The Chameleon

We can never be sure about dramatised true stories because tricks are played on our memories even as we try to retell with accuracy. This story of a character who is unlikely to be who he claims to be from the start is as much about doubts as it is about rebuilding hopes. From the opening shots of a body hunt through to the final frames this film attempts to tackle the driving forces of all the characters who make up the plot by showing up flaws and how all of us are sometimes drawn to papering over cracks in our thoughts.

The film is quite clever in raising doubt in our minds because every player seems flawed from Fortin/Randall (Grondin), through Kimberly (Barkin), to Johnson (Janssen) as an FBI agent who seems to have no doubts. Perhaps a clumsy unevenness in the screenplay sometimes makes following the story a little less taut than it should be, but I could not fault the quality of the acting.

Even a family torn apart by an undisclosed tragedy seem very adept at keeping things as they are when redemption is a possibility but the actual interaction between them is not well rehearsed in this script. Too much focus is perhaps played on the mother's relationship with her "son" when there was perhaps a lot of mileage elsewhere.

I would guess many people would want a more commercial ending to a film like this and that has probably detracted from it popularity since it does stick to events as they happened but for me the real let down, having such a great cast, was a failure to grasp the real guts of the story and perhaps reveal a little more of what really may have happened.

Seven out of ten for acting from a fine cast.

CHAMELEON, we are told at the beginning of this film, is based on a true story about a French lad who disguises himself as other people as a way of gaining attention and 'love' which is apparently missing in his life as a near orphan. Written by Natalie Carter and writer/director Jean-Paul Salomé it misses the opportunity to use a factual story and transpose it to the screen in such a way that we care enough about the characters to become involved in the unfolding of this charade. Unfortunately the writing and the casting and directing work against this and the result is a surprisingly uninvolving, fairly boring tale.

Nicholas Barclay (Marc-André Grondin) has been missing since age 13, for reasons unclear to the town's people in Baton Rouge. LA. Nicholas shows up in Spain after an auto accident, is treated for PTSD and is mutely amnesic until he suddenly talks and lets the hospital people know that he is Nicholas Barclay, a missing person. He states he was kidnapped and forced into a child prostitution ring that involved rape, abuse and torture - the reasons he gives for his lack of memory. Nicholas's sister Kathy (Emilie de Ravin) spends her last money to fly to France to pick up her lost brother and return him 'home' - to his chain-smoking depressed mother Kimberly (Ellen Barkin in a surprisingly monotone, phoned-in performance), Kathy's husband Brian (Brian Geraghty) and his sociopathic brother Brendan (Nick Stahl). Nicholas's identity is not clear to his family, except for his sister Kathy who offers compassion and fights for Nicholas' rights: the others doubt that their Nicholas is alive because of events they know to be true. The FBI in the persons of Tory Kittles and Famke Janssen investigate, doubting that Nicholas is who he says he is. After a dysfunctional attempt to relate to most of his family, his story starts to unravel and the true story of what happened to Nicholas starts to emerge: 'Nicholas' is Frédéric Bourdin, who after having plundered all the centers for runaway minors and delinquents in Europe, even though he has come of age, now passes himself off as Nicholas Barclay, shaves his body hair, and attempts to a carry off another 'chameleon caper' in the US.

The cinematic aspects of the film fail to make the story involving: the colors are so washed out that it appears to be made on cheap film, the story is disjointed with such scenes as Nicholas shaving his body hair really adding little to the tale, the surprisingly dull performance by Ellen Barkin is a shock, and Marc-André Grondin is simply not up to making us realize the potential of this fascinating story. Famke Janssen and Brian Geraghty make the most of the roles they are given, but otherwise the cast is unremarkable.

Grady Harp

"The Chameleon" is roughly based on the case of the disappearance of Nicholas Barclay, and the impostor Frederic Bourdin.

The movie stays reasonably close to the facts, though there are some mayor things changed that IMO was totally unnecessary. At the same time, more could have been done with other things. I am on purpose gonna keep this all pretty vague; as I do not want to spoil anything. If you want to know about the real case, google on it. It is a very interesting thing to do.

I would definitely have liked to have seen more background about Frederic. The case of Nicholas wasn't the first time he imposed as a missing child, neither was it the last time. As if the whole story about Nicholas wasn't bizarre enough, it gets more and more bizarre if you read up on Bourdin. He truly deserves the name Chameleon; it is incredible how good this guy is at languages and in blending in. I do understand that the movie's focus was on only one of his crimes, but I think a bit more history would have made it all even more absurd. Now, you almost feel at least a bit pity for Bourdin, but that should not happen. After all, the guy was/is a very disturbed man who didn't give a *beep* about the feelings of his victims.

The overall acting was not very good. Famke Janssen made the best of it and steals the scenes when she comes in, but I was unfortunately pretty unconvinced by the lead character. The way the story unfolds was just not good enough to convince, and the characters way too shallow. Many things are there in potential, but somehow it just doesn't work. It could have been an 'edge of your seat' thriller or drama, but it simply isn't. Throughout the whole story, it just lacks something. An other reviewer used the word 'dull', and I think that's quite a good description.

All in all; an intriguing case made to a less intriguing movie.

(Ps: An interesting little fact; Bourdin himself worked as a creative consultant for this movie. )

La Chameléon – The Chameleon – TRASH IT (C) The movie is based upon the true life of European impostor Frédéric Bourdin. He has been in more than 100 houses all over the Europe pretending as their missing sons. His reason for living with different families is not because he wants to rob or hurt them but he just want to seek "Love and Affection". The movie takes place when he caught first time pretending to be teen missing child in taxes, USA in age 25. The premise of the movie is really interesting but poor direction and weak screenplay made it completely mediocre and sloppy. The director never knew whether he wanted this movie to be a family drama or a thriller. Marc-Andre Grondin was good but lacked proper direction as times he was sweet and at times he seemed psychopath. Emilie De Ravin, Famke Jensen and Brian Geraghty did a fine job. Nick Stahl and Ellen Berkin performance was over the top. On the whole, it's very mediocre and doesn't do justice to the story.

I decided not to mark this review for possible spoilers, since this movie is about a true story and therefore most people who are interested in seeing it will already know how it ends. Besides, several previous reviews tell more than I will about the end, and they got through without spoiler warnings.

First off, it's ridiculous to praise Ellen Barkin's acting just because she's practically unrecognizable: that's called makeup, not acting. Maybe she should be commended for allowing herself to look so awful, but she never was much in the looks department either. The best I can say is that she doesn't ruin this movie as she has some others. Her one-note performance certainly is unusual, but unusual doesn't necessarily mean great.

Second, the problem with movies based on true stories is that if the story isn't interesting the movie usually isn't interesting either. At first I wondered why I had never heard of any of these people before, under any names, and now I know why: there's nothing interesting about them - not the screwed-up, depressed family and not the neurotic, narcissistic bozo who duped them.

Famke Janssen adds a little bit of interest just because she's a charismatic person, but that plus Barkin's mousy, greasy, depressed, anorexic chain-smoking junkie are not enough to sustain a very boring story about very boring people.