A rich man's daughter is held captive in an abandoned apartment by two former convicts who abducted her and hold her ransom in exchange for her father's money.A rich man's daughter is held captive in an abandoned apartment by two former convicts who abducted her and hold her ransom in exchange for her father's money.A rich man's daughter is held captive in an abandoned apartment by two former convicts who abducted her and hold her ransom in exchange for her father's money.
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Extremely tense, beautifully shot, generally well (if not quite brilliantly) acted, this is a clever and effective exercise on making an exciting film on a tiny budget. Even though about 75% of this kidnapping tale takes place in a two room apartment, director/writer Blakeson finds enough effective and compelling ways to photograph his tiny set, and enough sharp plot twists and reveals that any claustrophobia becomes a plus not a problem.
There are a few times when credulity is stretched, and a few plot turns that have that sense of being a 'clever twist' instead of something organic to the characters or the story (you can feel them as they're where the acting is less strong, you can see the actors strain to make them 'work'), but neither shortcoming is enough to keep this from being a highly entertaining, and even ultimately oddly touching nail-biter.
There are a few times when credulity is stretched, and a few plot turns that have that sense of being a 'clever twist' instead of something organic to the characters or the story (you can feel them as they're where the acting is less strong, you can see the actors strain to make them 'work'), but neither shortcoming is enough to keep this from being a highly entertaining, and even ultimately oddly touching nail-biter.
THE DISAPPEARANCE OF ALICE CREED is a three-hander that sees spoilt rich kid Gemma Arterton kidnapped by a couple of goons and tied to a bed while they demand a ransom from her father. That's the entirety of the plot; of course, it's little to sustain a ninety-minute running time with that alone, so the scriptwriter has to come up with twist upon twist to keep the viewer guessing as the running time progresses.
I was in two minds about this film. It's superficially entertaining to be sure, with lots of drama and attempts at tension, and the suspense bubbles along quite nicely as the tale progresses. But there are serious flaws along the way too, not least the entire lack of a sympathetic character.
Arterton is the obvious choice as somebody to root for, but her limited acting abilities combined with a rather obnoxious character mean that the viewer won't really care whether she escapes or even survives the ordeal. Note to scriptwriter: merely having somebody kidnapped isn't reason enough for a viewer to get behind them. As for the other two cast members, Eddie Marsan is a seasoned professional as ever, but Martin Compston is a little bland and whiny and gets way too much screen time.
THE DISAPPEARANCE OF ALICE CREED does well to avoid falling into clichéd territory - there's no torture, for instance, which would have been an obvious inclusion these days - but once you know the storyline it doesn't really have much in the way of rewatch value. I liked it well enough the first time around, though.
I was in two minds about this film. It's superficially entertaining to be sure, with lots of drama and attempts at tension, and the suspense bubbles along quite nicely as the tale progresses. But there are serious flaws along the way too, not least the entire lack of a sympathetic character.
Arterton is the obvious choice as somebody to root for, but her limited acting abilities combined with a rather obnoxious character mean that the viewer won't really care whether she escapes or even survives the ordeal. Note to scriptwriter: merely having somebody kidnapped isn't reason enough for a viewer to get behind them. As for the other two cast members, Eddie Marsan is a seasoned professional as ever, but Martin Compston is a little bland and whiny and gets way too much screen time.
THE DISAPPEARANCE OF ALICE CREED does well to avoid falling into clichéd territory - there's no torture, for instance, which would have been an obvious inclusion these days - but once you know the storyline it doesn't really have much in the way of rewatch value. I liked it well enough the first time around, though.
This film has to go into my all time top ten which is mighty praise indeed. When you consider there are simply two actors and one actress it is astonishing how this film unveils and has you riveted from the opening sequence to it's conclusion. The characters are believable and I am surprised it hasn't received higher praise. the problem is it probably never got the hype other films less well made receive. Which to an extent is a good thing, because the less you know about the film, the more surprised you will be by it. Great twists and turns and great acting - The basic premise is two guys who met in prison, organise a kidnap of a rich girl and then they carry out the kidnap with alarming precision and professionalism, that the opening 9 minutes has you transfixed. What happens next is pure acting that can make a film great or a film mediocre, in this case GREAT
This is a fine example of what can be done with a small budget but a decent script and some good actors.
The cast is precisely three and rarely can a film have ever been made that has the entire screen time taken up by so few people. This makes the film quite claustrophobic which is a pretty effective technique given the plot. The films does build up a nice degree of tension and whilst the plot is simple there are plenty of genuine surprises along the way although a stronger ending would have made this an even better film.
All three actors are very good but particularly impressive is Eddie Marsan as the older of the two kidnappers who is genuinely menacing.
This is a raw and at times violent film but well worth a watch if you are looking for something just a bit different.
The cast is precisely three and rarely can a film have ever been made that has the entire screen time taken up by so few people. This makes the film quite claustrophobic which is a pretty effective technique given the plot. The films does build up a nice degree of tension and whilst the plot is simple there are plenty of genuine surprises along the way although a stronger ending would have made this an even better film.
All three actors are very good but particularly impressive is Eddie Marsan as the older of the two kidnappers who is genuinely menacing.
This is a raw and at times violent film but well worth a watch if you are looking for something just a bit different.
This film to me personally was a little bit of a surprise to say the least, I was recommended the film by a friend, who said to me its worth watching, and as a film critic, I put aside some time to give it a viewing.
I was not disappointed either, with the film starting out somewhat a little confusing, and uncomfortable at first, it soon dawns upon you that this is no ordinary kidnapping. I won't release any spoilers here, but will advise you to watch the film with an open mind, and frame of mind as there are some surprises that even I didn't see coming.
The plot thickens, and the film has you guessing along the way which to me is what film making is all about. Watch it, and enjoy, I'm sure you will know the actor who plays Vic, he is an underestimated actor, who shines in this film.!
I was not disappointed either, with the film starting out somewhat a little confusing, and uncomfortable at first, it soon dawns upon you that this is no ordinary kidnapping. I won't release any spoilers here, but will advise you to watch the film with an open mind, and frame of mind as there are some surprises that even I didn't see coming.
The plot thickens, and the film has you guessing along the way which to me is what film making is all about. Watch it, and enjoy, I'm sure you will know the actor who plays Vic, he is an underestimated actor, who shines in this film.!
Did you know
- TriviaEven in the scenes where her character is not being filmed, Gemma Arterton would still insist on being handcuffed to the bed to help her performance.
- GoofsWhen Vic checks the bullets in the gun, he removes the magazine, then replaces it and operates the slide. A bullet should have ejected as it was recently fired and there would have been one in the chamber.
- ConnectionsFeatured in Breakfast: Episode dated 29 April 2010 (2010)
- SoundtracksHoly Moly
Written and Performed by Cathy Davey
Published by EMI Music Publishing Ltd.
Licensed courtesy of EMI Records LTD.
Details
- Release date
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- Official site
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- Also known as
- Vụ Bắt Cóc Alice Creed
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Box office
- Budget
- $800,000 (estimated)
- Gross US & Canada
- $166,980
- Opening weekend US & Canada
- $40,258
- Aug 8, 2010
- Gross worldwide
- $896,919
- Runtime
- 1h 40m(100 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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