Phobia

Anthology of four horror stories. Most are only ok. The first one is about a lone girl in her apartment. She's been stuck there for three months while her broken leg heals. She starts getting texts from some guy who wants to come up to her apartment but she doesn't even know him. Plus she's all alone. The second is about the kid who gets bullied to death. The third is the story of the friends who go camping and river-rafting until they lose one of the boys to the river. The last is the story of a stewardess on a plane with one passenger, a princess. They none of them are all that; mostly these are mildly entertaining stories.

There is no such thing as Asian horror. Even though there are plenty of common elements, each country has its own way of dealing with horror films, especially stylistically. 4bia is a new anthology project giving room to four Thai talents. The four stories are ever so slightly related, but stand well on their own and bring their own vision on what Thai horror has to add to the genre.

The first short is directed by Thongkonthun, a relatively fresh director with little experience in the horror genre. His short has a pretty conventional theme, being nothing more than a simple girl, ghost, haunt story. Still, the angle of the short is pretty special, as no actual dialog is being used. The girl is homebound and isolated from her friends and all conversations are held through sms contact. Not a first, as more and more films are trying to integrating digital communication, but still quite a novel experience.

Visually, the short is decent with several attractive shots, though the single setting does get a little boring after a while. We follow he girl in her room for the entire running time, only at the very end do we get some shots from outside. As a whole, the short is convincing enough and even though the story is extremely traditional, the execution makes it worthwhile. It's Thongkonthun's talent that keeps this film well away from falling into the boredom trap. 4* Next up is a short from Shutter director Pisanthanakun. Shutter was a pretty big Asian horror hit, but what Pisanthanakun puts on display here is different and easily the most interesting short of the bunch. The short is shot entirely as if making a trailer, including color bleeds, short freeze frames, hectic cuts and speed fluctuations. A true visual feast, sadly more and more cheap CG creeps in, resulting in a rather horrible and amateurish climax.

For those familiar with the Art of the Devil series, the story will hold little surprises, though the revenge theme of the film has been given a nice swing. The style of the film makes it a little hard to follow, but the basics are clear enough and the short looks really impressive. With a little tweaking on the CG part this would've been perfect, luckily this is easily forgotten when considering the rest of the film. 4.5* Third short is made by Wongpoom, co-director of Shutter. Again someone with some solid experience in the field of horror. And it shows. A completely different short than Pisanthanakun's, Wongpoom's film draws more to the likes of Craven's Scream trilogy. Four guys go rafting together, but when they all end up in the water things take a turn for the worse.

The atmosphere in this film is pretty relaxed, with little to no scares or creeps. To compensate, there's a thin layer of humor running underneath everything that happens, with a rather amusing (but possible frustrating) running gag spoiling the ending of at least three popular horror films (The Sixth Sense, The Others and Shutter), even throwing in Titanic for good measure. There are some genuinely funny moments, though I assume it's not as fun if you haven't seen the mentioned films yet. Visually a little underdeveloped, but since the focus lies on the humor that's easily ignored. 4* Sadly, the final short is the least interesting of the bunch. Even though none of the shorts bring something new to the table story-wise, they all have some interesting points of execution. Purikitpanya is the only one delivering a pretty standard horror fare, with a dead body haunting a stewardess on her flight home.

Purikitpanya shows a keen eye for composition from time to time, and the introduction of the princess (who ends up in the body bag) is pretty fun, but from that point on the short brings nothing but a bag of horror clichés. Purikitpanya's sense of style keeps it going until the end, but people who've seen their fair share of Asian horror films might be a little bored by the end of it. 3* All in all, the film presents four fun horror shorts, none of them below average, three of them come up with interesting elements. Thai horror is doing well for itself, and even though it's not quite yet ready to battle the better horror films coming from China and Japan, there's some real talent hidden away in here. A fun film for horror adepts looking for something outside the typical horror offerings. 4.0*/5.0*

4Bia, actually title PHOBIA, is a pretty predictable Asian horror anthology, I was mildly entertained but there were no surprises here; those well-versed in Asian horror will see most of the "shocking twists" coming from a mile away. Now that doesn't necessarily mean the film is bad, it just means Thailand has the same problem we do…played-out predictability sells well in theaters. If this were to have been released in the U.S., it would have ended up going straight-to-DVD. This isn't a bad flick, I actually enjoyed "Tit for Tat" and it's stylish CG and the goofy horror comedy of "In The Middle" but nothing really jumped out at me as original or different. It's all pretty average, a "been there, done this" experience indeed.

I enjoyed this film very much despite having limited expectations. Each of the four segments plays out smoothly with few cheap scares and reasonably coherent plot development. That said, none of the chapters are particularly scary and it's all stuff we've seen before. What set it apart for me was the wry ingenuity of Man in the Middle and one small detail in The Last Flight - at one stage when the stewardess is serving the Princess, sunlight reflection from the aeroplane window moves slowly across the bulkhead behind as if the plane is banking. A nice touch. I can overlook that the galley interior is of a much larger plane than the 737 portrayed externally :-).

Through four unsettling tales, Phobia (also known as 4bia) turns everyday situations into nerve-wracking nightmares, proving that fear can strike from any direction.

This Thai horror anthology presents four short films, each with its own distinct style and theme. Loneliness tells of a young woman whose text-message romance leads to terror; Deadly Charm explores bullying and supernatural revenge; The Man in the Middle blends horror with comedy as friends face an eerie twist while rafting; and Flight 244 closes with a tale of karmic justice aboard an airplane.

The anthology format is both its strength and its limitation. It allows for stylistic variety-ranging from psychological dread to supernatural shocks-while maintaining a brisk pace. The directors bring unique tones to their stories, with Loneliness excelling in atmosphere and suspense, while The Man in the Middle offers a rare balance of humor and horror. Some segments, however, rely too heavily on familiar tropes, making them predictable for seasoned horror fans.

Performances are solid across the board, and the production design ensures each segment feels distinct yet cohesive within the anthology. The film's most significant achievement lies in its ability to evoke multiple shades of fear-emotional, psychological, and visceral-within a compact runtime.

Rating: 7/10 - An inventive and engaging Thai horror anthology that delivers varied thrills, with standout segments that showcase both atmospheric tension and clever storytelling.