Agatha Christie's masterful storytelling gets a soupçon of French flair in these attractive, witty mysteries. These French adaptations are a fresh, stylish twist on classic Christie tales.Agatha Christie's masterful storytelling gets a soupçon of French flair in these attractive, witty mysteries. These French adaptations are a fresh, stylish twist on classic Christie tales.Agatha Christie's masterful storytelling gets a soupçon of French flair in these attractive, witty mysteries. These French adaptations are a fresh, stylish twist on classic Christie tales.
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Featured reviews
Season 2
Season 2. Wonderful, so funny...
The characters are very characteristic, with fun, the inspector is somewhat dog but in a funny way. The journalist a modern woman and the secretary is so suite. Congratulations.
Not all seasons are made equal
I watched a few episodes with Superintendent Larosière and the young Inspector Lampion, set in the Thirties , and some other episodes featuring Commissaire Swan Laurence and reporter AliceAvril in the Fifties. All of them bring a fresh approach to Agata Christie's stories, a touch of comedy and a glance at the society of the time, but let me say that the earlier episodes are far more intriguing than the later ones. My rating for this series would have been a 8 or even 9 for the Larosière and Lampion duo, but a 6 for Laurence and Avril. This series definitely makes a case for having per-season ratings for TV shows on IMDb.
Ooh La La - a classic crime show \o/
This show sets the perfect mood for intrigue, mystery and entertainment.
Agatha Christie's works have inspired many iterations on film, although "the usual suspects" are most often repeated (Death on the Nile, etc.). So, it's not just "new" stories that are presented here, but the crimes are solved by a new set of characters who bring lots of playful dynamic to the mix.
Of the 1950's episodes - while the first two seasons very well establish the era and tone, the series really hits its stride in seasons 3 & 4. With increased confidence, everyone brings more layered nuance to the storytelling.
Overall, the production values are extremely well delivered. A special shout out to set dressers, costume and make-up. And the soundtrack engages with suspense and mischief, and perfectly balances the actors' and editors' comedic timing.
Of the performers, my personal favorite is Elodie Frenck as the divine Marlene. She's sexy, funny, the perfect blend of subtlety and charm, and occasional well-placed gaucherie, making this character irresistibly adorable.
Well cast, the other actors bring dynamic energy to their roles in unique ways.
J'adore!
Agatha Christie's works have inspired many iterations on film, although "the usual suspects" are most often repeated (Death on the Nile, etc.). So, it's not just "new" stories that are presented here, but the crimes are solved by a new set of characters who bring lots of playful dynamic to the mix.
Of the 1950's episodes - while the first two seasons very well establish the era and tone, the series really hits its stride in seasons 3 & 4. With increased confidence, everyone brings more layered nuance to the storytelling.
Overall, the production values are extremely well delivered. A special shout out to set dressers, costume and make-up. And the soundtrack engages with suspense and mischief, and perfectly balances the actors' and editors' comedic timing.
Of the performers, my personal favorite is Elodie Frenck as the divine Marlene. She's sexy, funny, the perfect blend of subtlety and charm, and occasional well-placed gaucherie, making this character irresistibly adorable.
Well cast, the other actors bring dynamic energy to their roles in unique ways.
J'adore!
The Little Mysteries of Agatha Christie
Am a lover of detective mysteries and Agatha Christie has been one of my favourite authors for such a long time now, since the age of 11 from reading 'And Then There Were None' and watching the David Suchet adaptation of 'Sad Cypress'. Love her twisty mysteries, rich characterisation, meticulous atmosphere, her intelligent use of prose and ingenious final solutions. Her work has mostly been adapted well, the obvious examples being the best of the Joan Hickson Miss Marple and David Suchet Poirot adaptations.
'Les Petits Meutres D'Agatha Christie' is a French series that adapted loosely Christie's work and is essentially Agatha Christie with a French light comedy twist and a "spoonful of French flair. Following on from the very enjoyable 'Petits Meurtres En Famille', 'Les Petits Meurtres D'Agatha Christie' is a very fascinating and charming series and fresh light-hearted entertainment with intriguing stories. Anybody expecting straight up faithful adaptations may need to watch with caution, as they are loose adaptations and only use her stories as a basic framework, but there is an awful lot to like on its own merits and so it shouldn't be dismissed.
The pacing could have been more consistent perhaps, most of the time it's perfect but there are moments where it could have been tighter and others where it could have slowed down.
Likewise with some of the more comedic elements, sometimes in need of a calming down and more subtlety. The chemistry between Avril and Laurence, and there are more episodes with them than with Larosiere and Campion, didn't seem to gel or settle straight away.
However, all the episodes of 'Les Petits Meurtres D'Agatha Christie' look lovely, especially the lavish period detail and scenery to take your breath away. The vibrant but never over-saturated or garish colours, that could be quite atmospheric, and stylish photography complement beautifully. The music matches the light-hearted and at times very atmospheric tone very well. On the most part, the writing is endearing and does entertain and intrigue. As said, some of it needed to calm down but didn't feel much staleness here. Yet the comedic approach doesn't get in the way of telling a good mystery, and enough of the mysteries are clever and very sophisticated without being over-complicated or far-fetched. Any brutality, and there is actually more of the gruesome factor here than in any of Christie's work, not being overused, abused and gratuitous.
Mostly like the characterisation, with some interesting supporting characters and a well matched and fascinating pairing in Larosiere and Lampion, that settled far quicker than that between Avril and Laurence, who aren't quite as interesting but grew on me. Larosiere is the richer character but Lampion the more endearing and rootable one. The direction is competent throughout and cannot fault the acting, Antoine Dulery and Marius Colucci being the standouts.
On the whole, definitely well worth watching. 7/10 Bethany Cox
'Les Petits Meutres D'Agatha Christie' is a French series that adapted loosely Christie's work and is essentially Agatha Christie with a French light comedy twist and a "spoonful of French flair. Following on from the very enjoyable 'Petits Meurtres En Famille', 'Les Petits Meurtres D'Agatha Christie' is a very fascinating and charming series and fresh light-hearted entertainment with intriguing stories. Anybody expecting straight up faithful adaptations may need to watch with caution, as they are loose adaptations and only use her stories as a basic framework, but there is an awful lot to like on its own merits and so it shouldn't be dismissed.
The pacing could have been more consistent perhaps, most of the time it's perfect but there are moments where it could have been tighter and others where it could have slowed down.
Likewise with some of the more comedic elements, sometimes in need of a calming down and more subtlety. The chemistry between Avril and Laurence, and there are more episodes with them than with Larosiere and Campion, didn't seem to gel or settle straight away.
However, all the episodes of 'Les Petits Meurtres D'Agatha Christie' look lovely, especially the lavish period detail and scenery to take your breath away. The vibrant but never over-saturated or garish colours, that could be quite atmospheric, and stylish photography complement beautifully. The music matches the light-hearted and at times very atmospheric tone very well. On the most part, the writing is endearing and does entertain and intrigue. As said, some of it needed to calm down but didn't feel much staleness here. Yet the comedic approach doesn't get in the way of telling a good mystery, and enough of the mysteries are clever and very sophisticated without being over-complicated or far-fetched. Any brutality, and there is actually more of the gruesome factor here than in any of Christie's work, not being overused, abused and gratuitous.
Mostly like the characterisation, with some interesting supporting characters and a well matched and fascinating pairing in Larosiere and Lampion, that settled far quicker than that between Avril and Laurence, who aren't quite as interesting but grew on me. Larosiere is the richer character but Lampion the more endearing and rootable one. The direction is competent throughout and cannot fault the acting, Antoine Dulery and Marius Colucci being the standouts.
On the whole, definitely well worth watching. 7/10 Bethany Cox
Fantastic series
Amazing casting and production. Attention to detail is very impressive...and what about the era cars? Wow
The interpretation of Agatha Christie's stories is unique with french flair.
What a treat to watch .
Did you know
- TriviaCommissaire Laurence drives a rare Facel-Vega Facellia.
- Crazy creditsDuring the closing credit sequence in the first two episodes of the series, dialogue quotes from the episode, spoken by Larosière and Lampion, are replayed over the music. Beginning with the third episode, however, there are no longer any spoken lines heard over the end credits - the only audio is the theme music.
- ConnectionsFeatured in La grande histoire des Petits meurtres (2021)
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