The Infiltrator

Bryan Cranston is not your typical movie star, although he seems like it. Underneath the cool-high-school-dad exterior, there's an actor of great depth and unexpected power. You'll know it when you see a scene involving his character, said character's wife, and a restaurant on their anniversary dinner. Cranston seems to have benefited during his years as Walter 'Heisenberg' White on TV's Breaking Bad. And it has contributed greatly in this biographical crime thriller, about as straightforward and predictable as a stab in the gut.

Yes, Brad Furman's (The Lincoln Lawyer, Runner Runner) directorial efforts here will not be known for their signature riffs, as there is none to speak of. It's standard thriller fare, the kind that would do well had it been released between the late 1980s and early 1990s; pure genre fare that caters to mostly adult film-goers that aren't interested in seeing computer-generated superpowers or rubble. In other words, unoriginal yet mature, grown-up stuff.

The Infiltrator, however, is textbook example of how great casting can elevate shopworn genre material into solid entertainment, as the always-reliable Cranston has proved here. Sure, he is strongly supported by a bevy of intriguing cast members including Benjamin Bratt, John Leguizamo and the lovely Diane Kruger; but in portraying real-life undercover agent Robert Mazur shimmying his way up through Pablo Escobar's criminal empire, Cranston's understated but strong everyman presence confidently carries the movie solely. That quality alone replaces the tediousness often found in similar true-crime movies with an intense amount of uneasy suspense and grounded credibility, providing lots of fun for Cranston fans as long as they do not expect anything groundbreaking.

Breaking Good, indeed.

I watched this last night and it was a very enticing movie, but lacked something that could have turned a very good movie into something to be remembered.

Brian Cranston and John Leguizamo are both great in their lead and supporting roles. The supporting cast all do very well, the story from what l have read is a good enactment from real life into a movie, but somehow this film always pushes you towards wanting something more, something a little more gripping. Whilst l like the pace of the movie, the character development needed more, the backstory was very quickly done and felt far too pushed through. The directors didn't seem to want to develop the underlying tension between Cranston and Ryan or allow the audience to grow with any of the characters, where you feel the pain, anxiety, pressure.

The ending like so many films in Hollywood these days is rushed and feels like an anti-climax. It's not often l say this but the film could have used another 20 minutes or so to add other dimensions that would likely have left you feeling slightly more fulfilled. 7/10

Greetings again from the darkness. The war on drugs has become a bit of a punchline in the real world, but has proved to be fertile ground for filmmaking: Sicario (2015), American Hustle (2013), Traffic (2000). Additionally, the popular Netflix show "Narcos" takes on the same Medellin drug cartel as this latest from director Brad Furman (The Lincoln Lawyer, 2011). The movie is based on the true events of Robert Mazur's book "The Infiltrator: My Secret Life Inside the Dirty Banks Behind Pablo Escobar's Medellin Cartel" (a title that's very descriptive, if a bit long).

Bryan Cranston continues his impressive Hollywood run this time as Robert Mazur, the man who goes undercover to expose the money-laundering system of the cartel. His flamboyant alter-ego is known as Bob Musella, a character that allows Mazur (and Cranston) to show a side not typically seen. His antics get him inside Columbian Drug Lord Escobar's organization in the mid-1980's.

When Mazur realizes the traditional method of chasing the drugs isn't working, he decides the age-old idiom "follow the money" might be a better approach. This takes him inside the world of international money laundering, and he learns that banks and governments are quite dependent on this huge business of drug money movement.

There are specific groups of people here: the government agencies, the small task force, the corrupt (and appreciative) bankers, the various levels within the cartel, and even Mazur's family … all these forces intertwine to make life difficult for Mazur and his team, and provide a glimpse into the complexities of undercover work.

In addition to stellar work from Cranston, the cast is terrific. John Leguizamo plays Mazur's motivated partner Abreu; Diane Kruger plays his undercover fiancé; Juliet Aubrey is Mazur's real life wife who doesn't much appreciate his declining the early retirement offer; Olympia Dukakis provides a dash of comedy relief as Mazur's Aunt; Yul Vasquez is the creepy money manager for Escobar; Benjamin Bratt plays Roberto, Escobar's right-hand man and the key to Mazur's case; and Elena Anaya (The Skin I Live In, 2011) is Roberto's wife. Also present are Amy Ryan, Jason Isaacs and the always great Michael Pare.

There are a couple of standout scenes – one involving chicken and voodoo, and another with a briefcase mishap, but my favorite is the Happy Anniversary cake scene in the restaurant where Mazur flashes his alter-ego Musella for his real wife to see … and she is understandably stunned.

The movie does a nice job of capturing the look and feel of the era (30 years ago), but it's somehow missing the elevated suspense it portends to drag us and the characters through. Some elements seemed impossible to believe – why would Mazur risk his family's safety? The timeline was a bit muddled. We aren't sure how much time has passed, but there certainly don't seem to be enough interactions before Roberto is telling Mazur he is "like family". It plays a bit like those romance movies where the two leads are head over heels in love after a conversation or two. An element is missing and it affects the level of tension throughout the film. And that's something even a Leonard Cohen song ("Everybody Knows") can't fix.

The Infiltrator

In some ways this might seem like a straight up crime and drugs movie, with Breaking Bad star Bryan Cranston in the leading role. But these true events and actual characters take you to the top of a government effort to undercut the money laundering operations of the biggest cartel of all.

And Cranston is great. Around him is a really strong cast, including some disreputable types from all around. The pressures are huge, and the tension believable as people question who they can trust. Because to go undercover requires people helping you keep your cover, and that's increasingly hard because the money, and the low price of a life, are constant pressures.

The movie is based in Florida in the 1980s, and it's a weird place to revisit. Diane Kruger is a great, relaxed presence once she shows up, and John Leguizamo is terrific as a sidekick, essential to the energy of the film.

There some problems, for sure, with compacting the plot or characterizing Escobar. Or making the private life of the main agent so easily intertwined with the undercover world—they should be states apart.

But never mind the quibbles. A strong, commanding movie.

Bryan Cranston is Robert Mazur, the real life undercover man whose work in the 1980s connected the dots on the Sinaloa cartel and the international banks. Cranston is excellent.

The movie is suspenseful, with good performances by Amy Ryan, Benjamin Bratt and, g*d help us, John Leguizamo, with a very small and funny role for Olympia Dukakis. I have my doubts; given the fighting-the-drug-cartels movies that have been coming out in the last few years, I think the subgenre has been getting played out. I still had a very good time.