The Dead Outside

Reading some of these reviews it seems like some other reviewers just want to add big words to make themselves look like they're some kind of 'serious' movie know-it-all. Gimme a break!

This film was made in 2 weeks on a £4,000 budget. Those 2 snippets of info should have been a bit of a hint at what kind of production this was gonna be. Yeah the story runs along the lines of 28 Days Later, so what? It's not as if 28 Days Later was the first film to use the virus/living dead scenario, and I doubt this will be the last.

The story is a simple one. Virus on the loose, survivors hiding in an attempt to stay alive. If you're looking for a blood soaked zombie flick then pass on this and pick up Dawn Of The Dead. If you're looking for an indie flick that focuses more on the psychological horror of the survivor's situation then you'll enjoy this. OK it's not gonna win any Oscars, but hey, neither did The Shawshank Redemption!

Six months after a horrible virus has decimated the United Kingdom and turned its victims into crazed zombies, a young man named "Daniel" (Alton Milne) drives to a deserted house in Scotland to take refuge for the night. However, when he wakes up the next morning, he finds himself staring down the barrel of a rifle held by a woman by the name of "April" (Sandra Louise Douglas). Realizing that this woman means business, he quickly apologizes and, to his relief, she allows him to stay on one more day before hitting the road again. Although he finds that she is both angry and aloof, he manages to convince her to allow him to stay a little longer and its during this time that they begin to understand each other a little better due in large part to the personal tragedies each of them have recently been through. Unfortunately, things become much more complicated when another uninfected person named "Kate" (Sharon Osdin) shows up and changes the dynamic to a degree that neither of them expected. Now, although the overall plot was hardly unique, I thought that this film might have some potential based, in part. On where it was filmed. Sadly, this was not to be the case as the director (Kerry Anne Mullaney) failed to give any of the actors a coherent script and instead chose to use a series of garbled flashbacks to reveal key aspects. Needless to say, I don't think this was a good decision by any stretch of the imagination. Not only that, but the ending was much too vague and could have used considerable clarification as well. That being said, I don't consider this to be a good film and I have rated it accordingly. Below average.

Bear in mind, if you haven't watched this movie, that we're talking about a mean, low-budget, in your face little movie. You won't have seen the actors before (unless you know them personally) and there is nothing "fancy" to be found here, neither in the camera work, nor in the story department.

But it works for the movie. Not bloody, but suspenseful and with a dramatic story, that tries to stay as real as it can be (with a story like that). The actors do a good job, carrying the job, which plays mostly at one location. It might be slow at times (or might seem not moving story-wise), but it really is good, if you let yourself immerse in it.

The first feature from music video director Kerry Anne Mullaney exists in world even bleaker and farther north than 28 Days Later, and a little deeper inside the art house. The director makes a benefit of the lack of finance, with gritty visuals and an excellent performance from Sandra Louise Douglas (in her first role), as April, a girl soaked in horror, whose anger may have more meaning than mere teenage angst. The two lead characters exist on opposite sides of a moral divide—Daniel, a good man who still sees the infected as human beings, is haunted (it seems literally in a couple of scenes), by what he couldn't bring himself to do, whereas April shoots on sight, and is almost catatonic from the things she has seen, the people she has lost, and those she has killed. Shot in two weeks, and self-financed on a micro budget, which is hardly an issue, the production team of Mullaney and producer/co-scripter/cameraman Kris R Bird (who together created promos for Drive-By Argument and Cosmic Rough Riders), demand a lot from their audience, which is refreshing in an age where the horror film seems designed to evoke nothing beyond revulsion, and their debut shows immense promise. Add another strong, intelligent team to the new league of British horror auteurs. Stick through the final titles to hear the excellent "Evacuate" by indie upstarts The Boxer Rebellion.

Scotland is full of angry people in poor health. No, not a quote from the Scottish tourist board website but the premise for this dreadful talky movie. Anyway, there's some kind of virus that's turned most people mental. You'll note straight away that there are no 'dead' as the title might suggest, certainly no traditional zombies. Instead you get shouting people who are nowhere near as entertaining and certainly never present a credible threat. So, no zombies in this one.

There's no action either, but if you're a fan of wobbling camera angles and flashbacks you're going to get your moneys worth here. This really is a dull movie, nothing really happens for an hour and the finale isn't interesting either. If that wasn't enough the acting is generally poor and the bleak colourless scenery gets tiresome pretty quickly.