Salvage

It's never easy working with a low budget, especially in the horror genre what we often end up with is dreck, poor actors, poor scripts, poor special effects. Fortunately with this Brit thriller, the director managed to avoid the usual pitfalls, the cast was small, but acting was great, the special effects were convincing, and used sparingly. The characters were convincing, and the mother who had to find her daughter at any costs was really well played. The suspense in the movie was the best aspect, the mother and her recent pick up really have a hard time of it in this small cul-de-sac near the beach. Just what was in that trailer washed up on the beach? Overall, I recommend this to all horror fans, another good thing about the movie is it actually keeps you guessing as to just what is going on for quite a while - good job!

I'm rather perplexed by the fact most of the reviews on here go on about the lack of budget, albeit in a positive way. Yes it's not exactly Avatar in terms of spending on effects etc but the cost isn't something that's terribly relevant with this movie. The limited setting - most of the action takes place in a cul de sac - adds to the claustrophobic feeling. And the gore when it comes has the claret flowing with gusto and looks pretty convincing.

I did struggle a couple of times to understand the dialogue - a combination of muffled voices and regional accents - and although on one occasion this seemed to be a pretty key piece of information, in all it was fine.

Definitely worth checking out and I shall be following the director's work with interest

A great addition to the flavour-du-jour domestic danger sub-genre (cf. Right At Your Door, The Strangers, Ils) as a small Scouse (that's Liverpool, non-UKers) neighbourhood finds themselves besieged by a mysterious murderous malcontent.

This features all one could hope for from such a movie - flawed (jut like us) yet likable (er, just like us) characters (take note Eli Roth), suburban slaughter, a threat more hinted at than seen, with a side-order of allusions to domestic terrorism and sinister soldiers skulking to add some spice.

I caught this flick a sweltering screening at the Edinburgh International Film Fest but if there's any justice in this bad old world then it'll be at a cinema near you in the not too distant!

This was low British horror, with a short cast and short running time only 79 minutes

Movie start off with paper boy, who ends up getting caught for peeking for window, soon we had run for life after that, something should have not seen, that person is after him.

Then movie on Father and Daughter, father is telling is daughter to see her mother for Christmas holidays , Daughter is not happy with her mother but as come home, they could of worse start of off, Which end arguing on street and end up staying with neighbours.

As mother is trying to get her daughter a swat to seem come out of now where and force back in doors, looked thought the house.

For most of time, No knows what really happing and there some brief news on TV for fews seconds but I wasn't to sure what their were saying on news but powers goes out.

Thought the movie, she tries to get her daughter and she goes thought a lot to their, their was decent bloody moment in this movie, not gory but can gurgling at times .

The acting was great from the very Small cast and ending up movie good but I kinda of knew that was going to happen.

There were dull moment in the movie, What bugged me at times was, This place the movie was set looked so familiar and then hit, this was same set of Brookside the Axed soap from UK!

6 out of 10 Good movie

When a container washes ashore the residents of a sleepy cul-de-sac are plunged into violence, terror and paranoia. Fenced in by the military, a single mother must overcome all the odds to save her daughter.

I really have little to say about this film. From the description on Netflix, I figured it would be something like "The Host". Maybe I should be glad it was not (unlike many horror fans, I was not a big fan of that Korean attempt at monster movie fun). But this was no prize, either.

While I did not find the story all that interesting, and really not even worth commenting on, I will make one observation: it looks good. Knowing what I know about how the film was shot and edited, I am impressed with just how professional it looks. Sure, I have seen other films look great, too (John Pata's "Dead Weight"), but I hardly expected it here.