Chloe

The Atom Egoyan behind Chloe is not the auteur behind films like Erotica and The Sweet Hereafter, but he weaves it in the right direction, and the end result may be his most erotic film yet. Ergo, Chloe feels like enough of an Egoyan film for me to argue that going commercial is not something that will degrade the quality of his work, (although I can't say much for Where the Truth Lies.)

Dr. Catherine Stewart suspects her husband is cheating on her, so she hires a local prostitute to seduce him, and report back with news. The things that Chloe has to say really turn on Dr. Stewart, and the two women start to fall for each other. But when Catherine decides it is time to pull the plug, Chloe isn't so eager to go away.

Chloe grows increasingly eerie, and profound, which draws you in, but in the last twenty minutes, it comes close to falling apart. The picture benefits greatly from by Paul Sarossy's cinematography featuring nuances of harsh light and warm colour tones, that highlight all the interiors. What we have here a classy looking B-movie. It is intriguing but not great art.

If anyone was suited for remaking the French film Nathalie, it was Atom Egoyan, whose deeply twisted and occasionally perverse studies of sexuality, expressed through an apparently cold directorial eye, go hand in hand with a script that emphasized words over images (though there is a bit more flesh in the English-language transition). Hence the rather brilliant Chloe, whose prime accomplishment lies in its being less showy and pretentious than the director's previous foray into erotic secrets, the ambitious Where the Truth Lies.

Set in Egoyan's home town of Toronto, Chloe tells the story of the eponymous call girl (Amanda Seyfried) who is hired by gynecologist Catherine Stewart (Julianne Moore) when the latter starts to suspect her husband (Liam Neeson) is having an affair. Chloe's job is to casually approach him and see if he falls for her charm, thus indicating his propensity for adultery. However, as the girl's reports get more and more graphic, Catherine realizes she has put herself in an awkward position, one that it will be difficult to get out of.

A fascinating hybrid between psychological drama and erotic thriller (there's a vague hint of Fatal Attraction throughout the movie), Chloe is a rarity due to its attempt to analyze sex and its consequences without necessarily resorting to openly titillating imagery (a characteristic Egoyan shares with another Canadian maestro, David Cronenberg). The only downside of this approach is the same flaw that was much more evident in Where the Truth Lies, namely a deliberately slow pace that affects the thriller aspects but enhances the emotional poignancy, something that comes off as a paradox given the seemingly cold subject matter.

Furthermore, there is no coldness to be found in the carefully crafted performances: Neeson and Moore play the troubled couple with conviction, especially when things start getting more complicated (Moore's suspicious wife is a tour de force turn that should have received some award recognition), but the heart of the film lies, quite predictably, in Seyfried's hands, and she rises to the challenge by proving that she can do Big Love-style quality work on the big screen, embodying a complex, intriguing character light years away from her roles in Mamma Mia! and Mean Girls.

Overall, Chloe is a very good movie: sexy without being gratuitous, psychological without getting pompous and, like its title character, delightfully surprising.

When David (Liam Neeson) misses his flight home from New York and, as a result, the surprise party his wife Catherine (Julianne Moore) has planned for him, Catherine is forced to swallow her disappointment and any suspicions and return to the waiting guests. Reading a text message sent to David's phone the following morning from one of his female students, Catherine's fear grows. More suspicious than ever that David is having an affair, Catherine seeks out Chloe (Amanda Seyfried), an escort, hiring her to test David's fidelity.

Chloe is a very solid thriller. Extremely engaging and incredibly entertaining, this story is ultimately about human nature and instincts. The film really grabs your attention and visually, it's quite a feat. The minimalistic sets and the way it was shot give this film a really modern and slick look. I feel like I should warn that there's quite a bit of nudity and somewhat graphic scenes but nothing outrageous or out of place.

Moore was absolutely terrific, she has proved her value already but here she delivers possibly one of the best performances of her career. Seyfried was quite a surprise. Her performance was subtle but very efficient and she seems a very promising young actress. Liam Neeson was not nearly as good as he usually is but it's understandable considering his wife died during the shooting of the film.

As I said, Chloe is a very solid and well done film. Unfortunately it has one major flaw, the predictably of the plot. I saw the twist coming from a mile way and I think any avid movie-goer will too. Still, it was a great watch, very entertaining and extremely well acted. Worth seeing.

7/10

Chloe (2009) is really underrated love tragic drama. It is not that bad of a film I really liked it. I am not a drama love story fan guy but this movie really surprise me. It was not boring, over long or over dramatic like some movies are! It has a love drama and it ends with a twist and with a tragedy on the end of the film. Amanda Seyfried took my heart away with her acting, her beauty and I feel remorse for her character. I understood her character. I know now is based on the earlier French film Nathalie... (2003) I know that film is praised since Chloe come out, but who cares! I hated Dear John and Notebook I hated those films. The only films I liked in drama were American Beauty, Great Expectations that was a based on a novel and The Vow I like those movies.

Chloe this movie also has an erotic thriller about seducing and manipulating other peoples and it has a message. Don't belive anything and anyone you hear from people. Julianne Moore is fantastic and the women can act. She is awesome actress she is one the actresses I like and that's rarely by me. Liam Neeson is excellent as always I love this guy. I love Taken, Non-Stop in which Julianne Moore and Liam Neeson reunite again. A Walk Among the Tombstones, Unknown and Run All Night. I love the actor even in this drama he is so good. The thriller that was in this movie reminds me in other movies like are: Fatal Attraction. The Game, Disclosure and The Boy Next Door.

8/10 this is a tragic love story and that a good one, It worked by me I understand the character, the movie worked better then in other movies. In my opinion I like it! Atom Egoyan did a good job directing this movie. Response to a nutcase below me: the movie is not bland it is at least much better than your stupid dumb movie Batman Vs Superman: Dawn Justice. F**K Off!

2/6/18. I decided to catch this because Julianne Moore has been such a surprise in recent years. Her range is phenomenal! Ever since she won the Oscar for 2015's "Still Alice" (watch it!) I have been trying to catch her other movies. She can pretty much play anything, if given the chance. I'm glad I caught this one. Moore plays a doctor who suspects her husband (Neeson) is cheating on her. She hires an escort (Seyfried) to seduce him. In the process, Moore and Seyfried become sexually involved. Only Moore could have pulled off the complexity of her character, a woman torn between too many desires that threaten to overwhelm her. Worth catching.