Stingray Sam

I love Corys work, The American Astronaut being one of my all time favourites, and Stingray Sam is just as good. The story, such as it is, follows the same dreamlike logic of TAA and one gets the feeling that its where the original inspiration came from. There are huge gaps in the plot and we are expected to take a lot for granted, but thats OK. I'm happy to sacrifice a little character development in favour of moving the story forward, in this case to the next episode. The six episodes that make up the film are perfect little movie-ettes in their own right, reminiscent of the old western series from the 60's and 70's, the ones that used to get shown on a Saturday afternoon.The ridiculous characters and absurd situations Sam and his companion, the never reliable Crugie, find themselves in can often only be resolved by song and dance, neither of which make any sense or are in any way appropriate to the circumstances, hence the dreamlike quality to his films. If you wan't plot led big bangs then look elsewhere. If you want storytelling from an entirely unique perspective them this is the film for you. An absolute gem.

I personally would list this movie in my 'worst ever movies' list. . its an awful attempt of a comedy. . i would rate the various components as: movie 1/10 story 0/10 acting 1/10 comedy 1/10 dialog's 0/10 believe me friends do not waste your time on this. . its not worth that. . anything else(just anything) would be a better time pass against this. the story is just the worst i have ever seen. . in the entire movie i just couldn't understand the need of making it as a black and white movie, or the need to divide it into 5 episodes. BASICALLY I DIDN'T FEEl THERE WAS ANY NEED TO EVEN MAKE THIS MOVIE. There's not a single character to empathize with.

I cannot give this film anything other than a 10. It is too unique and charming to be given anything lower. I like different films. I don't want to watch the same thing again and again and every so often an oddball unique talent comes out fully formed.

The plot is about a galactic lounge singer and an old friend being reunited and recruited by some government go to various planets in search of a kidnapped girl. Describing the plot does nothing to describe the film at all. The film is a series of set pieces or vignettes with a musical number in each scene. The music is funny, well performed, memorable and the set pieces often humorously surreal although near the end there are some sweet scenes played to lullaby music.

It's as if is a tight group of stage performers and friends have come together to make a simple charming film. You are not likely to see the likes of it again anytime soon. I prefer the American Astronaut another Cory Mcabee film, possibly because I saw it first, but more likely because the sci-fi elements are more unique. The sci-fi humour in Stingray Sam is similar to Douglas Adams dry, good natured, surrealist. The sci-fi in the American Astronaut is more 1920's Art Nouveau and I haven't seen it being done before or at least not so successfully.

Stingray Sam is great reflection on North American culture through the ages. Presented in a series of episodes (it was never supposed to be a feature, but more of an ol' fashion serial - it's even shot in black and white), each segment contains a good series of jokes and gags in a different location and a unique song for each (which, for the most part, are really catchy). The framework of the story involves two outlaws, Stingray Sam and the Quazar Kid, who are sent to on a mission to rescue the daughter of a famous carpenter (in this reality everyone can become famous if they're good at what they do, even carpenters). That's basically it. And it's great. The special effects are campy, but they're supposed to be. It's all part of the charm and it never takes away from how clever the whole thing is (the story of how The Quazar Kid and Stingray Sam become outlaws is top-notch satire). I really think some of the people commenting on Stingray Sam just aren't familiar enough with the references to understand its aim. I'd recommend it to anyone who likes a catchy song and seeing golden-age pop culture skewered.

When it comes down to cool-sounding sub-genres, I think Cory McAbee and company have figured out which may be numero uno. How can you go wrong with Musical Space Westerns? I really don't think you can. What can be better than that? Oh, I don't know...maybe something about Werewolf Hunters of the Mid-West…?

This go-around you follow Stingray Sam and the Quasar Kid on a rescue mission as they try to track down a kidnapped girl in the hopes of returning her to her father. Tack on a story of brilliantly silly proportions that include pregnant men, excessive olive eating, and legit sci-fi imaginations, and you have an instant cult-classic.

Once again, Cory delivers a memorable and altogether impressive musical space western that's chock full of catchy tunes (my favorite being The Lullaby), great over-the-top performances, and charm to spare. One aspect to this film that I thought was really well-done was how he utilized his own daughter as the little girl - whom he managed to direct amazingly well. At times he was able to bring that classic style of acting that a young actress like Shirley Temple made popular.

Cory's approach to film-making is unlike anything else being made these days - or at least anything that I'm aware of. They have this universal appeal that makes one think they're truly incapable of being disliked. Of course, that's ridiculous to say, but when it comes down to movies that showcase as much heart as Stingray Sam, or The American Astronaut, it's not exactly difficult to make such claims. Check his films out if you get the chance, you won't regret it.