Don McKay

I love Elizabeth Shue but what happened in this movie???? The acting was ordinary and whilst I understand it is a comedy or black comedy as some have suggested, it never really hits the spot. She seems very wooden in the movie and I was disappointed in her performance. I expected so much more. The plot is weak and never really gets there in my opinion. I had a few little laughs here and there although nothing side splitting. The woman who plays Shue's "housekeeper" or whatever she is supposed to be looks very familiar, however her name is not familiar to me. The old guy who plays the taxi driver is a great "character" actor and he is probably the best of the lineup.

Don McKay combines a mystery drama with some thriller and comedy aspects sprinkled in. The film starts off a little slow, but picks up and becomes one strange thriller and that is meant in a good way. After the first major strange event happens in the film it changes the whole tone and as the movie progresses you keep getting the feeling everything is off with the story, and you just aren't quite sure where it is going. As the story progresses and you start to understand what happened they feed you enough but not too much to keep the film interesting. My only complaint with that is that some of the events in the film are a little too far fetched and you do need to suspend your belief a little to fully enjoy the film.

Thomas Haden Church puts on a good performance as Don McKay, not necessarily for a standout performance, but his facial expressions and reactions to the events that happen bring them to life more. I've never really been an Elisabeth Shue fan, but also liked her in the film as she played her role well and there was a certain chemistry with her and Thomas Haden Church. With these types of films the ending usually makes or breaks them and for Don McKay I thought it came off somewhat believable amongst all the strangeness leading up to it. I'd definitely recommend the film to people as it may get overlooked.

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Thomas Haden Church stars as the soft-spoken and slow-moving (but not necessarily slow-witted) titular character in this surprisingly entertaining black comedy.

Why do I say surprising? Oh, because it faded quickly into oblivion and has such a low score here at IMDb. And I admit that I at first had trouble getting into the film's weird (and I don't think always intentionally so) rhythm. Like a lot of black comedies, it takes time to establish its tone and cue you in on what you should and shouldn't be finding funny. Unfortunately, Church isn't up to the task of being our confident guide. His attempts to play Don McKay, a janitor who's summoned back to his hometown by a dying ex-girlfriend, as a shuffling and seemingly dim bulb come across instead as stiff and baffled. But the film is saved by playful performances by Elisabeth Shue, as this sordid crime film's femme fatale, and especially Melissa Leo, as a suspicious nurse who channels Judith Anderson from Alfred Hitchcock's "Rebecca." It's up to these two, who are clearly having a ball with their roles, to get the film and us firmly into the black comedy spirit, and once they do so, the film plays as a quirky and entertaining bit of fun.

Grade: B

With dark comedies, the ratio of comedy to darkness is what gives a film its identity. Many modern filmmakers put an emphasis on darkness and disturbing situations like Tarantino ("Pulp Fiction") and the Coen Brothers ("Fargo"), whereas others hail from the old school approach of keeping violence to a minimum and instead drawing humor from the bizarre ways the characters act around it, such as in "Arsenic & Old Lace" (1944) or "Deathtrap" (1982).

Here in "Don McKay" we fall squarely into the old school style. There is 1 death early in the film, and the rest of the film is about the mysterious and absurd criss-crossings of schemes from each character whose intentions we don't know until the end. Apologies to Tarantino & the Coens (whose films I really like), but I prefer this sort of approach because, although it may sacrifice thrills & action, it's ultimately a style that you can enjoy on a deeper psychological level.

Don McKay (Thomas Hayden Church whom I'll always remember as the lovably slow mechanic in the 80s sitcom "Wings") is a lonely man whose entire life consists of cleaning the floors at a Boston high school. One day he receives a mysterious letter that prompts him to drop everything and hop a bus to his hometown which, by the gorgeous scenery, looks like the Pacific northwest but they're not specific. Once there, he gets wrapped up in murder, mayhem and memories. And although this is not a whodunnit, it becomes a fun mystery as we try to figure out who each character is, including our hero Don McKay, a man of very few words.

Thomas Hayden Church is brilliantly cast in the lead role, almost reprising his humorously awkward role in Wings but with a deep, observant intelligence that gives the film depth. As we piece together the bizarre characters & circumstances surrounding the death, we are also hard at work trying to figure out what makes Don McKay tick and why he is apparently running from something. Thus, there are 2 stories unfolding at the same time, and the brilliant (and hilarious!) climactic scene pulls it all together in a way that's tense, funny, enlightening and unmistakably human.

And let me dwell on that word for a minute: human. Although we are given no backstory to any of these oddball characters, each one comes across as very human. There are no wooden performances here, unless you count Thomas' deliberately wooden, stoic characterization of Don McKay. Elizabeth Shue absolutely blows this out of the park, playing a complex yet in many ways childlike character whom I can only compare to Vivien Leigh's famous performance in "Streetcar Named Desire". Melissa Leo plays a creepy, uptight nurse who is reminiscent of the demon child's nanny in "The Omen" haha. By the way, observe how her character's clothes & appearance become more frazzled & frenetic in each scene. Keith David, in one of the greatest comic-relief roles since the porter in Shakespeare's Macbeth, plays Don McKay's neurotic childhood friend, the perfect counterbalance to Thomas Hayden Church's emotionless enigma. And there are 2 fantastic bit roles (1) the cab driver played by Emmet Walsh who's been in everything from Blood Simple to Bladerunner; and (2) Pruitt Taylor Vince as "Mel" the dorky crook who looks like he would be more comfortable working at Best Buy than being part of any sort of murder story.

I also give major old school points to the director for pulling off some hilarious sight gags. Not corny slapstick but funny visual compositions that had me LOLing (for example when Thomas & Melissa are in a car together, each totally distrusting the other, alternately stealing intense looks without the other person noticing). The final climactic scene with its brilliantly comedic script also had me LOLing, especially "So why don't you just drop the... AXE??" (as if to point out the hilarious note: who keeps an axe in their living room?).

If you enjoy subtle situational humor, as in other indie gems like "Buffalo 66", "Grand Theft Parsons" or "The Maiden Heist" (sorry I can't think of any popular films to compare this to, except maybe "Punch Drunk Love"), then don't miss "Don McKay".

This movie had some wonderful comedy scenes. A dark comedy. I really had a great laugh.

The story line was okay and the acting of the main lead was just well controlled and done. The main hero is a great actor. His controlled dialogue delivery with a straight face was extraordinary and the situational comedy.

I would recommend people to watch it.

I loved the movie for sheer laughs.

I give it a 7.

Go and watch it.