A college student on suspension is coaxed into babysitting the kids next door, though he is fully unprepared for the wild night ahead of him.A college student on suspension is coaxed into babysitting the kids next door, though he is fully unprepared for the wild night ahead of him.A college student on suspension is coaxed into babysitting the kids next door, though he is fully unprepared for the wild night ahead of him.
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- 2 nominations total
- Julio
- (as JB Smoove)
- Rodrigo
- (as Kevin Hernandez)
- Jacolby
- (as Cliff 'Method Man' Smith)
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Featured reviews
Produced in 2011, The Sitter was one of two films by Pineapple Express director David Gordon Green to be released along with Your Highness. The film was a commercial and critical disappointment but its effects on its cast and crew were negligible as Hill also starred in Oscar winning Moneyball and the next year would lead the successful and well regarded 21 Jump Street, and David Gordon Green would return to indie fare before going mainstream resurrecting the Halloween franchise. While it's nice the fallout was minimal, The Sitter is unfortunately a rather by the numbers affair that was standard of films trying to ape the success of the Hangover where crude, gross, and mean is somehow automatically funny.
The movie makes a misguided introduction from the outset establishing Noah as a loser with a sex buddy who doesn't respect him while also making Noah a lazy irresponsible idiot with no aspirations that reach beyond sitting in an armchair in his mother's house. When Noah is saddled with the three kids who are all varying degrees of "quirky" with Max Records' Slater probably being the best performance by default, the movie becomes rather aggravating especially with Blithe's Paris Hilton/Tara Reid persona (I think, it's actually kind of hard to tell what they're going for here) used to rather cringing effect. The movies first half is basically a barrage of scatological, urinary, and gay panic jokes which are set up poorly no sense of comic friction or much in the way of payoff. But then the movie tries to play itself for pathos with its kid characters all having revelations that ring rather hollow especially when it comes to a "coming out" moment that rings rather hollow against the movie's crass humor. The performances are at least decent, with Sam Rockwell clearly having fun playing the unhinged Karl who steals the scene whenever he's on camera.
The Sitter has the same recurring problems of post 2009 comedies in that it goes for shock thinking that will be enough to sustain comic momentum. With unlikable characters and a rather sleazy approach that does a tonal 180 trying to play itself for character growth, The Sitter just doesn't work.
I know the majority of the film is predictable, dare I say cliché, but the ride was very enjoyable. That is, after-all, the nature of the comedy genre. How often do I go see a comedy for its intricate storyline, radical character development or enigmatic themes? Close to never, honestly, and so with that reasoning why not go balls-out? Jonah Hill is a very likable character in the film with an understandable ploy. It lacks the in-your-face violence of director previous film "Pineapple Express", but it is definitely hilarious, no doubt about that. The kids are very well played, and thankfully come out as pretty decent characters. Thankfully nowhere near as annoying as the duo of the "Are We There Yet?" films. It's definitely a coming-of-age film that may not be a classic, but it certainly is worth seeing.
And yes, The Sitter is quite unoriginal and what movie-goers call "predictable". I admit it's a kind of fun to try to expect the unexpected, but a predictable story does not equal a bad story. In fact, from the beginning of the 80 minutes or so until the end I'd been kept entertained and I honestly didn't experience many boring moments.
Other than its comedic scenes, the movie does have attempts to include moving scenes that make the audience learn something. I would say those attempts are not highly effective but not at all futile efforts.
The best way to conclude The Sitter is to say that it is a good comedy for young adults or above. Language and inappropriate behavior are main reasons this may not be suitable for children or younger teens. The Sitter is an enjoyable movie that is funny and does not require too much thinking to understand.
It showcases Jonah Hill's amazing comedic talents, and we get to see some really good performances by some child actors too. Yes, it's Hill's signature shtick, but look closely and you'll see incredible timing and a guy who is extremely capable of carrying a movie. There are some good jokes written into it, but the film completely relies on the performances, and I doubt anyone associated with it would disagree (well, let's hope they wouldn't).
In my opinion, most of the comedy works the way it was supposed to, and the few half-way serious moments do too. In terms of its edginess, it seems to up the ante on the simple formula flick that it is. It's safe to say that if it suits your sense of humor and you're willing to go for the ride, you'll have a good time. I wish people would quit over-analyzing movies like this. The bottom line is that the jokes are either your cup of tea or they are not.
(1) The characters are extremely annoying. They are foul-mouthed, mean, cruel, and downright stupid at times. I really didn't care if they would succeed in their aims or not.
(2) The movie just isn't funny. There is a mean-spiritness to most of the humor that makes it hard to take. Oh, there are a couple of one-liners that are somewhat amusing, but otherwise the humor is loud and grating.
Although "Adventures In Babysitting" wasn't a great movie, it is Oscar worthy compared to "The Sitter".
Did you know
- TriviaA promotional poster includes the personal phone number of Jonah Hill. It is listed as (917) 409-7838. Hill has set an automatic message or will speak to the caller either in character or as himself.
- GoofsWhen Marisa wigs out at the kids on the sidewalk after running away after minivan crash her hair is about 4 inches longer and she's about 10lbs heavier. Next scene her hair is back to the shorter bob cut and she's lost the weight.
- Quotes
Noah Griffith: My name's Noah Jaybird. Ca caaa! What's your name?
Soul Baby: They call me Soul. Soul Baby.
Noah Griffith: Soul Baby?
Soul Baby: Yeah.
Noah Griffith: Keep it in control baby. Tears, no fears man.
Soul Baby: Is that right?
Noah Griffith: Respect it, don't neglect it. Treat it, don't beat it.
[walks away]
Soul Baby: You're a badass motherfucker.
- Alternate versionsThe unrated version runs almost six minutes longer than the theatrical version. Some scenes are extended and there are numerous instances of profanity directed at and employed by the children in the sitter's charge which are missing from the theatrical version. Three additional cast, not present in the theatrical version, are noted on a screen that appears after the credit scroll: Dreama Walker as Stephanie, Ron Phippen as Guy Having Sex, and Jessica DiGiovanni as Girl Having Sex. A second screen credits two additional songs in the soundtrack.
- ConnectionsFeatured in Ebert Presents: At the Movies: Episode #2.22 (2011)
- SoundtracksI Wanna Sex You Up
Written by Bryan Abrams, Mark Calderon, Willie Clarke (as Willie James Clarke), Betty Wright (as Bessie Regina Norris), Doctor Freeze, Kevin Thornton and Sam Watters (as Samuel Watters)
Performed by Color Me Badd (as Color Me Badd.)
Guest Vocals by Sam Watters
Courtesy of Sam Watters and Louis Biacaniello/CMB Entertainment
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Details
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $30,441,326
- Opening weekend US & Canada
- $9,851,435
- Dec 11, 2011
- Gross worldwide
- $34,942,188
- Runtime
- 1h 21m(81 min)
- Sound mix
- Aspect ratio
- 1.85 : 1