A Prophet

One of the truly great films of 2010, "A Prophet" is an unforgettable account of a young man's experiences in a French prison.

Malik El Djebena is only 19 when he's sentenced to six years in prison for a crime he claims he didn't commit. Though an Arab, Malik becomes the cat's-paw for an aging Corsican mob boss named Cesar Luciani whose influence in the prison has begun to wane as more and more Muslims are brought in to swell the prisoner ranks. Eventually, the ever-resourceful Malik finds a way to straddle the lines separating the various factions in the prison, while at the same time partnering with his buddy to run a hashish operation when he's out on his frequent 24-hour leaves.

The beauty of "A Prophet" is that we really get the sense that, had he been dealt a halfway decent hand in life, Malik might have actually been a kind, caring person, instead of the lost soul that he's become. But the lack of any parental influence in his life, his illiteracy, and now his consignment to prison life have left him with few viable options other than to become involved in mayhem and crime. He's horrified by the fact that, as a kind of loyalty test early on, Luciani forces him to murder in cold blood a man he doesn't know and might even like under other circumstances. And there are heartbreaking moments throughout where we sense the goodness in Malik's tortured soul. His appreciation of simple kindnesses, his attempts at learning to read, his childlike wonder as he looks out of a plane window for the first time, his tenderness with a buddy's newborn son - all go a long way towards mitigating some of the truly despicable acts of violence and murder he's called upon to do. The brilliant screenplay wisely refuses to judge Malik; it simply presents the options and parameters that have been given to him by fate, society, nature, what have you - and watches as he maneuvers through, in and around them in order to survive.

Harsh and brutal as this film can be at times - for it never shies away from portraying what life is like in a prison setting - it is in those more lyrical moments, the ones in which we are allowed to see into the heart of this young man, that "A Prophet" achieves true masterpiece status.

Tahar Rahim rises to the challenge in a brilliantly understated, award-worthy performance as Malik, capturing our sympathy and concern throughout. Niels Arestrup is also outstanding as the brutal and demanding Luciani, as is Adel Bencherif as Malik's one friend from prison who serves as both a positive and a negative influence on the young man.

Directed with unerring conviction and power by Jacques Audiard, "A Prophet" is a cinematic work of art - and a movie not to be missed.

One of the biggest surprises of 2009, Jacques Audiard's 'Un Prophète' is the best French film in a decade, garnering strong critical and word-of-mouth support and winning the Grand Prix in Cannes (which for years now means that it's the actual festival winner). The surprise is that the story is far from being original: a young Arab sentenced to (adult) prison for the first time is forced by a Corsican mafia boss running the strings there to do his bidding. By and by, he manages to use his underling position to his own advantage. So it's a typical hard-boiled underdog story - what makes it so great then?

'Un Prophète' doesn't differ much in style from the French films of late, which were often so hell-bent on displaying life as a gritty and boring affair, and resorted to radical violence to underscore this point, that spectators were almost forced to feel disgusted, which was then claimed to be a denominator of the film's artistic success. This phenomenon has been called 'New French Extremity'. What Jacques Audiard has done is to combine the aesthetics of this trend with the traditions which once made the French film industry the most power- and meaningful in Europe, namely to focus on the relationship of the leading actors. The result is a film that is totally engaging from the first minute, because it entrusts the actors with the task of transforming the script into something of their own making.

And boy oh boy, Tahar Rahim does that job. A newcomer with a little bit of TV experience, his performance carries 'Un Prophète' with amazing vigor. It's a big chance, and he takes it. Would this be an English-language film, he'd be a surefire contender for the awards. His nemesis is portrayed by Niels Arestrup in an equally flawless, yet much more routinized way, which juxtaposes the two characters perfectly. Add to this the sophisticated editing already present in Audiard's last film 'De battre mon coeur s'est arreté' (2005), and you have the best European film of 2009, in spite of a story that you will most likely have seen dozens of times already.

If you usually don't like European movies, or if you have only time to see one a year, watch this one - you won't regret it.

¨In exchange I offer you protection; If you don't kill him, I'll kill you. ¨ Jacques Audiard directs this great French prison film which is perhaps the best gangster movie I've seen since The Goodfellas. It has some great scenes combining violent action sequences with a character driven plot. Audiard has created a masterpiece; the entire film takes place mostly in the prison and he worked with ex convicts in order to set the right mood. Un Prophete (A Prophet) was nominated for Best Foreign Film in the Oscars and lost to the Argentinean movie, El Secreto de Sus Ojos, which was also a great character driven film. Audiard not only directed the film, but he also co-wrote the adaptation of the script along with Thomas Bidegain. It is an interesting character study on how an innocent man gets involved with the wrong people and becomes entangled in a life of crime. There is something symbolic about his illiteracy as he learns how to read in prison, and he also learns how the mob works by serving and getting involved with them, therefore the prison became his school both in a positive and negative way. When I watched this movie I couldn't help but compare several scenes with such classic movies as Scarface, The Godfather and The Goodfellas. This movie does have its flaws, for instance, women are depicted poorly as the few female characters are either prostitutes or weak minded, but the story makes up for it along with the lead actors who give terrific performances.

A nineteen year old Franco-Arab, named Malik El Djebena (Tahar Rahim), has just been sent to prison for six years in Brecourt for assaulting a police officer. He is alone in prison without any friends and has to learn how to survive. At first he tries to stay in the down low, but solitary convicts are the easiest prey. The prisoners are divided in two groups, the Muslims on the one hand and the Corsicans, who seem to be in control of the prison because they have several connections with the guards, on the other. Malik is an Arab, but he doesn't practice their religion so he doesn't seem to fit with the Muslims and he isn't Corsican either. Cesar Luciani (Niels Arestrup) is the leader of the Corsicans inside the prison and after a new Arab prisoner arrives who happens to be a key witness against one of them, Cesar has to find a way of killing him before the trial. The problem is that since he is an Arab he can't get to close to him and therefore realizes that Malik is the right person for the job. The Corsicans force Malik to kill him and offer protection in return, although Malik doesn't really have an option because if he doesn't comply they will kill him. Malik, despite being an Arab, begins serving the Corsicans and little by little wins the confidence of Cesar, although he is seen by the rest of the mobsters as a dirty Arab. Malik begins learning how to read and befriends his teacher, Ryad (Adel Bencherif), and at the same time he begins learning Corsican and the mobster lifestyle. Little by little Malik begins to learn more about criminal life and slowly begins to rise. He is not the same person he was when he arrived at the prison.

Un Prophete has a very interesting plot, but it works in the most part because of the great performances given by the lead actors Tahir Rahim and Niels Arestrup who are just outstanding and very believable in their roles. The success of a character driven movie depends most of the time on the actors, and newcomer Tahir Rahim gives an Oscar worthy performance. The movie is about two and a half hours long and requires your full attention because of the parallel action sequences, but the movie doesn't seem to drag at any point and it never gets to a point where you begin to lose interest. Un Prophet is an excellent film and one you will enjoy. It is definitely worth your time so I recommend you check this movie out.

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Un Prophète :: Jacques Audiard :: France :: 2008 : 2h35

A young man is being admitted into prison. The scars on his body and face betray a violent past. He can barely read and write. He has no friends. Malik (Tahar Rahim) is 19 years old. Out on the concrete courtyard, he is recruited by the ruthless Corsican mafioso César (Niels Arestrup) to kill a rival passing through their prison. Malik is beaten into submission. His life could have ended right there and then. But that is not how it was to be. Malif comes out the corner fighting.

Most of the film is concrete slabs and dirt. There is the constant murmur of the rumours passed around in Arabic and Corsican if it is not in banlieue slang French. And then there is the violence. Nobody gets punished because nobody interferes. Even when inmates get killed there is no indication that they are being investigated. The detainees are all on their own. We do see the state's legal machinery operating in the background with lawyers and judges shifting paper. We see the inmates work in the prison factory sowing clothes. We see the willing bullies being schooled. But the penitentiary staff shine mostly in their absence. Malik knows it is going to be a long 6 years.

He takes what he can get, and tries to make the best of himself. He could have made an excellent career for himself in the army, if life had been different. He has the adaptability, the patience, the dedication, the intelligence and the lack of moral restraint to make it far, in the right framework. If only he had been in an organisation which could contain and direct him, rather than unleash him, as prison did. We see him slowly becoming a man to be reckoned with, creating his own new order. Make no mistake, this young man is taking you along to the bitter end.

Un Prophète is a tough film to watch, but immaculately constructed. I can not claim to have captured the full finesse of the all the criminal dealings, but it does not matter. The audience is thrown into the story as the young Malik is. Thrown in, to live it with him. And live it, you will. It is a masterfully made film with a clever script, an excellent cast and a surprising attention to detail. A rare pearl in the genre, bound to be as rewarded as director Audiard's previous De Battre mon coeur s'est arrêté, which won no less than 8 Césars! (incitatus.org)

This was one of the first French film I have ever watched. I decided to give it a go.

Initially I wasn't holding out much hope when I placed the DVD into my drive, I was wrong.

The film is a hard hitting which keeps you gripped and awaiting the clever plot, it doesn't not disappoint and the way in which the plot unfolds is clever as well as realistic. The actors do a very good job and the main actor is especially good, the white mob boss is also a superb actor.

The film is about an Arab who enters jail after a life of trouble. He soon becomes gripped into the underworld of gang violence, he then joins a white gang whilst carrying out jobs for them. Whilst he cleverly starts to build his own empire.

Go watch this film now, sometimes I don't watch films if I have not seen reviews or thousands of votes here on IMD. Trust me on this film, one of the best films I have seen in a long time and I am sure you will not be disappointed.