In the Loop

Political comedy is a hard stunt to pull off. Ever since 1964, it seemed like nothing could top Dr. Strangelove. A lot of movies have tried and a lot have failed, although there were the lucky few that passed the bar (Election, Thank You for Smoking) but the brilliant thing about In The Loop is that it's so stupidly funny that it's one of the best comedies of the 21st Century! Armando Iannucci, most known for his The Thick of It series in the UK, directs a movie with the a the familiar theme of The Office. That documentary-style of film-making can be hit-or-miss (most recently, Public Enemies, a miss) and Iannucci hits it right on. Every scene he graces with a camera comes out picture perfect; nobody could've pegged this movie any better. Iannucci, Jesse Armstrong, Tony Roche and Simon Blackwell's script is something out of picture show heaven and sounds like it must've taken forever to finish, edit, revise, etc. Although these guys, these geniuses, apparently know what they're doing and don't care what anybody else says. That is the heart and soul of movie-making, readers. In The Loop is about a corrupt British government that accidentally gets the country thrown into the middle of a war. Loop stars Peter Capaldi, Gina McKee, James Gandolfini, Chris Addison and there's even a whimsical cameo by Steve Coogan. Capaldi is the absolute best at what he did, spewing swears as coarse as they are a riot ("fuck you, you lubricated horse cock!") and freaking out. I can't even put into words just how funny this guy was; he made the movie! But don't forget Addison as Toby. Addison is the British Napoleon Dynamite, that incredibly awkward guy that makes even the audience members turn red. James Gandolfini and Gina McKee round out the rest of the cast greatly, filling In The Loop with the type of sexual tension that you don't want to think about. It's like when a sex scene pops up on a DVD you're watching with your parents. Yeah, that bad.In The Loop is one of the most laugh out loud comedies I've seen in the past decade, that sadly nobody will get a chance to watch. In a world of Transformers and G.I Joe, In The Loop will sadly be ignored. But on an optimistic note, we may have found this summer's sleeper, America.

5/5 stars.

During a fit of collective insanity the British people voted for a charlatan snake-oil salesman to be Prime Minister in 1997 and then re-elected him twice more. This film (together with the TV series from which it is a spin-off) is a record of the disgusting, bullying manner in which Tony Blair's head spin doctor, (actually a man named Alastair Campbell, but here named Malcolm Tucker) ran the government.

It nicely paints a picture of just one of the ineffectual, dim, gaff-prone and incompetent ministers with which Saint Tony surrounded himself. Unfortunately we never get to glimpse the more senior figures of this feckless government, Gordon Brown and the appalling Mr Blair himself.

Quite bravely, the film sets out how the "intelligence" was manipulated by Campbell/Tucker in such a way that it gave credence to the necessity for the Iraq war. With hindsight this is perhaps the most egregious example of outrageous behaviour on his part, but maybe there are other examples still to come out. But it literally beggars belief that an unelected oaf like Campbell/Tucker should have been given the power and authority to act on the Prime Minister's behalf in the way that he did.

It has been pointed out that this film does for contemporary politics what "Yes Minister" did in the 1980s. Very true. Ministers are shown as complete bloody fools being manipulated by the Civil Servants ("Yes Minister") or private office appointees ("In the Loop"). "Yes Minister" was also quite misleadingly described as "Comedy". No, this will not do. Both these pieces are documentary, but funny nevertheless.

You laugh at the time, but if you think about it, you cry. What a state we have come to.

Greetings again from the darkness. A spin-off of the British series The Thick of it, this film comes across as an odd mixture of Dr Strangelove, Spinal Tap, The Office ... think Christopher Guest remakes The West Wing. There are some incredibly funny lines and therein lies the films only problem.

What prevents the film from being truly great is that the comedy lines are so well written (and acted) that the story itself is shoved aside. Kind of a shame because I love the basis for the story. Combining the politics of both the U.S. and England and weaving their process and decision making into one film ... and then backdropping the decision on whether to go to war, is ingenious and fascinating. But as I said, the story takes a real backseat and many viewers will pay scant attention to the entire war theme. Watching politicians negotiate for power and struggle with quotable (yet meaningless) phrases is a hoot. And the posturing is not limited to the power brokers, as we see their assistants are playing the same game ... just with less at stake.

Ultimately the film works as an aggressive, loud, foul mouthed quote fest and not so much as the political editorial it could/should have been. Peter Capaldi dominates the film as the spin doctor who uses intimidation to mask his schemes. Tom Hollander would have been the soul of the film, if it were better developed as a story. All will recognize him from Pirates of Caribbean. James Gandolfini, Mimi Kennedy, David Rasche and James Gandolfini provide the U.S. contingency that are deflatingly realistic and make us so "proud". Don't miss a funny turn by the great Steve Coogan as the poor citizen who just wants his mum's retaining wall repaired so it doesn't crush her in the greenhouse. While certainly not woven seamlessly into the film, it does provide a shot of realism for what Hollander's character would face.

Lastly, it is very nice to see Anna Chlumsky back on screen. An immediate child star in My Girl ... remember her kiss with Maculey Culkin? Ms. Chlumsky is now a mature presence and should definitely be a consistent actress for years to come.

One of the wittiest and most sophisticated movie satires of recent vintage, "In the Loop" provides us with a hilarious behind-the-scenes glimpse into the ugly, messy world of international diplomacy. The mad run-up to the Iraq war serves as the obvious blueprint for the fictional - yet far from make-believe - tale the writers have come up with here. We begin in London where news has just leaked out that the British and Americans are planning a military invasion of an unspecified country in the Middle East. When the bumbling Minister for International Development, Simon Foster, accidentally goes off script by stating in an interview that such a war is "unforeseeable," the Prime Minister's staff goes into immediate damage control mode, hustling Foster off to Washington D.C. to see if they can get him in on the pre-war planning and negotiations. From that point on, Foster becomes a bone-of-contention between the pro-war and anti-war factions battling it out for preeminence.

The source for "In the Loop" is a popular British TV series entitled "The Thick of It," with many of the actors from that program appearing in the movie (though we're told that most of the performers play different roles in the film from the ones they play on the show). As if that weren't confusing enough, the script by Jesse Armstrong, Simon Blackwell, Armando Iannucci and Tony Roche spends virtually no time on introductions or back story of any kind, leaving those of us who are unfamiliar with the context feeling just a wee bit lost and disoriented at the beginning. Indeed, we are plunged so immediately into the swirl of activity surrounding the minister's diplomatic faux pas that we learn early on that we had better start paying some serious attention to what's happening on screen or risk going under in pretty short order. I say this not as a criticism of the writing because, frankly, this is one of the few comic scripts I've come across in quite some time that actually treats its audience like thinking adults, that doesn't find it necessary to talk down to us in order to appeal to the lowest-common-denominator viewer. The one-liners come fast and furious in this film and woe to anyone not willing to make the effort to keep up with them. The good news is that the writing is so sharp and acerbic that we really don't mind putting that extra added effort into our viewing. One simply cannot be a passive onlooker while watching "In the Loop" and still reap the rewards of the experience.

With the kind of understated irony that distinguishes the best of British humor, the densely-plotted, character-rich screenplay aims its comedic sights at all the would-be power players, petty backbiters, toadying assistants, long-suffering aides, incompetent bureaucrats, draconian bosses, mealy-mouthed office-holders and enraged constituents that make up the world of high-level diplomacy and politics. The movie also has some fun with England's perceived role as ugly stepsister (or lapdog, if you prefer) to the bully-boy United States in matters of world affairs.

Director Iannucci gets nothing less than a sterling performance from each and every member of his large and gifted cast, be they American (with James Gandolfini the most recognizable face in that crowd) or British. However, extra special note should be taken of Tom Hollander, Chris Addison, Mimi Kennedy and, above all, Peter Capaldi, who tears up the screen as the deliciously ill-tempered and foul-mouthed enforcer for the British Prime Minister.

The truths this allegorical fable reveals about how easy it is to cherry pick evidence to lead a country into war and how hard it is for individuals of goodwill to stand up for what they know is right are so dead-on in their accuracy and so universal in their scope that they leave the mind reeling from the impact - and the ribcage aching from all the laughter.

Is it a work of fictional farce or an insightful view of the members of the governmental bureaucracy? Probably in truth, In The Loop is a little bit of both, but more so its a whole lot of fun at the governments expense. There have been numerous films over the years giving us insight into how our government works, at times it sure looks bleak and unjust, but we sure haven't seen it in such a ridiculous view. In The Loop aims at making sure they scrutinize the bureaucratic desk jocks for all their worth. The film follows the Minister of International Development (Tom Hollander) after he has put his foot in his mouth, unintentionally announcing that war is unforeseeable. Back tracking and word-smith manipulations prove mute, fortunately for the Minister he's got big fans in the US who would like nothing more then to use the naive Brit in their political posturing. The hawks begin circling and before the Minister knows what game he's playing he's into deep and merely a puppet in the political theater.

There is a hint of a serious political thriller in the plot here, but In The Loop knows we've seen all that before so why not have a little fun, actually why not have a whole lot of fun and throw in lots of scalding four letter words and absolute British wit. Tom Hollander as the Minister of I.D. is dumb-foundingly perfect in his role and is well complemented by his bungling assistant Oliver (played exceptionally by Chris Addison). As the Director of Communications, Peter Capaldi steals the show with his relentlessly scathing superhuman vulgarity ridden wit. Those with a distaste for such colorful language should look elsewhere as their ears will certainly be on fire if they can last through a third of the film. Personally the language was not a problem for me, I appreciate a master of the finer words, and Capaldi has shown himself to deliver his lines with such craftsmanship that sailors around the world will be put to shame.

The Brits are a fantastic mess, but of course what international mess would be complete without the United States Govt.. And so comes the behemoth know as James Gandolifini, the Don Capo hasn't lost any of his on-screen presence. As the ol' war vet Pentagon General, Gandolfini is gruff and verbally abusive in a really mean spirited way, which is glorious. Those with a keen sense of cinema will notice how well the film shifts humor as the Brits come across the pond to the the dry humor of America. Gandolfini makes the most of his screen time, but on the American side the majority of the ridiculousness comes from Mimi Kennedy, as the Assistant Secretary of Diplomacy and her bickering 20 something Capital Hill brown nosing assistants. Director Armando Ianucci's delivers such a cynical sharp witted look at all things politically ridiculous and it works on so many levels. Fans of British humor will love this, its pureness to the form is perfectly meshed into the political platform that moves the comedy along with merely a few small bumps in the road. On the other side of the coin, those who enjoy making fun of those of the diplomatic persuasion will delight in the roasting of our governmental members.