Comedown

So as it seems, already people agreed that there's nothing new here, nothing original, nothing outstanding, even more, you're going to find what you've already seen 1000 times.

Even so, movies like this could be enjoyable, yet, not this one, it's too dull, you have to wait for a loooong time for anything to happen and when it finally does...I don't know, it's dull, it's just dull. Now, a budget of £2,000,000 kinda takes you out of the indie section right? Therefore, you can't say you love it for the fact that is small, made with extra love and people might just find it in their hearts to like it! Only reason to enjoy it is if you're a fan of the director, cause he returned with one guy from his previous movies, so I guess it's safe to say you wanted to take a look further into their careers, you found this little gem, and there you have it, you're satisfied!

As a huge horror fan, I might say,I watched it with my gf, we both got bored, she even left the room, I almost prayed for the movie to end sooner, but it didn't. Therefore, it's all up to you, do as you please, watch it or don't; my opinion --> DON'T! You can do a lot better than this one!

... Makes another deeply unpleasant film that borders on being unwatchable

Yes the director of KIDULTHOOD is back and this time he tries his hand at horror in an inner London setting . This type of horror has been done before in ATTACK THE BLOCK , a film I personally despised because the anti-heroic protagonists deserved to get eaten by alien hordes . This film is no different and is a film I despise for the same reason as ATTACK THE BLOCK

If you're going to have a film where the protagonists are going to be fighting for their lives at least craft some type of characterization that will have the audience empathize with their predicament . Here I didn't know anything about the villain in the background stalking the teenagers . All I knew was that he was probably doing the gene pool a massive favour

Some commentators have criticised the " Estuary English / chav speak " dialogue but if we had the Royal Shakespeare Company speaking in pedantic Queens English this wouldn't have made any difference because most of the dialogue is downed out in a poor sound mix with some very dire muzak on the soundtrack just to remind the audience that this is a horror film

In summary this is one of those films that will alienate and outrage everyone from the most rabidly right wing reader of The Daily Mail to the most left leaning Guardinista . When you're watching a horror film and the most likable character is the villain that must be seen as a fundamental failure

I would like to start by saying the only reason this movie made it to 3 stars, is solely because it has Jessica Barden. I actually enjoyed the acting and setting in this movie, everything else pretty much missed the mark. I want to say the directing in this movie wasn't good. It seemed fairly predictable and not very suspenseful. I feel like I already knew what was going to happen before it happened. The story had potential but lacked so much detail that it was hard to understand why things were happening. I think it is worth the watch, but only if it's out of boredom, not to entertain.

COMEDOWN is a low rent British horror film set entirely within the confines of a deserted tower block. The gritty realism and the setting made me hope for something along the lines of TOWER BLOCK or ATTACK THE BLOCK, but unfortunately this is nothing like those two (great) movies. Instead it's a cheap slasher, almost entirely devoid of imagination.

Headlining the cast is Jacob Anderson, best known to audiences for his role as Grey Worm in GAME OF THRONES. Anderson and his buddies, including a pregnant girlfriend and an obnoxious type (Adam Deacon, playing firmly to type) hole up in a run-down building to help run a pirate radio station, but their drug-fuelled highs come crashing down when a killer starts picking them off one by one.

COMEDOWN must feature one of the least menacing bad guys ever, and when you learn of his motivations you'll laugh out loud, they're that slim. The kills, which are what most horror fans will watch this for, are relatively tame, and there just isn't much in the way of suspense built along the way. It doesn't help that the dialogue is moronic throughout and that every twist in the script is well-choreographed. Add in some quite terrible cinematography, meaning 95% of this takes place in near blackness, and you have a quite unworthy film.

Some people just need to get off their high horse. This is a new generation of good British Drama. It's the emergence of a younger generation cultivating their own language, therefore the dialect is true to type of certain communities. Traditionalists are in denial that this section of society exists, and that their language has found its way into the movies.

The movie hosts a mix of teen crime, mischievous behaviour, youth cult and culture. It's the result of all growing up in a Tower Block in the same area, where the likelihood is that they all attended the same schools and went through the UK schooling system, and gang warfare - but these were not gangs - these were just a group of friends with 'attitude'.