Zenith

Zenith is not a science fiction movie. It uses an imagined future to highlight contemporary issues. It is related to films like Godard's Alphaville, and has no relation to Star Trek and similar. As the credit reads, this is an experiment. It uses cinematic and literary tropes to invite the audience into a dialog about human psychology and societal convention, power and control. Before the latest corporate takeover of cinema, that wouldn't have been unusual. Nowadays, many or most viewers are conditioned to evaluate movies only in terms of budgets, spectacle, celebrity names, and how well they execute trite formulaic plots. If you don't belong to that group, this film will speak to you.

A risky genre-bender that brings the story's central question back in the end to the viewer to answer, it's a rare film that dares this somersault. What do I mean? Commercial narrative movies mostly plot a storyline that ultimately plays to the expectation to entertain. Rarely does a film slap us in the end to wake up out of the trance of watching a movie and re-think what we've seen. Like the Schrodinger cat experiment, we'll only know the answer if we open the box, but the film only leads us to the box. Sometimes that's a gimmick, but given the subject matter, here it's a clever device to get us to rethink everything and reconsider the crucial question of the story. Of course it will alienate many viewers who will watch it because of the "thriller" and "sci-fi" taglines, since it uses the genre formulas only as disguise. Cinematically, it's well done, playing around with standard movie tropes and conventions and crossing some lines but not going overboard. It's a shame Peter Scanavino settled for Law and Order. Based on this performance he could've done much more. Jason Robards III is eerily reminiscent of his late father and David Thornton is brilliant. Why aren't they more present in mainstream movies? Bottom line, recommended if you're up for a subversive cinematic experiment in form and content.

I just re-watched this film. Now almost a decade old, Zenith became a cult underground thing for people in the know back then and subsequently inspired more mainstream films and series that followed its themes, most obviously Mr.Robot. While these projects took some of the ideas and the look and style of Zenith, they toned them down and made them "safe" for mass consumption. Zenith was way ahead of its time and still is. While conspiracy memes and the one percent narrative have become common place by now, the film still leaves you with a lot to process and think about.

This is the sort of analogies, the new metaphors, the "world has already ended, and we're just catching up with it" William Gibson-esque view of things we need to sort things out. If you haven't heard Nine Inch Nails' "Year Zero" and have never picked up "Adbusters," you might be surprised that people have been directing cultural impulses to address the situation (set(s)) we find ourselves in -- but then, you might be awed by the "complexity" of Marvel and think that vague passing references to overpopulation and toxic overfill qualify as addressing the capitalistic addition we've all been raised in. Forget that.

I have been so fascinated by this film that I have taken the time to register on imdb only in order to recommend it. I wouldn't go so far to call this a "review."

I'm a middle-aged professor and a fan of surrealism, who discovered Zenith upon the recommendation of one of my students, who wrote a paper on it, when we were discussing conspiracy theories -fact, fiction, deliberate manipulation and interpretation- in relation to psychology, as well as culture and society at large.

I truly enjoyed this film. I had to watch it twice to pick up on all its references and themes, since there are so many here, from the obvious, like the MIlgram experiment, over the lesser known, like Aleister Crowley or Edward Bernays, to some obscure surrealist literary and cinematic quotes, which I won't reveal, as they would spoil some of the fun of discovering this film for yourself. Zenith is like an onion, where each layer that peels off will reveal something new. It deconstructs language, the genre, even the process of filmmaking, with the fast-forward/rewinds, cut-tos, etc. It's playful and irreverent, mixing the fake and the real, the truth with lies, and the comic with the tragic.

You, the viewer, have to interpret the full meaning of the narrative. This intent is obvious, and not only because of the ending. It's difficult to go more in depth here without revealing too much. The storytelling method is surrealist -think David Lynch, Bunuel or Jodorowsky. Nothing is what it seems and everything has a double meaning. There is no reassuring closure in the end, no key to find one right answer for everyone, but that's what makes it so interesting.

To me, this is a memorable film, well worth the effort. If you enjoy complex and ambiguous narratives, you will enjoy this multi-layered film. Now, let me watch it a third time and see what I have missed.