The Forbidden Door

While the climactic twist delivers its intended impact, I find that the film, in its entirety, lacks the depth I desired, ended up providing me a rather bland experience, that is too vanilla for my taste.

And this sentiment specifically stems from its conflicting writing choices. Themes explored are undoubtedly serious and carry significant weight, yet the film's somewhat incongruous lightheartedness diminishes the potency of its thematic substances.

Not only that, the element of shock & surprise is less, and the emotional connection seemed nearly absent.

I feel, a more darker, melancholic approach would have been beneficial for the narrative.

Pintu Terlarang (aka the Forbidden Door) is a brilliant film, plain and simple. Joko Anwar, the director, did a fabulous job constructing the imagery of the psychological thriller with magnificent scoring, impressive casts and smart plot line. Though the film, itself came from the best-selling novel by Sekar Ayu, I found that it only took major plot from the novel. To be honest, I did not know about the ending until it was revealed. Quite a shock! Both Fachri Albar and Marsha Timothy gives one of the best performances of their career, the powerful performances with complex emotions. Some scene are quite disturbing but it helps the film to build intense in beautiful cinematography, the Joko Anwar's style. You may go and see this film again to realize why the end is such a surprise, or so many twists that you want to get them clearly…or you could rush out to watch it again purely because it's an almost perfect example of it's genre, as I did it three times. Brilliant.

This movie is a perfectly executed thriller combining startling and grisly violence with mystery and a foreboding mood. A young artist finds himself drawn into a world of terror against his will and his life begins to unravel. This is a story of a cruel world and of living under the power of others.

The multi-part climax and ending could be described predictable, surprising, (Yes, both of those) as truly epic, and cryptic. I think I've figured what it was supposed to mean, though even had you left the theatre merely confused, you'll appreciate the craft and you will have been affected by the movie.

The acting and direction is top notch, and I can attest that the movie was foreboding even when interrupted by technical difficulties and projector problems as my theatre endured when the movie was screened. (Appropriately enough given the English title, our projector broke in two parts where the main character opened a door at a tense moment)

I would love to see more work by these people.

As another breakthrough in thriller genre that has just grown in Indonesian cinema, Pintu Terlarang (Forbidden Door) goes far beyond the genre's boundaries. Based on the novel by Sekar Ayu Asmara, this psychological mind-thriller has re-shaped with Joko Anwar's very own absurdity. Here, that stylish Indonesian director, Joko Anwar, who brought us Janji Joni and the mesmerizing adventure fantasy, Kala, has once again takes his audience to another world and mind-bending dimension with his absurd way of storytelling, vintage-noir art direction and scores that make you fly with it.

The famous pregnant woman sculptor, Gambir (Fachri Albar) starts losing his world after getting strange same messages from an abused little boy. With everyone around suddenly act strange, his paranoia then leads the shocking findings that may opens the door to his deepest fears.

Beautifully shots, acted and wrapped, Joko leaves his audience wonders, questioning and even arguing every clues he used just like opening the encrypted codes to a secret files. A gory-ness disturbing scenes that comes without compromise, a complex plot that even screw your minds, high-style art directing, intense acting that put the highest credits to Fachri Albar, haunting atmosphere all over the movie, brilliant scores, comes along together as one must-see Indonesian movie of the decades. Just like one movie that could rolls puzzling through your minds, Pintu Terlarang/Forbidden Door is truly, beautifully disturbing and violently haunting. It's a one hell-ride of your life!

I recently watched the Indonesian film 🇮🇩 The Forbidden Door (2009) on Shudder. The storyline follows a doctor who is drawn to visions of an abused child and something horrible happening to his family. As he delves into determining if his dreams might be reality, he discovers he may only be able to help one-the boy or his family.

This film is directed by Joko Anwar (Impetigore) and stars Ario Bayu (Java Heat), Tio Pakusadewo (The Raid 2), Verdi Solaiman (Shackled), Fachry Albar (Dead Time), and Marsha Timothy (The Raid 2).

This is a long, methodical slow burn, and just as you're wondering why you watched it, there's a perfect conclusion to close the picture. The acting is solid and feels authentic, especially from the child actor. The kid's backstory is sad but very well done. The horror elements are very good, with solid stabbing, throat slashing, and blood splatter sequences. As I previously mentioned, the journey is slow, but the end is rewarding.

In conclusion, The Forbidden Door is a movie you spend the entire time wondering why you watched it, but in the end, you're glad you did. I would score this a 6.5/10 and recommend it to horror genre enthusiasts only.