The Mother Lode
- Episode aired Apr 17, 2009
- TV-14
- 45m
Lincoln and his men (Self, T-Bag, Mahone) are trying to find Scylla. They try to find a clue for the key from the fake buyer who killed Gretchen. They find a Church and an Estate that matche... Read allLincoln and his men (Self, T-Bag, Mahone) are trying to find Scylla. They try to find a clue for the key from the fake buyer who killed Gretchen. They find a Church and an Estate that matches with key. When Lincoln and Mahone investigate the Estate, Lincoln finds a picture of him... Read allLincoln and his men (Self, T-Bag, Mahone) are trying to find Scylla. They try to find a clue for the key from the fake buyer who killed Gretchen. They find a Church and an Estate that matches with key. When Lincoln and Mahone investigate the Estate, Lincoln finds a picture of him with his mother. Mahone finds out that, picture was edited and some clue about meeting pl... Read all
- Fernando Sucre
- (credit only)
- Gretchen Morgan
- (credit only)
Featured reviews
Lincoln's storyline is by far the most emotionally charged part of the episode, and it kinda works, mostly because of all the baggage he's been carrying since day one. The scene in the empty restaurant where he reunites with his mom is super symbolic-but also painfully manipulative. The whole effort to squeeze in some redemption arc between them falls flat, because Christina's track record doesn't leave any room for peace talks. Lincoln's been burned so many times, and yet, he still hangs onto this tiny thread of hope. That's what makes the end of the episode hit harder-when his own mom gives the order to have him executed. It stings, even if we saw it coming. I wanted her not to go through with it, wanted to believe there was some tiny piece of humanity left in her... but the show didn't even bother pretending. It went ahead and confirmed what most of us already knew: Christina's just another cold cog in the machine, period.
Michael and Sara are still stuck in this endless loop of running and getting caught. Their chemistry still works, which helps a bit, but the writing's clearly out of gas. It's the same formula all over again: they hide, they're found, they barely escape, they fight off some random henchman, and keep pushing forward. The truck scene and the warehouse chase have their tense moments, sure, but they don't really bring anything new to the table. The only bit that's actually interesting is the reveal that the guy attacking them wasn't sent by General Krantz-which opens the door for yet another conspiracy, even though we're still drowning in the ones we already have. Still, Michael's internal conflict makes sense: how do you wrap your head around the fact that your mom-someone you used to remember almost like a guardian angel-is actually a twisted mastermind behind so much of your suffering?
The church subplot is yet another one of those sequences the show throws in just to crank up the action and toss in some face-to-face conflict. Mahone, T-Bag, and Self storming into some "sanctuary" and going up against armed priests and muscle-head bodyguards? That's the kind of scene "Prison Break" used to pull off with way more flair in earlier seasons. Now it just feels like a random video game mission wedged between the more dramatic stuff. The showdown has a few decent moments-especially when Mahone and T-Bag, the least likely duo ever, have to think on their feet-but even the big reveal of the weapons stash and fake IDs doesn't land with the punch it should. The whole thing's so worn out that even potentially explosive discoveries are starting to feel meh. And it says a lot when even Mahone, the most skeptical, sharp-eyed guy in the group, is starting to get dragged along by a story that clearly has no idea where it's going anymore.
Speaking of people who have no clue where they're going: Self continues to be unbearable-and has been for quite a few episodes now. Arrogant, impulsive, totally flat... it honestly feels like the show's just keeping him around because they're contractually obligated. He keeps trying to play the "I do what needs to be done" card, but all he actually does is slow things down and annoy anyone who's still trying to apply logic to this mess. T-Bag, on the other hand, is still kind of a wild card-and even though his arc's getting tired too, he somehow manages to stay mildly interesting. He's stuck between pure survival mode and a maybe-sincere wish to get out of that life, but let's be real: this show's never gonna let him have a real shot at change.
By the end, the whole episode is basically just one big moral standoff about whether or not Christina can be trusted-but the answer's been obvious for a while. She's not a mother, she's a cold-blooded operator. The show flirts with the idea of giving her complexity, but it doesn't have the guts to really follow through. That final execution scene, with the sniper in position and Christina hesitating for a few seconds before giving the green light, is supposed to be dramatic... but it just feels hollow. The hesitation doesn't read like doubt, more like a scripted pause to check the box for "dramatic weight." And Lincoln-the last person still trying to believe in a mom who never actually existed-finally realizes he's on his own.
So yeah, it's pretty clear at this point that "Prison Break" is stuck in a spiral of empty promises it can't deliver on anymore. The tension feels mechanical, the mysteries keep piling up with no real payoff, and that emotional core the show used to have? It's been swapped out for lazy plot conveniences. There are a few scattered moments where the tension hits just right, but overall, it's just another loop of stuff we've seen before-only this time, with way less soul.
So to sum things up I'm sure fans are glad Prison Break is back. Because even if some things got old there're still many things to appeal the audience. Moreover this episode ended with a cliffhanger so we better stay tuned
Michael and Sara are chased by the Company's men; they hitchhike in a truck, but the driver is killed and they are trapped in the trunk. Meanwhile, Lincoln, Mahone, Self and T-Bag investigate the two sophisticated and expensive keys they took from the buyer that shot Gretchen. They find two possible addresses, and while Lincoln and Mahone goes to a mansion, Self and T-Bag heads to a church trying to find Scylla. Lincoln finds a picture from the 70's of his mother Christina and he unravels the secret message with the location where he might meet her. Meanwhile Christina orders an attempt against the life of General Krantz but he escapes with minor injuries only. Lincoln meets his mother and she asks two days for him to remove General Krantz from the direction of the Company and leave Michael and Lincoln free. When Lincoln decides to meet Christina again, his life is in serious jeopardy.
After the long period without "Prison Break", I finally decided to see this series again, and I recapped watching the last episode again to remember how this series abruptly ended a couple of days before Christmas. The plot now is too complicated and I do not know how the author will resolve the story with a decent conclusion since neither General Krantz nor Christina are the "good guys" and it seems that it will be very difficult for Michael and Lincoln to get free in the end. The end of this show gives a glimpse of how much Christina cares for Lincoln. The last chance for a good resolution of "Prison Break" was when Self appeared like a representative of the government promising amnesty for the group. Now it seems to be very difficult to have a good solution due to the huge power of the Company, where everybody seems to be involved. The romance between the selfish and egocentric Michael and the sweet Sara has a total lack of chemistry and it would be better off if Sara had really died in the past. The character of Michael is now wasted, at least for me, and Mahone and Lincoln are saving the show. My vote is eight.
Title (Brazil): Not Available
Did you know
- TriviaAll entries contain spoilers
- Goofs(around 4min 30Sec) The company guy shoots the wall and leaves mark on it, but 2 seconds later, when the camera shows the same guy run by the wall, there in no gun mark there.
- Quotes
Lincoln Burrows: [about a photo of Lincoln and his pregnant mother] It's been doctored.
Alex Mahone: I'm not sure about that. The lighting, the shadows, they all sync up perfectly.
Lincoln Burrows: But this is a '78 Zephyr. Michael was born in '76.
Alex Mahone: You're the only one who could have picked up on that. She doctored that for you.
- SoundtracksMain Titles
Composed by Ramin Djawadi
Details
- Runtime
- 45m