Snuff: A Documentary About Killing on Camera

When someone describes 'Bowling for Columbine' as a snuff movie to 'all intents and purposes' you are dealing with something that grazes the top of a subject that deserves more honest and in depth inspection. Ironically, the same contributor sings the praises of the book 'Killing For Culture'. Start with Kerekes' book and see the worthlessness of this opinion piece.

A pretty good documentary. I had a few problems with it. I had trouble remembering who some of the interviewees were, as they are only captioned once. It's said The Skeptical Inquirer called King Kong vs. Godzilla and The Texas Chainsaw Massacre "snuff movies." Not true: the article says there were urban legends about these movies; that two endings of the former were shot, one with King Kong winning and the other with Godzilla winning, and that The Texas Chainsaw was really based on a true story. It also gives the impression Lake and Ng murdered their victims on camera: they did not. The case of Dmitri is discussed using a single article from The Observer, and the case sounds pretty fishy. Then, the longer of the two trailers included in the special features has Jennifer Bahe saying the filmmakers received a tape in the mail that appeared to be a snuff film, which they turned over to authorities. That sounds pretty fishy too: it's not mentioned in the documentary at all, it's not discussed further anywhere on the DVD. It sounds like something they made up to help sell their movie.

The commentary track is worth listening to, though it's not really a commentary on the movie, it's just further discussion of snuff. The filmmakers and some of the interviewees are gathered panel style. There are some microphone problems at one point.

Viewers of this film might like to check out The Dark Side of Porn: Does Snuff Exist? and J.T. Petty's S&MAN.

This really isn't a good documentary about the topic of "Snuff" but is mostly about movies in the open market that has some realistic looking killings on camera. It's interesting though, for the most part but a lot of it seems to be over done. And I did enjoy it talking about real snuff films around the world, particularly about the Russian crime ring tale even if some claim it to be fake and if it is, it's a interesting lie. But as a whole this really isn't a good documentary and you will not gain that much info about snuff but more about realistic killing in certain films that is in the open market like I said, and I do agree with a lot of what the other reviewers are saying, some of the stories in this does sound a bit fishy. Cause they mention a interesting topic they can really get into, but after mentioning it, they never really get into it. The main flaw with this documentary is how it goes way past it's point and not in a good way either, it should of just stuck with the main topic at hand instead of stretching it. So not a good documentary, but interesting to say the least.

4.6/10

rosen, who probably was in charge of coffee runs on several film sets, reads a news article and describes something that probably never happened.

they include a crime-scene photo of sharon tate and jay sebring. i can understand why- the whole myth of manson family movies.

video store clerks as experts and old A&E American justice footage doesn't make this a documentary.

it is an interesting movie though.

work harder next time.

also, when someone proclaims that hard that something really happened, it probably didn't happen.

It has to be said from the get-go that this is no proper documentary as it's circumstantial and somewhat manipulative (maybe even insufficiently documented for all I know). But while the case studies it brings about certainly have this feeling of tabloid garbage fed to the masses by the teaspoonful, what it all boils down to at the end of it all is that it manages to raise the question of whether or not snuff cinematography is more than an urban myth (again). The answer it seems to convey is a definitive yes and, knowing human nature as I do, I tend to agree.

Sadly though there's just too much beating about the bush. Snuff and mainstream cinematography ('Cannibal Holocaust')? Snuff and war footage? You're missing the point here and stretching the concept way past the rupture point.

That said, if you happen to have a chance to watch this and can put up with its violent content, do not hesitate. And I mean really, really violent 'Saw'-has-nothing-on-this kind of content.