IMDb RATING
4.4/10
7.6K
YOUR RATING
A young man tries to revive his parents' wilting marriage by traveling to the 1970s when their romance was budding and make it bloom: something more complex than he expects.A young man tries to revive his parents' wilting marriage by traveling to the 1970s when their romance was budding and make it bloom: something more complex than he expects.A young man tries to revive his parents' wilting marriage by traveling to the 1970s when their romance was budding and make it bloom: something more complex than he expects.
- Awards
- 3 nominations total
Aditya Roy Kapoor
- Bunty K. Chopra
- (as Aditya Roy Kapur)
Rannvijay Singh
- Kundanlal Kapoor
- (as Rannvijay Singh Singha)
Rajpal Naurang Yadav
- Bhiku
- (as Rajpal Yadav)
Featured reviews
Vipul Shah's 'Action Replayy' is an entertaining film, that worked for Me. I still wonder why were critics so harsh to this flick, and why did the audience reject it outright? Surely, an under-rated escapist fare!
'Action Replayy' is escapist cinema. The main character travels back in Time through a Time Machine, to sought things out. And even after he's done the impossible, there are a couple of sequences that make no sense.
But, non-sense fares do wonders in Cinema. Look at 'Avatar' or the hugely over-rated 'Transformers', they are absolute fiction, but they worked, and the topic ends there. 'Action Replayy' entertains, especially in the second hour, which is superb. The first hour is flawed, but surely not unbearable.
Vipul Shah's direction is good. The Writing is flawed in the initial portions, but picks-up majorly in the latter hour. Cinematography is fine. The art direction deserves a mention as well, as it truly brings back the era of the 70's.
Performance-Wise: Akshay Kumar is Fantastic. As a geek, the superstar delivers a performance that easily ranks amongst his finest works. Aishwarya Rai is very likable. Aditya Roy Kapoor is excellent. Neha Dhupia gets limited scope. Ditto for Sudeepa Singh. Om Puri, Rajpal Yadav and Kirron Kher are decent. Rannvijay Singh is least impressive.
On the whole, 'Action Replayy' surely deserves a watch, as it offers some genuinely entertaining moments, that remain with you. Thumbs Up!
'Action Replayy' is escapist cinema. The main character travels back in Time through a Time Machine, to sought things out. And even after he's done the impossible, there are a couple of sequences that make no sense.
But, non-sense fares do wonders in Cinema. Look at 'Avatar' or the hugely over-rated 'Transformers', they are absolute fiction, but they worked, and the topic ends there. 'Action Replayy' entertains, especially in the second hour, which is superb. The first hour is flawed, but surely not unbearable.
Vipul Shah's direction is good. The Writing is flawed in the initial portions, but picks-up majorly in the latter hour. Cinematography is fine. The art direction deserves a mention as well, as it truly brings back the era of the 70's.
Performance-Wise: Akshay Kumar is Fantastic. As a geek, the superstar delivers a performance that easily ranks amongst his finest works. Aishwarya Rai is very likable. Aditya Roy Kapoor is excellent. Neha Dhupia gets limited scope. Ditto for Sudeepa Singh. Om Puri, Rajpal Yadav and Kirron Kher are decent. Rannvijay Singh is least impressive.
On the whole, 'Action Replayy' surely deserves a watch, as it offers some genuinely entertaining moments, that remain with you. Thumbs Up!
The film by Vipul Amrutlal Shah, based on the 1994 Gujarati play Action Replay, reminds you of Robert Zemeckis' Back to the Future, only that the narrative isn't as tightly woven, and the time travel element and danger kept to a bare minimum, other than being a plot device to bring Bunty (Aditiya Roy Kapoor) back to March 1975 before his parents Kishen aka Kitchen Kumar the hotel restaurateur (Akshay Kumar) and Mala (Ash) got married. They had spent the last 33 years in a never-ending bicker, putting up false pretences at times, while at other times just let it rip in public or in front of their restaurant employees. This culminates in their wedding anniversary celebrations, where a decision is made to go their separate ways. Not wanting that to happen, Bunty conveniently hijacks a time machine belonging to his girlfriend's uncle, who just so happens to be a scientist, believing that if his parent's arranged marriage was instead a love marriage, things will turn out a lot better.
The main gist centers on the virtues of a love marriage, which is still something of a taboo back in those days, where arranged marriages were the norm. Some will argue of course that you'll grow to love someone when things get arranged, but in this case, it reflects on what if the marriage turned out to be sour from the start? And as Bunty soon finds out, the characters of his parents cannot be at more odds with each other, his dad being the cowardly bucktoothed teenager who gets frequently bullied by his Dad (Om Puri) and peers, including that of Mala, who's a headstrong, bold tomboy lacking feminine grace, exuding a steely exterior and up to her fair share of shenanigans with her gang that includes Kundan (Rannvijay Singh) whose affections for her will be one of the major obstacles Bunty and Kishen have to overcome.
It is manipulation of the first order, where the first half deals with how Bunty creates desire between the two enemies, trying to turn them into lovebirds. But here's where the story fails big time, tackling this in rather choppy instances with large plot gaps forgotten to be filled out, especially how Bunty becomes major chums with both his dad and mum (and his grandparents for that matter as well) despite literally appearing out of nowhere. While I understand a song and dance had taken care of this, I still felt it was rather hastily done just to get that cumbersome development out of the way. And hasty is probably the word most apt in putting aside logistics such as clothing and money, in how a boy from the 21st century doesn't stick out like a sore thumb, and conveniently too goes back to the future in what turned out to be yet a hasty wrap up of the film that does the emotional core of Bunty great disservice in his about turn and attitudes toward marriage.
Thankfully things start to pick up in the second half where the Kishen undergoes a major exterior makeover to woo the girl of his manipulated dreams, and becomes that suave lady killer, although always shaking on the inside once his game is over, which lead to numerous opportunities for mirth which does get tired after a while, despite great comedic timing by Akshay Kumar, spouting what I suspect would probably be a popular catch phrase amongst the younger crowd when they emerge from the theatres. The plot after the interval will probably irk feminists out there, as it suggests that girls get easily taken over by those with the bad boy image, and who will fall for the many manipulative games the guys play on them. There never was a real threat experienced in a way despite competition from Kundan who can sing in two voices, because the time travel paradox doesn't seem to kick in on Bunty each time Kishen and Mala seem to drift emotionally further apart which would have threatened his existence.
Action Replayy marks the reigning Queen of Bollywood's third release (out of four) this year with the likes of Raavan starring opposite her real life husband and Endhiran with Superstar Rajnikanth, and her role here is quite unlike those that I've seen before, since her Mala is mostly displaying negative traits at least for the beginning of the film, before succumbing back to a vulnerable, wistful lass who thinks Kishen does not like her for her meanness displayed earlier. I thought she had lighten up the film thanks to a refreshing portrayal of a spoilt and bratty teenager who doesn't tolerate nonsense from her peers, but dishes some of her own on unsuspecting, weaker folks like Kishen.
As with most Indian films, the song and dance numbers are perhaps what saved the film from becoming a bore. Retro is in, as seen from the success of Once Upon a Time in Mumbai, and this factor cannot be ignored as the filmmakers here have recreated costumes and sets reminisce of the time, aided by special effects to recreate the landscapes from the past. But if you were to treat this as a time travel film, then the paradoxes here are just tremendous to be ignored. So the best bet to enjoy this is to accept the plot device for what it is, and to marvel at the performances of the stars and the beautiful retro look and feel instead. I wished the story could have been more coherently delivered though, and the English subtitles should have been more in sync for the first 20 minutes.
The main gist centers on the virtues of a love marriage, which is still something of a taboo back in those days, where arranged marriages were the norm. Some will argue of course that you'll grow to love someone when things get arranged, but in this case, it reflects on what if the marriage turned out to be sour from the start? And as Bunty soon finds out, the characters of his parents cannot be at more odds with each other, his dad being the cowardly bucktoothed teenager who gets frequently bullied by his Dad (Om Puri) and peers, including that of Mala, who's a headstrong, bold tomboy lacking feminine grace, exuding a steely exterior and up to her fair share of shenanigans with her gang that includes Kundan (Rannvijay Singh) whose affections for her will be one of the major obstacles Bunty and Kishen have to overcome.
It is manipulation of the first order, where the first half deals with how Bunty creates desire between the two enemies, trying to turn them into lovebirds. But here's where the story fails big time, tackling this in rather choppy instances with large plot gaps forgotten to be filled out, especially how Bunty becomes major chums with both his dad and mum (and his grandparents for that matter as well) despite literally appearing out of nowhere. While I understand a song and dance had taken care of this, I still felt it was rather hastily done just to get that cumbersome development out of the way. And hasty is probably the word most apt in putting aside logistics such as clothing and money, in how a boy from the 21st century doesn't stick out like a sore thumb, and conveniently too goes back to the future in what turned out to be yet a hasty wrap up of the film that does the emotional core of Bunty great disservice in his about turn and attitudes toward marriage.
Thankfully things start to pick up in the second half where the Kishen undergoes a major exterior makeover to woo the girl of his manipulated dreams, and becomes that suave lady killer, although always shaking on the inside once his game is over, which lead to numerous opportunities for mirth which does get tired after a while, despite great comedic timing by Akshay Kumar, spouting what I suspect would probably be a popular catch phrase amongst the younger crowd when they emerge from the theatres. The plot after the interval will probably irk feminists out there, as it suggests that girls get easily taken over by those with the bad boy image, and who will fall for the many manipulative games the guys play on them. There never was a real threat experienced in a way despite competition from Kundan who can sing in two voices, because the time travel paradox doesn't seem to kick in on Bunty each time Kishen and Mala seem to drift emotionally further apart which would have threatened his existence.
Action Replayy marks the reigning Queen of Bollywood's third release (out of four) this year with the likes of Raavan starring opposite her real life husband and Endhiran with Superstar Rajnikanth, and her role here is quite unlike those that I've seen before, since her Mala is mostly displaying negative traits at least for the beginning of the film, before succumbing back to a vulnerable, wistful lass who thinks Kishen does not like her for her meanness displayed earlier. I thought she had lighten up the film thanks to a refreshing portrayal of a spoilt and bratty teenager who doesn't tolerate nonsense from her peers, but dishes some of her own on unsuspecting, weaker folks like Kishen.
As with most Indian films, the song and dance numbers are perhaps what saved the film from becoming a bore. Retro is in, as seen from the success of Once Upon a Time in Mumbai, and this factor cannot be ignored as the filmmakers here have recreated costumes and sets reminisce of the time, aided by special effects to recreate the landscapes from the past. But if you were to treat this as a time travel film, then the paradoxes here are just tremendous to be ignored. So the best bet to enjoy this is to accept the plot device for what it is, and to marvel at the performances of the stars and the beautiful retro look and feel instead. I wished the story could have been more coherently delivered though, and the English subtitles should have been more in sync for the first 20 minutes.
This movie lacks seriousness. Everything is just so childish.
This is a comedy classic. Don't believe the reviews! If you have a sense of humour, and like heart warming stories, watch it!! Trust me
I don't know why Akshay Kumar is still making comedy movies. The worse part is that they are very predictable, and the ideas are stolen from Hollywood movies!! His comedy movies are just not funny!!!! The story line is weak, poor acting specially Aishwarya Rai which made me very disappointed. And what's with the bad spelling with the title? and the other thing which made me laugh (they didn't intend to make the viewer laugh) is the bad spelling in one song, just to make ladies rhyme with men they made it "MANS"! His movies are really getting low in quality. As a fan of Akshay I wish he would raise the bar of his target viewer. In conclusion this movie will remain a scar in Bollywood movies record, don't watch it.
Did you know
- TriviaWhile shooting the film, Akshay Kumar did not like his look and also had a feeling this film won't do well at the box office but continued doing the film as per Director Vipul Amrutal Shah's will.
- GoofsBunty tells Kishen that he has meetings with Sachin Tendulkar, Virendra Sehwag and Barack Obama. None of these people were well-known in 1975.
- ConnectionsReferenced in The Kapil Sharma Show: Rustom's Courtroom Drama (2016)
- SoundtracksBaki Main Bhool Gayi
Written by Irshad Kamil
Composed by Pritam Chakraborty
Performed by Shreya Ghoshal
Courtesy of Super Cassettes Industries Limited (T-Series)
- How long is Action Replayy?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Nối Lại Nhân Duyên
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $5,702,135
- Runtime
- 2h 9m(129 min)
- Color
- Sound mix
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