IMDb RATING
6.4/10
1.6K
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A drama set in New Mexico during WWII, centered on the relationship between a young man and an elderly medicine woman who helps him contend with the battle between good and evil that rages i... Read allA drama set in New Mexico during WWII, centered on the relationship between a young man and an elderly medicine woman who helps him contend with the battle between good and evil that rages in his village.A drama set in New Mexico during WWII, centered on the relationship between a young man and an elderly medicine woman who helps him contend with the battle between good and evil that rages in his village.
- Awards
- 3 wins total
Miguel Gomez
- Eugene
- (as Miguel Gómez)
Alex Cacho
- Leon
- (as Alejandro Cabrera)
Diego Miró
- Florence
- (as Diego Miró-Rivera)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Ultima is a healer who uses herbs to cure the sick, and she is also called upon to heal a young man who has been cursed by three evil sisters. Her grandson, Antonio, narrates the story throughout, and so we hear an adult voice with the visual of a little boy learning about the meaning of life from Ultima. The acting is excellent; with the two leads really carrying the movie from start to finish. The scenery of New Mexico is beautiful. The First Holy Communion in a small church brought back memories of my Catholic childhood. The doubts of Antonio are well written by someone with a logical outlook on religion. At times the movie became a bit too sentimental for my taste, but I still found it entertaining and worth recommending.
Best movie about our gente since Salt of the Earth. Must watch! No clichés here. Just a sweet, subtle, and poignant coming of age story set in the beautiful, but troubled post WWII landscape of northern New Mexico. Few films make you feel like you're reading a novel-- refreshingly, this one does justice to Rudolfo Anaya's timeless classic. The arc climaxes with little fanfare, but you will no doubt be left with a sense of how and why the supernatural, deeply woven into the daily life of these comunidades, helps people navigate the paradoxes of "good" and "evil." In a period when Latinos, as a demographic are coming of age politically, and while at once courted and loathed, Bless Me, Ultima is timely, but also transcendent and universal. Don't miss it!
I like the way that in the book for Bless Me, Ultima they really show dichotomy between Antonio's Mom and Dad. Maria wanting Antonio to follow his Luna blood line and Gabriel wanting him to follow his Marez blood. In the book it really show how much conflict there is in his mind of who he wants to become and what he wants to be. However, in the movie I really liked how they showed how Maria and Gabriel still love each other very much no matter what their differences are. In the book they didn't show the love between Maria and Gabriel as well as in the movie.
Watching the movie really helped me imagine what Antonio was going through and his emotions. They did a great job of making this movie and show the conflicts in Antonio's life when he was young. I do recommend this movie for those who have read the book.
Watching the movie really helped me imagine what Antonio was going through and his emotions. They did a great job of making this movie and show the conflicts in Antonio's life when he was young. I do recommend this movie for those who have read the book.
Having grown up in an environment similar to that which author Anaya describes and the movie attempts to portray, I was both elated and disappointed by the movie. Home base for me was the northern Rio Grande Valley, not the eastern N.M. *llanos* of Anaya's boyhood. I was about 7 years younger than 'tonio in the movie, so my experiences date from about 1951 forward. Things were still quite similar in N.M. back then to the earlier era that Anaya wrote about.
Of all the actors in the movie, the only one who came close to capturing a NM accent and cadence was 'tonio's father. All the others performed well, but to me they did not come across like born and bred New Mexicans. Actors pick up local accents and manners of speech all the time, but nearly all of the Hispanic actors in "Ultima" failed. It's like casting a native Baltimorean as a native of Maine--it stretches credibility. Both speak the language, but anyone from the northeast U.S. would hear the disconnect immediately.
"Bless Me Ultima" is a great story. Similar to Anaya'a family, we moved to Barelas in Albuquerque when I was in 7th grade. We rural New Mexicans of that era have all heard the *bruja* stories and are familiar with *curandera* practices. Ultimately those accounts were stories--told on late evenings when imaginations ran wild. Certainly the three sister witches in the movie added a sense of the spookiness and otherworldliness with which we all grew up, but that conceit only tangentially "gives readers a sense of the influence of indigenous cultural ways that are both authentic and distinct from the mainstream" as the book's entry in Wikipedia says.
Of all the actors in the movie, the only one who came close to capturing a NM accent and cadence was 'tonio's father. All the others performed well, but to me they did not come across like born and bred New Mexicans. Actors pick up local accents and manners of speech all the time, but nearly all of the Hispanic actors in "Ultima" failed. It's like casting a native Baltimorean as a native of Maine--it stretches credibility. Both speak the language, but anyone from the northeast U.S. would hear the disconnect immediately.
"Bless Me Ultima" is a great story. Similar to Anaya'a family, we moved to Barelas in Albuquerque when I was in 7th grade. We rural New Mexicans of that era have all heard the *bruja* stories and are familiar with *curandera* practices. Ultimately those accounts were stories--told on late evenings when imaginations ran wild. Certainly the three sister witches in the movie added a sense of the spookiness and otherworldliness with which we all grew up, but that conceit only tangentially "gives readers a sense of the influence of indigenous cultural ways that are both authentic and distinct from the mainstream" as the book's entry in Wikipedia says.
Based on the 1972 novel by Rudolfo Anaya (a favorite among high school English teachers), "Bless Me, Ultima" is an autobiographical coming-of-age tale set in 1940s New Mexico. The story is narrated by a now-adult Antonio reflecting back on the events that happened to him and his family when he was a little boy. This includes the arrival of Ultima (Miriam Colon), a sort of cultural shaman, who has come to live out her final days with his family. Weather-beaten and leather-skinned, Ultima is filled with old person wisdom and the power to both heal and cast out evil spirits. It is the latter, in particular, that ends up causing trouble with some of the people in the village, who suspect her of being a "bruja."
Written and directed by Carl Franklin, "Bless Me, Ultima" is what "To Kill a Mockingbird" might have been like had Harper Lee seen fit to imbue it with generous touches of Magic Realism (in that version Boo Radley probably would have been an actual ghost). As befits the genre that also brought us "Like Water for Chocolate," "Bless Me, Ultima" comes replete with incantations, magic spells and a Significant Owl that passively observes all the human activity, then swoops in at keys moments of the story to make its presence felt. Antonio is surrounded by adults who are steeped in religious superstition, and he is forced to bear witness to some pretty horrendous actions arising from that fact. But he also learns from Ultima that, while evil may indeed exist in the world, one can overcome it by becoming one with nature and the spirits that inhabit it.
The structure of "Bless Me, Ultima" tends to be episodic and choppy, a situation that leaves a number of plot lines under-served and a number of characters (Antonio's older brothers, for instance) underdeveloped. On the other hand, the wide-eyed Luke Ganalon makes for an appealing and charming Antonio, and Benito Martinez ("The Shield," "Sons of Anarchy") scores as the dad who dreams of one day moving his family to California.
Despite all the supernatural and preternatural touches, "Bless Me, Ultima" feels overall pretty familiar as coming-of-age tales go, but the unusual setting and Ganalon's performance earn it a mild recommendation.
Written and directed by Carl Franklin, "Bless Me, Ultima" is what "To Kill a Mockingbird" might have been like had Harper Lee seen fit to imbue it with generous touches of Magic Realism (in that version Boo Radley probably would have been an actual ghost). As befits the genre that also brought us "Like Water for Chocolate," "Bless Me, Ultima" comes replete with incantations, magic spells and a Significant Owl that passively observes all the human activity, then swoops in at keys moments of the story to make its presence felt. Antonio is surrounded by adults who are steeped in religious superstition, and he is forced to bear witness to some pretty horrendous actions arising from that fact. But he also learns from Ultima that, while evil may indeed exist in the world, one can overcome it by becoming one with nature and the spirits that inhabit it.
The structure of "Bless Me, Ultima" tends to be episodic and choppy, a situation that leaves a number of plot lines under-served and a number of characters (Antonio's older brothers, for instance) underdeveloped. On the other hand, the wide-eyed Luke Ganalon makes for an appealing and charming Antonio, and Benito Martinez ("The Shield," "Sons of Anarchy") scores as the dad who dreams of one day moving his family to California.
Despite all the supernatural and preternatural touches, "Bless Me, Ultima" feels overall pretty familiar as coming-of-age tales go, but the unusual setting and Ganalon's performance earn it a mild recommendation.
Did you know
- TriviaAuthor of the original novel Rudolfo Anaya was a frequent visitor to the set and was treated like royalty by cast and crew, because a majority of both were natives of New Mexico and grew up on the novel.
- ConnectionsFeatured in Maltin on Movies: Jack the Giant Slayer (2013)
- SoundtracksMal Hombre
(uncredited)
Written by Lydia Mendoza
Performed by Lydia Mendoza
Published by San Antonio Music Publishers, Inc.
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Details
- Release date
- Country of origin
- Official sites
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- Also known as
- Bendíceme, última
- Filming locations
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- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,561,962
- Opening weekend US & Canada
- $470,109
- Feb 24, 2013
- Gross worldwide
- $1,561,962
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