Breathless

this is my first comment for any movie on IMDb... this movie touches deepest corner of your heart. it is not only brilliantly acted by all the cast , it is as well superbly directed. it takes violence as tool to show evil aftereffects of domestic violence . take my advice and just watch it alone you wont regret it. but first let me clear that this movie wont be digested by weak hearted people because it picks a very stubborn truth of society we live in . which is domestic violence. i bet you will seriously give a thought about it.

if you are ready to face the truth just go watch it.. this movie also sheds light on a subject which is ignored by most of us living in a family which is to give respect to others, although it does not directly strikes it but it indirectly touches it.

Ik-Joon Yang is the director, writer, and main actor in this movie. He produced this movie using his private money.

The home of Yeon-Hue, the main actress, is Ik-Joon's renting house. After recording all scene in the house, he moved out from his home because his money run out and he needed his deposit in the house.

He spent his every money to this movie, and fortunately this movie hits the 5rd best in the Korea indie movie history. Many Japanese also watched this movie in the theater.

I really appreciate his marble art; Breathless and King of the pigs

For more information, please refer to this wiki. https://mirror.enha.kr/wiki/%EB%98%A5%ED%8C%8C%EB%A6%AC This is written in Korean but Google translator might help you.

Out of the ten or so films I have seen so far at this years Sydney Film Festival this one effected me the most. I shed a few tears by the films end and was thinking about it for days afterward.

It's a heck of a debut from Yang Ik Joon who wrote, directed, produced and takes the lead role as well.

Joon plays a small time hood/debt collector who doesn't mess about with customers who owe money. No one is safe it seems from his fists or his foul mouth, not even his nephew. A chance meeting with a high school student results in an unlikely friendship. We learn more about both characters as the film builds momentum. Suffice to say that their main link is both being exposed to domestic violence.

Joon fleshes out the story and gives all characters a chance to shine. The acting is first rate as is the screenplay which apparently is autobiographical.

Anyone easily upset by violence or profanity would be well advised to give this one a miss.

I hope it finds an audience and gets a wide release. I certainly look forward to more films in the future from this exciting young director/writer/actor.

Having been to Korea on numerous occasions I went out of my way to ensure I saw this film at the 2009 Vancouver International Film Festival and I am very happy that I did.

As this is Yang Ik-Joon's first full-length picture here is a presentation that is shown in true raw passion and with emotion. I found the movie and it's engaging story-line to be very powerful. The audience and I laughed at the dark humour contained within then cried as the eventuality of the plot is brought to bear.

For those that can stomach the violence I highly recommend finding this film to view. The movie takes place in a world that most of us are simply not willing to face however the issues presented therein relating to abuse are very important and very relevant.

Every action has consequence and truly each of our lives glow so bright before we fade.

I hope that one day Breathless (Ddongpari) can be given a Region 1 DVD release so that I may purchase and watch again.

Breathless will probably garner comparisons to early Scorsese, considering the subject matter. It is not that good, but neither is it that derivative. If anything, it favorably reminded me of the later TV work of Alan Clarke. Despite the summary above, it is not about characters seeking redemption, but family and solace from a cycle of criminal abuse fueled by misplaced ancestral reverence. Without giving away the end, it is more about insight gained by sacrifice that plays upon cyclical reincarnation themes than a solitary quest towards forgiveness.

The multi-talented Yang Ik-Joon does a great job portraying a man so damaged that he expresses affection for a child by repeatedly shoving his head and calling him a bastard. Whether you find it disturbing or funny, the gradual manner in which the characters' darker and more intimate aspects are revealed is excellent.

Instead of credulous explication, back-story or flashbacks, the relationships emerge out of frankly rude and often violent interactions which also advance the plot. I might have had a few gripes about the cinematography, especially in relation to scenes of violence. I kind of expected a bit more from Yang Ik-Joon in this regard. But for a film by an actor as first-time director/writer/editor/star, this is incredibly good.