IMDb RATING
7.5/10
1.2K
YOUR RATING
"The Way We Are" tells the story of a hardworking, widowed, single mother (Mrs. Cheung) and her teenage son (Ka-on) living in the troubled housing estate of Tinshuiwai, a suburb regularly fe... Read all"The Way We Are" tells the story of a hardworking, widowed, single mother (Mrs. Cheung) and her teenage son (Ka-on) living in the troubled housing estate of Tinshuiwai, a suburb regularly featured in the news for all the wrong reasons."The Way We Are" tells the story of a hardworking, widowed, single mother (Mrs. Cheung) and her teenage son (Ka-on) living in the troubled housing estate of Tinshuiwai, a suburb regularly featured in the news for all the wrong reasons.
- Awards
- 11 wins & 6 nominations total
Photos
Chun-lung Leung
- Cheung Ka-On
- (as Juno Leung)
Clifton Ko Chi-Sum
- Uncle Chuen
- (as Clifton Ko)
Sin-Hang Loh
- Blowfish
- (as Loh Sin-Hang)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
What do movies tell us about what kind of people we are? Imagine the following: you are an alien from outer space, who is about to get into the space ship to visit planet Earth. Before you leave, you are instructed to learn as much as possible about the people and their culture who live on this planet. Your homework: to watch all the movies produced in the last year.
Think about what kind of image you would get from looking at what kind of movies we produce and watch as people. There is an abundance of Hollywood movies. You might think we are all American. Or that we imagine to be super heroes. So much special effects. How would our lives look like if they were like Hollywood movies? But of course, our lives are most of the time nothing like Hollywood movies.
Showing a movie that just portrays how we are would be boring. Would it not? Ann Hui doesn't think so. She provocatively titled her latest movie The Way We Are. Ann Hui is perhaps the most gifted story teller in Hong Kong, at least when it comes to film making. The same way Ozu chronicled the lives of Japanese society, Hou Hsiao-hsien and Edward Yang documented the day-and-nights of Taiwanese people growing up, Ann Hui is the cultural biographer of Hong Kong.
When it comes to Hong Kong movies, most people might think of kung-fu stars, like Bruce Lee or Jackie Chan or Jet Li, or perhaps triad movies, made famous by John Woo, and more recently Johnnie To. Some might even think of Wong Kar Wai. But the films of Ann Hui are those who directly go to the core of what Hong Kong is about - but this core is as most of our lives perhaps unspectacular, mundane, and banal.
Ann Hui nevertheless manages to weave an incredibly rich story detailing the mundane lives of people in a part of Hong Kong that is often sensationalized: Tin Shui Wai. It's a part of town that is considered desolate, characterized by social problems, unemployment, with high buildings (some might think of them as Hong Kong's version of "the projects").
What is worth telling here is a story from a part of society that you otherwise would never see or hear. But that they don't exist in our popular imagination doesn't mean they exist, and it doesn't mean that we shouldn't know about. Most movies have spoiled the way we "consume" them: often slick, highly visualized, with something to grab our attention every three seconds (if not less). This movie by Ann Hui needs to be slowly taken in, with patience.
That is to say, our starting assumption should be that there are really no boring people. That every person has a story to tell, and that when they try to tell you their story, the least you could do is listen to them, with the patience and respect every human being deserves. Because, that's the way we are. Ann Hui, thank you for reminding us of this important lesson.
Think about what kind of image you would get from looking at what kind of movies we produce and watch as people. There is an abundance of Hollywood movies. You might think we are all American. Or that we imagine to be super heroes. So much special effects. How would our lives look like if they were like Hollywood movies? But of course, our lives are most of the time nothing like Hollywood movies.
Showing a movie that just portrays how we are would be boring. Would it not? Ann Hui doesn't think so. She provocatively titled her latest movie The Way We Are. Ann Hui is perhaps the most gifted story teller in Hong Kong, at least when it comes to film making. The same way Ozu chronicled the lives of Japanese society, Hou Hsiao-hsien and Edward Yang documented the day-and-nights of Taiwanese people growing up, Ann Hui is the cultural biographer of Hong Kong.
When it comes to Hong Kong movies, most people might think of kung-fu stars, like Bruce Lee or Jackie Chan or Jet Li, or perhaps triad movies, made famous by John Woo, and more recently Johnnie To. Some might even think of Wong Kar Wai. But the films of Ann Hui are those who directly go to the core of what Hong Kong is about - but this core is as most of our lives perhaps unspectacular, mundane, and banal.
Ann Hui nevertheless manages to weave an incredibly rich story detailing the mundane lives of people in a part of Hong Kong that is often sensationalized: Tin Shui Wai. It's a part of town that is considered desolate, characterized by social problems, unemployment, with high buildings (some might think of them as Hong Kong's version of "the projects").
What is worth telling here is a story from a part of society that you otherwise would never see or hear. But that they don't exist in our popular imagination doesn't mean they exist, and it doesn't mean that we shouldn't know about. Most movies have spoiled the way we "consume" them: often slick, highly visualized, with something to grab our attention every three seconds (if not less). This movie by Ann Hui needs to be slowly taken in, with patience.
That is to say, our starting assumption should be that there are really no boring people. That every person has a story to tell, and that when they try to tell you their story, the least you could do is listen to them, with the patience and respect every human being deserves. Because, that's the way we are. Ann Hui, thank you for reminding us of this important lesson.
If you want to watch movies about special effects, explosives here & there or whatever, go rent Ironman or Transformers, this is Ann Hui's The Way We Are, some of you may complain of boredom, with the lack of pace in the story flow, I didn't, I wept.
What amazes me the most is it's simplicity, their daily lives, activities, family problems, those things that you might encounter everyday, & how to cherish them. You don't need to be an alien to become interested in this movie, if you feel bored, then this movie is definitely not for you.
I praise Ann's bravery in doing a film about our problems in life, especially in families, & she made me realize there is so much things in life than just fancy, branded goods & not to become enslaved by them.
What amazes me the most is it's simplicity, their daily lives, activities, family problems, those things that you might encounter everyday, & how to cherish them. You don't need to be an alien to become interested in this movie, if you feel bored, then this movie is definitely not for you.
I praise Ann's bravery in doing a film about our problems in life, especially in families, & she made me realize there is so much things in life than just fancy, branded goods & not to become enslaved by them.
"Tin shui wai dik yat yu ye" ("The Way We Are" in English) is the first Ann Hui movie that I've seen, although I understand that she's a world-renowned director. The movie focuses on a widow and her son in a run-down part of Hong Kong. As the movie progresses, they meet other people, each with their own backstories.
This is sort of like a Jim Jarmusch movie, in that it's deliberately slow-moving and emphasizes the characters' relationships among each other. If you're the type who needs constant action, then you'll want to avoid this movie like the plague. Indeed, a previous reviewer found it pointless. I thought that it did a fair if not great job focusing on the people's interactions with each other in threadbare conditions. I think that it was in one of these sorts of apartments where Edward Snowden hid after exposing the NSA's spying apparatus, before he fled to Russia.
Apparently, durians have one of the strongest smells of any fruit.
This is sort of like a Jim Jarmusch movie, in that it's deliberately slow-moving and emphasizes the characters' relationships among each other. If you're the type who needs constant action, then you'll want to avoid this movie like the plague. Indeed, a previous reviewer found it pointless. I thought that it did a fair if not great job focusing on the people's interactions with each other in threadbare conditions. I think that it was in one of these sorts of apartments where Edward Snowden hid after exposing the NSA's spying apparatus, before he fled to Russia.
Apparently, durians have one of the strongest smells of any fruit.
10Spacey2
Unlike all the other Hong Kong action/comedy movies we're used to, this is a relative slow paced drama which offers an insight in the life of an average HK family, in this case the story is centered around a mother and teenage son. They don't have a lot of money and probably can just cope by but they still stay positive in life and this is what the filmmakers wanted to show us. The place of this story is Tin Shui Wai and over the years it has been in the HK news due all sorts of social problems like domestic violence, loneliness, debts, suicides etc. and with this movie the makers showed that -without being paternalistic or dramatic- we most not generalize all the people who live there and there's hope as long your attitude towards life is a positive one.
The movie is like a virtual show of the life of a woman in the newly developed area of Hong Kong. It showcases the everyday life of the woman and her family. It arouses our shared memories. Ir provokes our sense of belongings to the city. A movie that is belonging to Hong Kong. A gem to record our daily life.
Did you know
- ConnectionsFeatured in Keep Rolling (2020)
Details
Box office
- Gross worldwide
- $5,100
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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