A drama based on the experiences of Agu, a child soldier fighting in the civil war of an unnamed African country.A drama based on the experiences of Agu, a child soldier fighting in the civil war of an unnamed African country.A drama based on the experiences of Agu, a child soldier fighting in the civil war of an unnamed African country.
- Director
- Writers
- Stars
- Nominated for 1 BAFTA Award
- 31 wins & 59 nominations total
Ricky Adelayitar
- Village Constable
- (as Ricky Adelayitor)
Fred Nii Amugi
- Pastor
- (as Fred Amugi)
Ernest Abbeyquaye
- Paramount Chief
- (as Ernest Abbequay)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Child actors are a dime a dozen, yet Abraham Attah is something else. He transcends the category and remains such a demanding presence throughout the entire film, matching even Idris Elba's poise. His character's transformation is just one of the remarkable feats of storytelling that Beasts of No Nation graces us. A gripping account of modern day war seen through a child's eyes, Beasts of No Nation is easily one of the best of the year.
The first thing you'll notice is how beautiful the film is. The stark landscapes of West Africa draw you in, and the color palette for the film is quite something. Director and cinematographer Cary Fukunaga makes sure you remember the reality of this not-so-fictional story, paralleling Agu's family life and how his world was flipped upside down when he joined a group of mercenary fighters. Initially, Agu has no choice and uses them as an escape and a way to reunite with his mother, but the ruthless commandant (Elba) changes him.
The writing is fantastic as you see the war through Agu's eyes, and it's not pretty. This kind of situation is almost completely unfamiliar for most audiences, and Fukunaga manages to supplement fear for grace. He never lets us forget the harsh realities of war, touching on familiar themes like family but going a step further by making it personal for Agu. As the film is his story through and through, the adult details of war are kept to a minimum. The audience is just like Agu, unaware of exactly why there is fighting but rolling with it because it's his only choice. There's no strategic battle scenes, no planning on a map or signing peace treaties, as we are thrust into moments just like Agu is.
When the violence does break out, it's brutal and harrowing. Young actor Attah is ferocious yet sympathetic, and he brings these battle sequences down to earth. The creative risks that Fukunaga takes with these sequences might come across as pandering, yet they make sense cinematically and come across as action poetry. There's a certain lyricism to the war torn villages and jungles of the continent, and it's beautiful and unforgettable.
There isn't much dialogue in the film, but when there is it's brilliant. The unnamed commandant's ideology becomes clearer as the film goes on, and it reaches a disturbing peak. Fukunaga contrasts him with the initially innocent Agu and the two are at odds yet retain respect for one another. There are times when Agu could simply point a gun at the commandant and be done with it, but there's a humanity to the film that respects all lives. War isn't pretty, and Beasts of No Nation knows that. Yet this risky piece of entertainment remembers to be a film first and everything else second. The result is a rhythmic work of art with one of the best young performances I've seen.
The first thing you'll notice is how beautiful the film is. The stark landscapes of West Africa draw you in, and the color palette for the film is quite something. Director and cinematographer Cary Fukunaga makes sure you remember the reality of this not-so-fictional story, paralleling Agu's family life and how his world was flipped upside down when he joined a group of mercenary fighters. Initially, Agu has no choice and uses them as an escape and a way to reunite with his mother, but the ruthless commandant (Elba) changes him.
The writing is fantastic as you see the war through Agu's eyes, and it's not pretty. This kind of situation is almost completely unfamiliar for most audiences, and Fukunaga manages to supplement fear for grace. He never lets us forget the harsh realities of war, touching on familiar themes like family but going a step further by making it personal for Agu. As the film is his story through and through, the adult details of war are kept to a minimum. The audience is just like Agu, unaware of exactly why there is fighting but rolling with it because it's his only choice. There's no strategic battle scenes, no planning on a map or signing peace treaties, as we are thrust into moments just like Agu is.
When the violence does break out, it's brutal and harrowing. Young actor Attah is ferocious yet sympathetic, and he brings these battle sequences down to earth. The creative risks that Fukunaga takes with these sequences might come across as pandering, yet they make sense cinematically and come across as action poetry. There's a certain lyricism to the war torn villages and jungles of the continent, and it's beautiful and unforgettable.
There isn't much dialogue in the film, but when there is it's brilliant. The unnamed commandant's ideology becomes clearer as the film goes on, and it reaches a disturbing peak. Fukunaga contrasts him with the initially innocent Agu and the two are at odds yet retain respect for one another. There are times when Agu could simply point a gun at the commandant and be done with it, but there's a humanity to the film that respects all lives. War isn't pretty, and Beasts of No Nation knows that. Yet this risky piece of entertainment remembers to be a film first and everything else second. The result is a rhythmic work of art with one of the best young performances I've seen.
One of the better war movies i saw lately. Really cool cinematography that enhances the beauty of Africa thats being taken for granted. It does a really good job immersing you into the war and make you care about the characters.
Its about a kid who loses his family to war then is forced to join the mercenaries. We watch his transformation from an innocent child into a soldier as he questions his own actions and trying to survive.
Its about a kid who loses his family to war then is forced to join the mercenaries. We watch his transformation from an innocent child into a soldier as he questions his own actions and trying to survive.
I thought Beasts of No Nation was an excellent movie. It's certainly hard to watch but even though it's hard it is a very good movie. What makes it special is that it's a movie about real life events. Shameful events yes but real events. The fact that we live in such an horrible world where in some countries kids can not be kids anymore, but brainwashed killing machines is maybe incomprehensive for some people that have no clue what's happening outside their cozy neighborhood, but it's the hard reality. Child soldiers used by power hungry fools to do their dirty job is not an illusion anymore. The actors, especially the young ones were sublime. Very powerful acting. They made me think about all the misery that goes around in Africa. Very good filming as well. Like I said before the story might be hard to watch but it's certainly a must see to understand the problematics of some African countries.
i loved the movie not because its shot in my country but the content of the story and cast was done spot on. I just pray that all political leaders take a cue from this movie and past ones in this format not to plunge the world into this form of darkness.Best Indie Movie for sure @ the Oscars Idris you rocked it. This is a must watch for every household doesn't matter if you black,white,Asian,hispanic etc it can happen to any of us,some children are really suffering to PTSD due to political injustices that has led to war in many countries,lets be tolerant of each other and wish for a better brighter future for us all.
10bradencn
I was sceptical of watching this film at first. It looked like a low budget, and amateur attempt for Netflix to get bigger in their original film business. I went to IMDb to see what people had to say, noticed it got decent reviews and decided to give it a shot. Let me say, this is one of the best films I have ever seen within this genre.
Without spoiling anything, I will say that this is about the general civil warfare that exists in Africa, something most western, shelterd Americans have never even fathomed and have only learned about through movies. The film doesn't specify what part of Africa it is, but you know it is something that is real.
Netflix doesn't hide anything about the realities of what happens to families, children, fathers, and brothers, as well as the numbness the war leaders (on both sides, really) have toward excessive and brutal violence. Imagine: the film shows all of this through the eyes of a boy, probably only 12 years old. He is forced into a mercenary squad after his family is torn apart, and he experiences something that is even darker than hell itself.
That young boy, played by Abraham Attah, puts on a performance I have never seen before in a child actor. Given the mature content of the film, it is quite unbelievable that the torn emotions any child would have, given this situation, is so clearly displayed and authentic. Every scene just tore at my soul; I wondered if it was really acting. And he wasn't the only one; women, children, and the "extras" in the film: are these people really doing their first major film? Each scene left me speechless.
The emotional involvement I had with this film as a viewer is astonishing. I felt ashamed at myself for thinking my life had problems, for thinking my life was hard. I felt foolish realizing my immaturity in life, and felt embarrassed for us as America in general, for caring so much about things so materialistic and shallow, when people in Africa (and other parts of the world, no doubt), are fighting for their lives every day, being torn apart by corrupt leaders and greed.
To compare this film, it is similar to The City of God and Blood Diamond, but in an of itself, it is certainly unique. It's a masterpiece.
Without spoiling anything, I will say that this is about the general civil warfare that exists in Africa, something most western, shelterd Americans have never even fathomed and have only learned about through movies. The film doesn't specify what part of Africa it is, but you know it is something that is real.
Netflix doesn't hide anything about the realities of what happens to families, children, fathers, and brothers, as well as the numbness the war leaders (on both sides, really) have toward excessive and brutal violence. Imagine: the film shows all of this through the eyes of a boy, probably only 12 years old. He is forced into a mercenary squad after his family is torn apart, and he experiences something that is even darker than hell itself.
That young boy, played by Abraham Attah, puts on a performance I have never seen before in a child actor. Given the mature content of the film, it is quite unbelievable that the torn emotions any child would have, given this situation, is so clearly displayed and authentic. Every scene just tore at my soul; I wondered if it was really acting. And he wasn't the only one; women, children, and the "extras" in the film: are these people really doing their first major film? Each scene left me speechless.
The emotional involvement I had with this film as a viewer is astonishing. I felt ashamed at myself for thinking my life had problems, for thinking my life was hard. I felt foolish realizing my immaturity in life, and felt embarrassed for us as America in general, for caring so much about things so materialistic and shallow, when people in Africa (and other parts of the world, no doubt), are fighting for their lives every day, being torn apart by corrupt leaders and greed.
To compare this film, it is similar to The City of God and Blood Diamond, but in an of itself, it is certainly unique. It's a masterpiece.
Did you know
- TriviaCary Joji Fukunaga cast real former child soldiers and members of the various factions from the Sierra Leone and Liberian Civil War such the Liberian Armed Forces, the LURD, and the CDF as extras and consultants but they ran into difficulty getting everyone onto the set in Ghana because they were held up in the Ivory Coast as suspected mercenaries.
- GoofsWhen Preacher confronts the Commandant to say that he is leaving, the Commandant calls him Two I-C, who died earlier in the story.
This is not necessarily a goof. Two I-C is a rank (Second in Command), not a name. When the first Two I-C is killed, presumably on Commandant's orders, Commandant needs to delegate a new deputy leader and chooses Preacher. This is why Preacher's decision to leave carries such weight, and why he later opts to return to the bush.
- Quotes
Agu: I saw terrible things... and I did terrible things. So if I'm talking to you, it will make me sad and it will make you too sad. In this life... I just want to be happy in this life. If I'm telling this to you... you will think that... I am some sort of beast... or devil. I am all of these things... but I also having mother... father... brother and sister once. They loved me.
- SoundtracksIlluminati
Written by Michael Owusu Addo and Joseph Anthony Bulley
Performed by Randy Aflakpui, Abdul Mumin Mutawaki, Emmanuel Osei
Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $90,777
- Opening weekend US & Canada
- $51,003
- Oct 18, 2015
- Gross worldwide
- $90,777
- Runtime
- 2h 17m(137 min)
- Color
- Aspect ratio
- 2.39 : 1
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