Why 'Women Talking' Did Not Work For Me
Sarah Polley's 'Women Talking' did not work for me. This story of a group of women - all of whom belong to a U. S. religious sect in the 1960's - who are physically and emotionally abused by their menfolk / husbands, seems more like a dispassionate, politically correct lecture, than a dialogue between real people. Real people in pain. And it should not have had that effect. Particularly in these times when the news is filled with detailed descriptions of what real men do to real women.
Rooney Mara, Claire Foy, and. Jesse Buckley play three young women who had been drugged and sexually accosted, and who are now part of a 'commission' asked to decide what the community's women's next steps should be. Should they remain in the community and say / do nothing, remain and fight back, or pack up and leave? In making their decision, each of the three young women describes their lives and their reasons for voting as they do. Rooney Mara's character seems the most undecided, willing to see all sides of the argument and taking different positions over the course of the film. Claire Foy is angry and outspoken but I found it difficult to ascribe a preferred next-step to her. Jesse Buckley is the angriest and, at first, the most unwilling to leave her abusive husband, and it is that - her failure to realize how abused she is - that made me care less about her than I should.
Two senior women participate in the commission and one, played by Judith Ivey - made the strongest impression on me. She has the wisdom that comes with age and the ability to put it into words. Ben Whishaw as the one man invited to the commission brings a startling honesty to the proceedings; he more than anyone knows the evil men can do.
But for me, the film's 'failure' involves the three young women. There is a cold and distanced quality to their recitals. It is as though they are relating a film they saw, a book they read, rather than expressing the anger, the anxiety, the fear they all know very well.
I should have been moved. I should have been angered. I should have been relieved. But I was not.
Rooney Mara, Claire Foy, and. Jesse Buckley play three young women who had been drugged and sexually accosted, and who are now part of a 'commission' asked to decide what the community's women's next steps should be. Should they remain in the community and say / do nothing, remain and fight back, or pack up and leave? In making their decision, each of the three young women describes their lives and their reasons for voting as they do. Rooney Mara's character seems the most undecided, willing to see all sides of the argument and taking different positions over the course of the film. Claire Foy is angry and outspoken but I found it difficult to ascribe a preferred next-step to her. Jesse Buckley is the angriest and, at first, the most unwilling to leave her abusive husband, and it is that - her failure to realize how abused she is - that made me care less about her than I should.
Two senior women participate in the commission and one, played by Judith Ivey - made the strongest impression on me. She has the wisdom that comes with age and the ability to put it into words. Ben Whishaw as the one man invited to the commission brings a startling honesty to the proceedings; he more than anyone knows the evil men can do.
But for me, the film's 'failure' involves the three young women. There is a cold and distanced quality to their recitals. It is as though they are relating a film they saw, a book they read, rather than expressing the anger, the anxiety, the fear they all know very well.
I should have been moved. I should have been angered. I should have been relieved. But I was not.
- levybob
- Jan 31, 2023