Silence in the Library

Ooo... I knew that this back run on season four was good and so it proves here with another double episode story, one that introduces a seminal Nu-Who character and is more of the chilling horror that Steven Moffat has become synonymous with during his writing only days.

Responding to a message that appears on his physic paper, the Doctor (David Tennant) and Donna (Catherine Tate) head to the largest library in history, a whole planet dedicated to the preservation of books. Though eerily uninhabited, the Doctor discovers a security camera that seems linked to a little girl (Eve Newton) apparently living in 21st century Britain. Then they meet an archaeological team led by the enigmatic River Song (Alex Kingston) who appears to know the Doctor already, though he doesn't know her.

Moffat's penchant for horror comes out again here with the Vashta Nerada, microscopic creatures that will strip the flesh from a person in seconds. But there's also the more esoteric horror of the concept of echoes of dead people being trapped in their mental communicators - already dead, but still trying to make sense of their experience as the signal degrades. The image of the animated space suit, with only a skull inside the helmet repeating "who turned out the lights" as he chases down the others is a memorable one.

The cast of this episode is really strong, even down to tiny cameos from Sarah Niles and Josh Dallas. The archaeological team consists of several recognisable faces, from O-T Fagbenle, Talulah Riley, Harry 'Ray Bloody Purchase' Peacock and, completing the League of Gentlemen collection, Steve Pemberton. It's the first appearance of Alex Kingston's River Song though, that is the key one, as she would feature regularly from here on out during Moffat's time as show runner - which was announced just as this episode was going to air.

Two-part episodes can only really be judged at the conclusion of the second episode, but this is such an inventive start, jam packed with ideas, that it stands as one of Nu-Who's best episodes so far.

Books full of knowledge and power, with shadows uninvitingly dour, if you enter the larder, of the Vashta Nerada, you're the menu and they will devour.

I'm not sure if there were any Silence in this 51st century library but you would never recall if they were, even if you've not yet come across them, it is still alive with malevolence though, and you're just as unlikely to catch it creeping up on you, but at least your final moments will be recalled.

There's not much to say other then this episode is perfect, just that perfect.

The Doctor and Donna land in a library, The Doctor is alarmed that nobody else is there, but life signs are in their millions. They hear a message left which worries them 'run, for god sake run, no where's safe, count the shadows.' A later message warns them that 'Others are coming,' and soon after the shadows start moving. A crew burst through the walls, and we meet the rather fabulous Professor River Song. Members of her crew start to die, and we meet the cause, the Vashda Nerada, the Piranhas of the sky. To save Donna he transports her back to the TARDIS, but something goes wrong she's not there.

I loved how River Song knew the Doctor, it was obvious she was to return in the future, she made a big impact. Her scenes with Tennant were fabulous, big love for River.

So much intrigue with the little girl, who is she? and what's she to do with the Library?

It looks fabulous, the library is particularly wonderful, nice to see Swansea's library used, it adds to the quality and authenticity. The acting is glorious, the story is one of the best, the Tennant/Tate combination continues to impress.

A very definite advert for why I love Catherine Tate's Donna so much, she's totally in character again, very sweet with Miss Evangelista, and very tender when she dies. Donna can do no wrong.

The Vashda Nerada are a fantastic creation, I imagine they gave a few nightmares, especially when he suggested they were on earth and in the shadows.

Silence in the Library is totally fabulous, arguably one of the best episodes in the Shows history. It has one of my all time favourite lines, 'Almost every species universe has an irrational fear of the dark, but they're wrong, it's not irrational, it's Vashda Nerada.' A stunning cliffhanger that leaves you desperate for the conclusion. It's glorious 10/10

Silence in the Library seems to be a favourite story amongst fans. It introduced the endlessly likeable, enigmatic River Song, featured the terrifying Vatsha Nerada, and sets up future plot-points explored more in the Moffat era as showrunner.

Now, this episode is really, really good - I was heavily tempted to give it a 9, but I feel it pales in comparison to part 2, which fully fleshs out and explores the interesting concepts which part 1 just sets-up. River Song became more interesting in part 2, and the Vatsha Nerada became more of an active threat, but here, we're mostly building up to the ending cliffhanger, which is amazing, but it's part 2 that gets into the really meat of the story.

That said, this is still great. Catherine Tate and Alex Kingston steal the show, and, as mentioned, the cliffhanger is built up so well, and delivers such a punch in the gut, that it makes some of the more meandering sections feel worth it. And the Vatsha Nerada are legitimately really creepy, and it boasts some unexpectedly touching Donna momments.

This is a really good episode, but Part 1 is a little overrated, with part 2 over-shadowing it so much that it looses some of its original magic. Some other two-parters - like the Impossible Planet / The Satan Pit, The Stolen Earth / Journey's End, The Empty Child / The Doctor Dances, or even the far less great Rise of the Cybermen / The Age of Steel - have both parts on an equal level of quality, but here, one is great, while the other is fantastic.

I'll say it again, this is great, but not my absolute favourite. 8/10.

I suppose comparisons between this episode (and its follow up, Forest of the Dead - it's hard to review them separately, so most of my comments here apply to the two as a combined story) and Blink are inevitable given that they're both written by Steven Moffatt, both excellent, and both scary as hell. Even the beginning fragmentary warning "If you want to live, count the shadows" is a bit reminiscent of Blink's "Don't blink, or you're dead".

However, given that Blink tends to be pretty widely regarded as the best Doctor Who episode ever, there are far less promising ways to start a new one than evoking it. And overall, Silence/Forest doesn't come across as derivative at all. Both of them are very fast-paced and alternately terrifying, tragic, touching and funny, but beyond that the themes are very different. This story is a lot more complex and thought-provoking, packing in enough really interesting ideas and twists that even spread across two episodes, it keeps you constantly on the edge of your seat and never drags at all. It also includes some really top-notch performances from some of the cast, particularly in Forest of the Dead.

All in all, one of the best episodes (or pairs thereof) yet, and good reason to look forward to Moffatt taking over the series in 2010.