer next.

All of the recent coverage of this film in the mainstream print press has inspired the expectation in many (myself very much included) that it has somehow transcended its origins as a film that cost 40 quid to make. It hasn't.

Looking exactly as you'd expect a £40 zombie movie to look (replete with a complete disregard for cinematography, alarmingly hammy acting and plenty of unconvincing, off- colour bloodletting) Colin is an extraordinarily hard slog. This is particularly true of its opening half hour, which is almost totally bereft of dialogue and filled with way too many ugly and aimless shots that last at least four or five times longer than they need to, without any justification.

Despite the odd moderately impressive exterior shot, Colin's "story" is one constructed around the constant need to justify the shooting locations - which are all, for the vast majority of the time, someone's drab and under-lit living room. The finale, which bucks this trend by taking place in someone's garden, is five utterly exhausting minutes of ketchup, shaky-cam and non-stop shouting; the sheer, belligerent pointlessness of which angered me so much that I almost flung a shoe through my TV.

Spades of kudos must go to the enterprising young sprouts who clearly worked like dogs to get this film made, and I'm thrilled to live in an age where filmmakers of this level can get their work seen and distributed nationally on DVD, but to be brutally honest this is film-making of an extremely sloppy vintage, and the complete lack of plot renders it monumentally, deadeningly boring.

A friend of mine remarked that he'd rather sit down in front of a decade's worth of his neighbour's holiday videos than sit through Colin again.

Ditto.