Rate of Exchange
- Episode aired May 15, 2009
- TV-14
- 44m
IMDb RATING
8.2/10
3.9K
YOUR RATING
As familiar faces return to help Michael in his quest to bring down The Company, Lincoln makes a discovery about his relationship with Michael.As familiar faces return to help Michael in his quest to bring down The Company, Lincoln makes a discovery about his relationship with Michael.As familiar faces return to help Michael in his quest to bring down The Company, Lincoln makes a discovery about his relationship with Michael.
Paul Adelstein
- Paul Kellerman
- (uncredited)
Benjamín Benítez
- Danny Ortiz
- (uncredited)
Robyn Jean Springer
- Waitress
- (uncredited)
Featured reviews
First off, Mahone. We know from the start he's been trying to fix things, mainly for his wife - that's been his main drive. But the fact that he still looked out for Lincoln in this episode? That shows just how far he's come. He didn't have to help, but he did. It wasn't just personal anymore - it was loyalty. Growth. And damn, William Fichtner nailed every scene. The guy brings such a quiet intensity, you can't look away.
Now, I know some people felt like Sucre and C-Note popping back in was kind of random. But honestly? I didn't care. The second I saw their faces, I was just happy. We love these guys. C-Note literally got locked up for telling the truth. And Sucre - yeah, he stole, but come on, we know him. His heart's always been in the right place. Seeing them back in action with the crew again hit me right in the nostalgia.
And then there's Michael. GOD. The way this guy's brain works. He's always being forced to choose between two impossible options - save the girl or save the mission, take down the Company or keep his brother alive - and he never picks just one. He always finds a third way. A genius way. It's just who he is. No over-the-top speeches, no big drama, just calculated brilliance. Every time he pulls it off, it feels earned.
This episode reminded me why I got hooked on Prison Break in the first place. It's not just about the action or twists - it's about characters who, despite everything, still fight for each other. Yeah, it's not perfect, but it hit all the right notes for me. Solid pacing, great performances, and moments that actually made me feel something. Can't ask for much more.
Now, I know some people felt like Sucre and C-Note popping back in was kind of random. But honestly? I didn't care. The second I saw their faces, I was just happy. We love these guys. C-Note literally got locked up for telling the truth. And Sucre - yeah, he stole, but come on, we know him. His heart's always been in the right place. Seeing them back in action with the crew again hit me right in the nostalgia.
And then there's Michael. GOD. The way this guy's brain works. He's always being forced to choose between two impossible options - save the girl or save the mission, take down the Company or keep his brother alive - and he never picks just one. He always finds a third way. A genius way. It's just who he is. No over-the-top speeches, no big drama, just calculated brilliance. Every time he pulls it off, it feels earned.
This episode reminded me why I got hooked on Prison Break in the first place. It's not just about the action or twists - it's about characters who, despite everything, still fight for each other. Yeah, it's not perfect, but it hit all the right notes for me. Solid pacing, great performances, and moments that actually made me feel something. Can't ask for much more.
How the hell will Michael do this time to save the day ? That's the question that haunted millions of fans around the world after watching the previous episode. Of course this one began to answer the question and it was really interesting to see our favorite breaker struggling. Moreover as expected he teamed up with Mahone but as usual things didn't go as planned and many twisted events occurred. The decisions they had to make reminded of Batman Foverer when the dark knight got trapped by Riddler, asking him to choose between Robin and Chase. Beside that thrilling story the direction felt really solid and all characters had the scenes they deserved. The true nature of the mother was revealed during a conversation with Lincoln. The actress overall performance is quite good and in this episode she managed to confirm her talent. It's fascinating to see how her profile contrasts with her clothing line, looking as innocent and pure as a white dove. Sara also got the honor of hearing T-Bag's thoughts on life and love. Of course it was both disturbing and funny but the greatest thing was that the writer referenced past events that should appeal to long time fans. Some minutes were also dedicated to covering the Self arc but it was only a minor one compared to the others. Last but not least beside the usual McGyver voodoo, which was really welcome this time and not over the top, there were some major changes in the casting. An other reason for the fans not to miss this great first part of the finale.
There's no denying that "Prison Break" is really pushing hard to deliver an epic finale-but it's also not holding back on the emotional overload, forced setbacks, and those characters we love to hate... or just flat-out hate. The plot is walking a tightrope between brilliance and repetition, but somehow it still holds the pace, mostly thanks to Michael's charisma and the rising tension building across all storylines. And man, what storylines. The episode splits between Michael the mastermind, Lincoln getting wrecked by both emotional trauma and actual bullets, Sara being held hostage by a disgusting animal, T-Bag becoming even more unbearable by the second, and some familiar faces from the past showing up-Sucre and C-Note-in a reunion that immediately sets off trust issues. It's a lot happening all at once, but somehow it all connects-and works.
Starting with the core arc: Michael. The script leans hard into his emotional and moral struggle, and that's one of the episode's strongest points. Watching him try to save both the woman he loves and the brother he's been through hell and back with reminds us of what "Prison Break" always did best: that visceral bond between the two brothers. The warehouse scene is a perfect example. The makeshift explosives trap shows Michael's meticulous brain firing on all cylinders, but it also reveals how heavy everything is for him-there's no negotiating when literally everything you love is on the line. And the genius move with the two fake Scyllas, each rigged with a bomb? That was gold. We already knew Krantz was gonna try to double-cross them. But pulling a double move-one on Christina, one on the General-was classic "Prison Break" at its peak. And the flashback with Mahone revealing the plan later was a great way to keep the suspense just right.
Now, speaking of Mahone-what a journey this guy's had, right? From relentless hunter to loyal ally, he's become one of the most solid players in the game. His bond with Michael feels earned, built on mutual respect, and the way he volunteers to save Lincoln-partly out of debt, sure, but also just because he cares-shows a character who's been thoughtfully developed over time. It's especially great that Mahone, not Michael, ends up being Christina's blind spot-and that's exactly what brings her down. Speaking of which... let's talk about her.
Christina, JUST DIE ALREADY!!! Sorry, but I'm done. What a hateful woman. The way she treats Lincoln goes beyond cold or strategic-it's pure personal hatred. And that hatred is exactly what wrecks her whole plan. Her disgust for him reaches grotesque levels, with cruel and nasty lines that just show how small she is as a person. Poor Lincoln barely gets a second to breathe-physically and emotionally he's getting destroyed. The whole "you're not my real son" reveal is tossed in along with torture and pure disdain, like he's nothing. You feel his pain in every expression-and honestly, I feel it too. Sure, he may not be as sharp as Michael, but there's no way not to root for him, even when he makes questionable decisions. Like... staying behind to shoot it out with some random goon...
Sara's part of the episode is pure anxiety. Putting her in T-Bag's hands is always cruel, but this time they really crossed a line. And man... even though she kept her cool and tried to throw him off with that insane "you're impotent" taunt (which was wildly risky), it somehow worked. That moment when Michael crashes through the window at the very last second? That kind of relief is the kind where you forget to breathe. And it's messed up to think: if he'd been two minutes late, the scene would've gone somewhere we couldn't come back from. T-Bag has his moments where he's a "fun" or even "charming" villain, but deep down? He's a MONSTER. Period. Rooting for him is like pretending all his filth doesn't exist-and this episode was a harsh reminder of that. Sara barely got out in time, but the tension was real.
Then we've got the return of Sucre and C-Note. First reaction? Suspicion. Total doubt. I still haven't forgotten how C-Note sold out Michael and Lincoln to Mahone back in season two-that betrayal left a mark. Seeing him pop up out of nowhere, offering redemption and help, feels shady as hell. Especially when it involves some mystery guy rocking a Company ring. His diner conversation with Sucre is good though-it brings up old memories and that heavy sense of what carrying a criminal past really means. Still, the question lingers: who's behind this new contact? Is it someone we already know? Or just another pawn in the Company's endless chess game?
Finally, we've got Self, who seems to be paying for all the sins he's stacked up. Tortured by FBI agents, then almost killed by Downey, he's that kind of character "Prison Break" never really knew what to do with long-term. Now, he's basically just a warning sign-a reminder of how deep people sink when they try to play Michael's game without the tools to survive it. He's become disposable, and the show's not even pretending otherwise.
All in all, this episode delivers on tension, tactical brilliance, and full-blown emotion. But it also exposes just how tired "Prison Break" has gotten after so many twists and turns. The constant setbacks that show up just as things are finally moving forward? That used to be exciting. Now, it's more like a routine. Still, the dynamic between Michael, Lincoln, Mahone, and Sara remains the beating heart of the series-and as long as that's intact, I'll keep watching with my heart in my throat. And honestly? If Christina gets blown up with that bomb, I'm gonna celebrate with a damn smile on my face!
Starting with the core arc: Michael. The script leans hard into his emotional and moral struggle, and that's one of the episode's strongest points. Watching him try to save both the woman he loves and the brother he's been through hell and back with reminds us of what "Prison Break" always did best: that visceral bond between the two brothers. The warehouse scene is a perfect example. The makeshift explosives trap shows Michael's meticulous brain firing on all cylinders, but it also reveals how heavy everything is for him-there's no negotiating when literally everything you love is on the line. And the genius move with the two fake Scyllas, each rigged with a bomb? That was gold. We already knew Krantz was gonna try to double-cross them. But pulling a double move-one on Christina, one on the General-was classic "Prison Break" at its peak. And the flashback with Mahone revealing the plan later was a great way to keep the suspense just right.
Now, speaking of Mahone-what a journey this guy's had, right? From relentless hunter to loyal ally, he's become one of the most solid players in the game. His bond with Michael feels earned, built on mutual respect, and the way he volunteers to save Lincoln-partly out of debt, sure, but also just because he cares-shows a character who's been thoughtfully developed over time. It's especially great that Mahone, not Michael, ends up being Christina's blind spot-and that's exactly what brings her down. Speaking of which... let's talk about her.
Christina, JUST DIE ALREADY!!! Sorry, but I'm done. What a hateful woman. The way she treats Lincoln goes beyond cold or strategic-it's pure personal hatred. And that hatred is exactly what wrecks her whole plan. Her disgust for him reaches grotesque levels, with cruel and nasty lines that just show how small she is as a person. Poor Lincoln barely gets a second to breathe-physically and emotionally he's getting destroyed. The whole "you're not my real son" reveal is tossed in along with torture and pure disdain, like he's nothing. You feel his pain in every expression-and honestly, I feel it too. Sure, he may not be as sharp as Michael, but there's no way not to root for him, even when he makes questionable decisions. Like... staying behind to shoot it out with some random goon...
Sara's part of the episode is pure anxiety. Putting her in T-Bag's hands is always cruel, but this time they really crossed a line. And man... even though she kept her cool and tried to throw him off with that insane "you're impotent" taunt (which was wildly risky), it somehow worked. That moment when Michael crashes through the window at the very last second? That kind of relief is the kind where you forget to breathe. And it's messed up to think: if he'd been two minutes late, the scene would've gone somewhere we couldn't come back from. T-Bag has his moments where he's a "fun" or even "charming" villain, but deep down? He's a MONSTER. Period. Rooting for him is like pretending all his filth doesn't exist-and this episode was a harsh reminder of that. Sara barely got out in time, but the tension was real.
Then we've got the return of Sucre and C-Note. First reaction? Suspicion. Total doubt. I still haven't forgotten how C-Note sold out Michael and Lincoln to Mahone back in season two-that betrayal left a mark. Seeing him pop up out of nowhere, offering redemption and help, feels shady as hell. Especially when it involves some mystery guy rocking a Company ring. His diner conversation with Sucre is good though-it brings up old memories and that heavy sense of what carrying a criminal past really means. Still, the question lingers: who's behind this new contact? Is it someone we already know? Or just another pawn in the Company's endless chess game?
Finally, we've got Self, who seems to be paying for all the sins he's stacked up. Tortured by FBI agents, then almost killed by Downey, he's that kind of character "Prison Break" never really knew what to do with long-term. Now, he's basically just a warning sign-a reminder of how deep people sink when they try to play Michael's game without the tools to survive it. He's become disposable, and the show's not even pretending otherwise.
All in all, this episode delivers on tension, tactical brilliance, and full-blown emotion. But it also exposes just how tired "Prison Break" has gotten after so many twists and turns. The constant setbacks that show up just as things are finally moving forward? That used to be exciting. Now, it's more like a routine. Still, the dynamic between Michael, Lincoln, Mahone, and Sara remains the beating heart of the series-and as long as that's intact, I'll keep watching with my heart in my throat. And honestly? If Christina gets blown up with that bomb, I'm gonna celebrate with a damn smile on my face!
Did you know
- TriviaAt one point, Sara Tancredi talks to Theodore Bagwell about his suffering from erectile dysfunction issues. In the season two episode "Bad Blood," Bagwell talked about this with his ex-girlfriend Susan Hollander when he took her to his childhood home.
- GoofsAt the start, Mahone says "bring them both together, you lose your tactical edge". When the camera view changes Mahone can be heard saying "tactical edge" however his lips do not move.
- Quotes
Christina Scofield: [to Lincoln] I know you and Michael think I was a terrible mother. I couldn't agree with you more.
- SoundtracksMain Titles
Composed by Ramin Djawadi
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