Descendents

I'm a huge fan of post-apocalyptic/zombie films so I figured this would be right up my alley. I may have misjudged...

So the film is basically an hour and thirteen minutes of watching a young girl walk through various desolate scenes devoid of any emotion. I can't say she's a bad actor because really at no point does she need to act. As long as she kept walking, the crew kept filming.

It's visually very boring on the eyes. They tried this Schindler's List/Sin City effect where mostly ever shot has a low saturation making it nearly black and white EXCEPT for blood which is vividly bright red. And it would "splatter" on the camera in every action scene much like a video game from 10 years ago. For some reason, I'm now craving cherry Kool-Aid.

The film is riddled with flashbacks that you're forced to witness multiple times for lengthy durations, while not really contributing to any story or character development. It's not very endearing...

The blood and zombie special effects were tolerable but as you'll learn, the zombies are no threat to the main character therefore there is no real terror as a viewer either. I watched this by myself in the dark with headphones on and never once was frightened to any degree.

I must say that the opening sequence was the best part of the film. It was creative and had a unique charm to it. As sudden as it came, the charm was gone. On the flip side, the ending credits were pretty cool too.

Overall, this really isn't worth your time but it is a relatively short film so be my guest. Just remember that you have been warned. If you do have the patience to get through the entire movie, I must inform you that there is one last scene after the credits, which unsuccessfully tries to give you the back story of how the world came to be. Enjoy! -- 4/10 --

Beyond Geroge Romero there has not been a zombie film that's loaded with this much social/political commentary. Jorge Olguin's 2002 follow-up to SANGRE ETERNA aka ETERNAL BLOOD is a very strong and original post-apocalyptic/Sci-fi/horror movie. For about a half a million dollars, the movie was shot in ten days, with mostly young children ranging from five to ten years old. The children's acting may not be up to par and some of the effects surely reflect the lack of budget & time but DESCENDENTS/SOLOS is a truly dark and disturbing movie set in a dystopian world that looks like a low budget mixture of 28 DAYS LATER and CHILDREN OF MEN, with strong echoes to Chile's past as a military dictatorship. Jorge Olguin is a talent to definitely keep an eye on.

Jore Olguin, visionary director and auteur, has taken a quite minimal budget and fashioned a masterpiece from it. With haunting imagery and surrealistic cinematographic effects, Olguin's saga of children surviving a post-apocalyptic landscape populated by zombies and killer soldiers unlike anything filmed before. The zombie genre has been overused and is a tired but this is a return to Romero's original concept and it is a stunning accomplishment. The unrelenting horror can sometimes be overwhelming and while it may be necessary to turn away and regain one's composure, this is ultimate a very satisfactory film experience indeed. The Chilean locations heightens the feeling of other worldliness and the sense of an out-of- kilter existence beautifully. An artistic metaphor for how humanity collectively fears the outsider, this is an important and memorable film.

I just finished watching this movie and came to IMDb to see what others had to say. Let me tell you this, I had more fun and enjoyment reading the reviews than I did watching the movie. Everything I felt during the movie has already been explained in all of the other reviews. It's like deja v. I think Olguin and Garcias story could be so much better with the proper tweaking. They went way to far out with this one. Watching that little girl walking around was very boring and seemed to become unnecessary. I myself would have done things much differently. The terror factor was minus 10. The ridiculous factor was through the roof.And at the end I was just sitting here wishing I had my two bucks back that I spent on this disaster.I find myself oddly in the mood for calamari.

South American cinema at its most powerful. Jose Olguin, director of the fascinating film, Eternal Blood, has left a deep mark upon Chilean cinema and it is clear why his impact has been so profound with this masterpiece. This motion picture certainly is an attempt to reconcile Chile's history of military dictatorships and violation of human rights with the enlightened nation it has become. Beautifully filmed with stylistic cinematic flourish, the imagery is hauntingly stark and surrealistic in intent. Some of what is depicted involving the innocents is shocking but justifiable in light of the artistic purposes of the director. The film is unrated or NC- 17 because of the violence directed at children but these sequences are clearly misinterpreted in their true meaning as metaphor. In the end, Olquin refers stunningly to Magic Realism and the film's conclusion is overwhelmingly mesmerizing. A true treasure of Chile's cinematic legacy.