Outside the Law

Well I neither have the expert historical perspective or the expertise on films of other reviewers, but I'm just an ordinary person who went to see this movie.

I loved it because it really shows how people can get sucked into resistance, even if they're very ordinary and not particularly brave, because the other option of not doing anything is so awful. I thought the acting was very convincing and I learnt a lot about that time in Algeria. I spend a lot of time in the south of France so I think this helped me to understand the history of some of the people I know.

Goodness me this site wants me to write 10 lines. No wonder everyone else's reviews are so long. I watched it a long time ago when it first came out and so I don't have a clear memory of details, just the overall impression, and I wanted to share that.

Guess what... I never took History in school. It was not through lack of want, believe me. So it was only during this World Cup I discovered( From the commentators, no less ) that GASP Algeria used to belong to France. And now, I find myself watching a film about that very struggle, for them be an independent nation. Coincidence, no?

Encompassing about 40 years, Outside The Law centres around One Algerian family as they are forced to give up their lands and move into skid row. There are three brothers, and as they grow up we see them take on very different fates: One becomes a soldier, the other a revolutionary while inside prison, and the last sibling joins the criminal underworld. Eventually, all their paths will collide in the dramatic (and long running) saga of Algeria's eventually successful quest to govern itself. Will Scotland follow suit? Don't hold your breathe.

A wise man once told me: "There is no good film that is too long, and no bad film that is too short". Never a truer word spoken in this case. as it clocks in at just over two hours... yet I was enraptured till the (very bitter) end. The twist-laden plot takes us from one well directed set piece to another, as bullets fly like confetti and bodies are strewn around without mercy. But despite all this chaos, it still has the time for quieter reflective passages which are just as effective. In fact, maybe even more so. It all combines to create a jewel of a movie. Fantastic.

Oh and if there are historic inaccuracies in this script (Which I'm sure there will be) I'm not going to mark it down for that. I'm a critic, not a teacher. Mind you, considering how clueless most of the educators I've met seem to be, maybe that's just as well... 8/10

Well done film produced by France, Algeria, Tunisia and Belgium, about French colonial butchery. The story is held in several countries and portrays the brutal murders in Algeria, the lost war against Vietnamese and the massacres against Algerians inside Paris (and particularly the slums). However, it is centered in the very interesting story of three Algerian brothers who initially follow different paths but life and fight for freedom will put together. Besides good character development, there are also quite good action scenes. Oh, I may mention that it was also a good surprise that it is a boxing film too, as I love movies on that sport.

Set against the increasing demands for Algerian independence at home, three brothers are living in 1950s France. "Saïd" (Jamel Debbouze) is making a decent living running a nightclub but his siblings are much less settled. "Abdelkader" (Sami Bouajila) is a member of a proscribed organisation using terrorist tactics to free their homeland, and he is determined to recruit former soldier "Messaoud" (Roschdy Zem) and "Saïd" to the cause. The latter isn't really interested, but with the police closing in on the family and his nightclub shut down, he now has some tough decisions to make. There's something of the terrorist being another man's freedom fighter adage to this story and it's essentially asking the question of an audience. What wouldn't we do for freedom? The brothers have fled Algeria to escape the purported brutality of their oppressive colonialists, but now in France they are visiting a similar threatening behaviour on innocents there. Two wrongs make a right? Were the police there to protect or to impose? All questions asked but sadly not really very well addressed. The acting is weak, the characters seriously undercooked and the writing (historically based or not) struggles to sell us these three men one way or the other. This had a chance to enhance the standard documentary look of a depiction of the justice and causes of revolution but instead it rather leaves it to us, and any knowledge of events we may have, to reach our own conclusions. Disappointing, I'd say.

Writer Director Rachid Bouchareb's first view of the Algerian involvement in France's participation in World War II as the extraordinary DAYS OF GLORY from 2006. Now he continues his story of the bravery of the Algerians in OUTSIDE THE LAW (HORS-LA-LOI) using many of the same actors but placed in different roles. This is a fast-paced film that covers a lot of territory and time and gives an insider's view of how the Algerian soldiers and the Algerian people struggled post WW II to gain freedom from French colonization. On many levels the films works well: on the level of character development and audience empathy it stumbles - but doesn't fall.

The film opens in 1925 when a family in Algeria faces the French representative who informs a family that the government is taking their ancestral land and home: Le père (Ahmed Benaissa), La mère (Chafia Boudraa) and their three sons Saïd, Messaoud and Abdelkader. Understandably devastated they pack their scant belongings and leave. Jump to 1945 and the massacre of Setif, an event that forces the family to disperse: La mère with Saïd (Jamel Debbouze) move to a shantytown for Algerian refugees outside Paris and Saïd becomes involved with organized crime in Pigalle to support his mother (he begins as a pimp, then as a Cabaret owner, and moves into more dangerous activities such as fixed boxing matches, etc). Messaoud (Roschdy Zem) has become a soldier with the French army in the fruitless war in Indochina (Vietnam) and observes as the French retreat that external colonization of a country will always fail because of the inherent patriotism of the indigent people. Abdelkader (Sami Bouajila), because of this participation in the resistance during the Setif Massacre, has been imprisoned in France where he gains insight from his fellow Algerians that they must revolt and fight to regain independence for Algeria. Once reunited Abdelkadan becomes the driving force behind the Algerian's FLN movement. He is the local figurehead and brains, while his brother Messaoud acts as the muscle and bodyguard. Brother Said continues his pursuit of money through shady night clubs and as a boxing promoter, but he is never far from his brothers' sides - even if he isn't quite as politically motivated. The film jumps to the 1950s and the early 1960s following the development of the Algerian resistance as it becomes a murderous group, assassinating the French officials and police, engaging in fierce gun battles, all the while under the malicious eye of their nemesis Colonel Faivre (Bernard Blancan). As deaths in the family occur the family dwindles but always with the promise to each other that Algeria will gain its independence, a fact the is revealed through historic film footage from 1962.

The film is a tense reenactment of battles and crime scenes, but there is a problem with the script in detailing the personalities of each of the characters beyond their devotion to Algerian independence. Even a marriage and the birth of a son and the death of the mother fail to substantially affect the three brothers beyond the expected reactions. The actors are all excellent but without the benefit of a script that allows them to offer us unique and meaningful individuals they become tropes. As a viewer remembering the brilliance of Days of Glory this film is strangely uninvolving. There is a sense that Rachid Bouchareb feared condemnation by either the Algerians or the French. Much can be said in favor of that stance: no one is 'right' or 'wrong' in war. But at movie's end we are left oddly outside the emotional aspect of the film that was the key to the success of Days of Glory. In the end this is a very well made and powerful film that answers many questions about the French Algerian conflict few of us understand.

Grady Harp