Hidden

Skjult is an above average horror movie. The cinematography is just excellent especially for a horror movie. There are enough scares throughout to keep you firmly in your seat.

But is does follow the standard plot of a horror movie. A mystery, a lot of scares and then a big reveal in the end. But the pacing is quite good throughout. And the big reveal doesn't feels anticlimactic like it does in so many horror movies.

Technically the movie is very slick. Everybody has done a good job in acting but nothing really special. Overall a very satisfying horror movie.

I expected to like this movie since I liked the movie "Villmark" by the same director, but sadly no. The main actor, the filming, the music and sound was good, but: The script was a mess, with people behaving and speaking illogicaly (not just horror-movie-illogicaly like "let's-go-into-the-dark-woods-to-look-for-our-missing-friends-despite-the-serial-killer-illogical), but unnatural in the contexts of the scene the characters are in the movie. The main character does things several times during the movie that in the real world would have gotten him arrested, but he is never arrested, his action seems at times to have no reason since they are rarely explained in the movie making the viewer have to guess time after time, the clues about what have happened and what is happening jumps back and forth between mystery/horror/occult/crime making the movie more confusing and messy than scary/thrilling. And people in this movie are EXTREMELY good at finding Kai Koss, even in the middle of the dark woods, while they at the same time seem to be unable to find the tip of their own nosees during daylight...

Another horror/suspense Norwegian movie. Pretty much the opening sequence shows you events that make you think you have this movie all figured out, and believe me, you will be wrong. Skjult starts slowly and patiently evolving onto a dark, minimalist, very climatic film, which takes you in a descending ride to the characters' pasts and nightmares. And it all gets darker and wronger with every minute, and it's all bad, the story, the main character, his mother, his past and his present. Thumbs up to a very nice entertaining surprise. Finally when it has to resolve, (where many horror movies tend to slip), it resolves being consequent and sustaining the same atmosphere that has been developed throughout the entire film to wrap up a strong offer from northern Europe.

Those looking for a typical slasher film need look elsewhere. This is a horror/thriller that takes it time to catch you off guard.

Kai (Kristoffer Joner) inherits a house after his mother's death. It is pretty decrepit. Perfect for a horror film. In it he finds a lot more than he bargained for. Me? I would have been outta there in 5 minutes! KK (Joner) is dealing with memories and replays from a past that holds secrets. Secrets about the abuse he suffered as a child, and secrets about things he did.

It takes place not only in the house, but also in the woods, which really adds atmosphere.

It is nice to see horror films that pace themselves and use startling effects and heavy atmosphere to thrill you instead of over-the-top Hollywood effects. Horror is becoming the domain of the Europeans, while Hollywood engages in torture porn.

Pal Oie's second long-feature film is largely reminiscent to his 2003 effort "Dark Woods"; which regrettably also means that he makes the same mistakes and trips over the exact same obstacles. The filming locations and scenery are truly breathtaking and the thematic influences of ancient Norwegian folklore tales are very intriguing, but the story never really appears to develop itself and eventually drowns in its own atmosphere of mystery and complexity. Oie serves an attractive potpourri wholesome of dark family secrets, alleged schizophrenia and spiritual connection with nature, but everything remains rather vague and incoherent. The somewhat unworldly and introvert Kai Koss returns to his remote backwoods hometown because his old mother passed away and he's the sole heir to inherit the ramshackle parental mansion. Kai Koss isn't too keen to return because his mother abused him and regularly locked up him up in the basement, and the people he grew up with always considered him to be a social outcast. His homecoming coincides with the disappearance of a two young campers that were last seen in the woods surrounding Kai's house. The local vigilante squad naturally suspects him, but he himself is convinced that Peter is behind the strange occurrences. Peter was a young boy who witnessed his parents dying in a car crash and then fled into the woods. Kai senses that Peter still prowls around the area even though the police holds strong evidence that he fell into the waterfall and died. "Hidden" is the type of film that keeps you staring at the screen with interest simply because it's beautifully shot and masterfully stylish. So beautiful and so stylish, even, that you don't immediately notice the lack of development. Kristoffer Joner – also the lead in the aforementioned "Dark Woods" – is a terrific actor and Hordaland is most definitely a county in Norway that I will visit sooner or later, but "Hidden" is sadly little more than just another pseudo psychological horror portrait