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A biography of Ian Dury, who was stricken with polio at a young age and defied expectations by becoming one of the founders of the punk-rock scene in Britain in the 1970s.A biography of Ian Dury, who was stricken with polio at a young age and defied expectations by becoming one of the founders of the punk-rock scene in Britain in the 1970s.A biography of Ian Dury, who was stricken with polio at a young age and defied expectations by becoming one of the founders of the punk-rock scene in Britain in the 1970s.
- Nominated for 2 BAFTA Awards
- 1 win & 6 nominations total
James Jagger
- John Turnbull
- (as Jimmy Jagger)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The Ian Dury story was definitely too strange for fiction. A disabled pop star - in the modern video age - who created a mix of musical hall, punk and pub rock that topped Euro charts and still gets a whirl now and then on nostalgia radio.
But is this is the real story? For a start he had one of the great backing bands (and to be frank they were more musical than him!) and, besides that, he was both an art teacher and born and brought up well outside of London. Making him Mockney No.1.
Like most bio-pics, facts that don't fit the overall picture are thrown over the wall. Also chronology is not guaranteed either. Never mind the interesting bits that the micro-budget couldn't touch.
Serkiss is simply great as Dury. Indeed hard to see anyone doing any better with the material. Such as it is. Why did women go for this unconventional man who clearly had a great deal of trouble thinking beyond himself and his own creature comforts?
("Don't know" says the movie very honestly. Although he may have been quite nice on the days he wasn't acting a prick. There was a brain and a conscience up there.)
Like many artists you are glad for their art because it shows they had hidden depths that their appearance and behaviour didn't always indicate. Later he left music ("writers block") to try and be an actor. I don't mean play at being an actor, but become a real one. Work at it. Character roles a speciality. He did OK actually. Another fact that could have been a good 20 minutes rather than ending up over the aforementioned wall.
The whole production team has worked hard to get some energy and oomph in the film and not to make it limp like the man himself, but despite that it is really only a time passer. As I have already said, the film doesn't have the budget to get involved in his era (which made him really) and while it is nice to know he had a country house and a swimming pool the real action is clearly elsewhere most of the time.
But is this is the real story? For a start he had one of the great backing bands (and to be frank they were more musical than him!) and, besides that, he was both an art teacher and born and brought up well outside of London. Making him Mockney No.1.
Like most bio-pics, facts that don't fit the overall picture are thrown over the wall. Also chronology is not guaranteed either. Never mind the interesting bits that the micro-budget couldn't touch.
Serkiss is simply great as Dury. Indeed hard to see anyone doing any better with the material. Such as it is. Why did women go for this unconventional man who clearly had a great deal of trouble thinking beyond himself and his own creature comforts?
("Don't know" says the movie very honestly. Although he may have been quite nice on the days he wasn't acting a prick. There was a brain and a conscience up there.)
Like many artists you are glad for their art because it shows they had hidden depths that their appearance and behaviour didn't always indicate. Later he left music ("writers block") to try and be an actor. I don't mean play at being an actor, but become a real one. Work at it. Character roles a speciality. He did OK actually. Another fact that could have been a good 20 minutes rather than ending up over the aforementioned wall.
The whole production team has worked hard to get some energy and oomph in the film and not to make it limp like the man himself, but despite that it is really only a time passer. As I have already said, the film doesn't have the budget to get involved in his era (which made him really) and while it is nice to know he had a country house and a swimming pool the real action is clearly elsewhere most of the time.
Ian Dury's span of popular success in the UK only lasted a few years and I can't say I was over-familiar with either his work (bar the early hit singles and albums) but this film belied my fear that perhaps there wasn't much of a story to tell. In fact, it probably over-compensates by adopting a non-linear narrative approach as well as some arty-farty jump-cuts and tricksy animation sequences to inject a knockabout feel to proceedings.
This is again a somewhat contrived and forced contrast to the bathetic scenes of Dury's growing up as a young boy, abandoned by his father, bullied at school by his class-mates and one particular teacher, his adult predilection for treating his womenfolk very badly indeed and finally the difficult relationship with his own son Baxter, who has since become a recognised musician in his own right.
I felt the scenes with the two women in his life, his wife and mistress were a bit overwrought and overwritten, their dialogue too forced and you're always anticipating an inspired pearl of wit or wisdom from Dury when real life just doesn't work that way, even with clever bastard word-smiths like him. It's like expecting Shakespeare to curse and moan in rhyming couplets if he was having an argument - my point is we know that Ian Dury had a way with words but not every minute of the day.
All that said, the film rattled along and certainly did the man's musical legacy proud. I thought a bit more could have been done to play up the importance of Chaz Jankel and his nifty tune-spinning - certainly Dury was a lot less successful when writing to someone else's melodies. Andy Serkus is great in the Dury role, he looks and talks the part very well, acts his disability imperceptibly and keeps up the characterisation right into the songs, of which many are aired.
For some reason the film misses out about the last 15 years of his life and we don't even get to know how he died, although the director may claim that the film was a celebration of his life and won't be the last bio-pic to fast forward past the more mundane parts of an artist's life. For that reason, the first half of the film as he struggles for success is better than the inevitable rock-star excess in the second half, where Dury's persona becomes a bit blurred.
All told though, I quite enjoyed it but regret somewhat that the director felt the need to jazz up his subject's life in a way that I'm not sure a no-bullshit guy like Dury would altogether appreciate.
This is again a somewhat contrived and forced contrast to the bathetic scenes of Dury's growing up as a young boy, abandoned by his father, bullied at school by his class-mates and one particular teacher, his adult predilection for treating his womenfolk very badly indeed and finally the difficult relationship with his own son Baxter, who has since become a recognised musician in his own right.
I felt the scenes with the two women in his life, his wife and mistress were a bit overwrought and overwritten, their dialogue too forced and you're always anticipating an inspired pearl of wit or wisdom from Dury when real life just doesn't work that way, even with clever bastard word-smiths like him. It's like expecting Shakespeare to curse and moan in rhyming couplets if he was having an argument - my point is we know that Ian Dury had a way with words but not every minute of the day.
All that said, the film rattled along and certainly did the man's musical legacy proud. I thought a bit more could have been done to play up the importance of Chaz Jankel and his nifty tune-spinning - certainly Dury was a lot less successful when writing to someone else's melodies. Andy Serkus is great in the Dury role, he looks and talks the part very well, acts his disability imperceptibly and keeps up the characterisation right into the songs, of which many are aired.
For some reason the film misses out about the last 15 years of his life and we don't even get to know how he died, although the director may claim that the film was a celebration of his life and won't be the last bio-pic to fast forward past the more mundane parts of an artist's life. For that reason, the first half of the film as he struggles for success is better than the inevitable rock-star excess in the second half, where Dury's persona becomes a bit blurred.
All told though, I quite enjoyed it but regret somewhat that the director felt the need to jazz up his subject's life in a way that I'm not sure a no-bullshit guy like Dury would altogether appreciate.
Lots of good performances here, but a lack of cohesion. I'm an Ian Dury fan (as well as Elvis Costello, Nick Lowe, Wreckless Eric et al) and I was struck by the lack of historical context. Other than a brief reference to The Sex Pistols, there's no sense of time or place here, no evidence of the seminal Stiffs Live tour that cemented Ian's fame and a lack of recognition to the Blockheads, who were (and are) one of the best bands ever - their funkiness and elasticity were unique. A lot of psychological flashbacks and a last 20 minutes that reminded me of a "Movie of the Week". Nowt about the years leading up to his passing. A newcomer might wonder what all the fuss was about.
Blows the typical Hollywood bio-pics (RAY, WALK THE LINE, etc. etc.) right out of the water. A career-defining performance from Andy Serkis...his BAFTA nomination was more than well-deserved. He literally inhabits this physically and emotionally demanding role. The film does not sugar-coat the fact the Dury was a hard man to be around. Superbly edited as well, combining graphics, animation, varying film-stocks and angles, B&W, flashbacks, and fantasy sequences (ever see a band perform UNDER water?). While this might sound like a mish-mash, it certainly reflects those same artistic elements and chaos of the times. Yet the movie never loses it's narrative thru-line. A must-see, even more so for those who remember.
The magnetic performance of Andy Serkis is reason alone to watch this film! Masterly performance! The film itself held my interest throughout... but having bought Dury's stuff on 7" vinyl when it came out, I had a vested interest!!! People unfamiliar with the man and his music might struggle to last the pace.
I would have liked the movie to have paid more attention to the great chart success the man had... rather than just fast forwarding to the ensuing self-destruct mode of fame!!! Missed opportunity... one could indeed say What a Waste!!! Interested in British music history... success over adversity... controversy... go and see it. A fan of Dury and the Blockheads... go and pay homage.
Might have been better... but still a great tribute to a great artiste, and well worth a view!
I would have liked the movie to have paid more attention to the great chart success the man had... rather than just fast forwarding to the ensuing self-destruct mode of fame!!! Missed opportunity... one could indeed say What a Waste!!! Interested in British music history... success over adversity... controversy... go and see it. A fan of Dury and the Blockheads... go and pay homage.
Might have been better... but still a great tribute to a great artiste, and well worth a view!
Did you know
- TriviaFilmed around Egham and Watford between April-June 2009.
- GoofsIn the end titles one song is named as "If I was a woman" the actual title is "If I was with a woman".
- Crazy creditsThere are photos of the real Ian Dury - including ones of him as a child with his father and of the cover of 'New Boots and Panties - at the end of the film just prior to the credits.
- ConnectionsFeatured in Breakfast: Episode dated 7 January 2010 (2010)
- SoundtracksBillericay Dickie
Written by Ian Dury, Stephen Nugent and Chaz Jankel
(c) Templemill Music Ltd (PRS)
All rights administered by Warner/Chappell Music Ltd
All Rights Reserved
Performed by Andy Serkis & The Blockheads
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Details
- Release date
- Country of origin
- Language
- Also known as
- Секс, наркотики та рок-н-рол
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £2,000,000 (estimated)
- Gross worldwide
- $1,038,699
- Runtime
- 1h 55m(115 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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