After a mysterious atmospheric event, a small group of people wake up to realize that their entire lives have been a lie. They are in fact aliens disguised as humans. Now they have to make a... Read allAfter a mysterious atmospheric event, a small group of people wake up to realize that their entire lives have been a lie. They are in fact aliens disguised as humans. Now they have to make a choice. Live amongst men, or try to find a way back homeAfter a mysterious atmospheric event, a small group of people wake up to realize that their entire lives have been a lie. They are in fact aliens disguised as humans. Now they have to make a choice. Live amongst men, or try to find a way back home
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Jenny Shakeshaft
- Joy
- (as Jennifer Sipes)
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While this may not appeal to the general public, it is what science fiction can be. Instead of a bunch of intergalactic cowboys facing off with one another, this is a truly thought provoking movie. There are shades of David Lynch in this stark presentation. Several people are suddenly faced with a kind of mass amnesia after an event they can't entirely explain. Because they are humans, they see what as happening to them initially as a type of disease (even epilepsy in one case). Soon they are draw to each other. Part of their problem is that they are such diverse personalities who are filled with distrust. They are drawn to water, particular just off the shore of a small lake where a series of images invade their psyches. They all have growths on their heads, like the beginnings of little deer antlers. They are also losing some of their skin. Things unfold in a really interesting way with tragic consequences, but there is an answer somewhere and it requires a great deal of trust. While this is a highly imperfect film, I appreciated that their reach exceeds their grasp.
Some interesting moments early on, but it goes WAY too slow from halfway to the end, plus gets really confused and left me scratching my head. Still not sure what happened and I don't want to watch it again.
This movie is a disjointed mishmash of things that don't make sense: a meaningless opening, constant, meaningless flashbacks and cuts so big you could sail the Queen Mary through them. Depressing background music. Pointless scenes with no rhyme or reason. Fundamental ideas that we've all seen before - obsessive drawing of pictures from Close Encounters, and symbiotes from Stargate, for example.
The holes in the dialog were so big that at one point I had to rewind to watch the run-up to one scene three times to make sure I hadn't missed something. It turns out I hadn't missed anything - it was either another gaping hole in the dialog or the editor went mad and took a meat axe to it.
If the plot got any vaguer this flick wouldn't have one. It's a low-budget, miserable failure. Save yourself the cost of the video hire. Watching paint dry is more entertaining.
Oh, and don't let the mention of Close Encounters or Stargate mislead you into believing this is actually a sci-fi flick. It isn't. It's more of a weird drama that tries to ask "what makes us human?"
The holes in the dialog were so big that at one point I had to rewind to watch the run-up to one scene three times to make sure I hadn't missed something. It turns out I hadn't missed anything - it was either another gaping hole in the dialog or the editor went mad and took a meat axe to it.
If the plot got any vaguer this flick wouldn't have one. It's a low-budget, miserable failure. Save yourself the cost of the video hire. Watching paint dry is more entertaining.
Oh, and don't let the mention of Close Encounters or Stargate mislead you into believing this is actually a sci-fi flick. It isn't. It's more of a weird drama that tries to ask "what makes us human?"
What a frustrating mess! You know all those 50's science fiction films loaded with stilted, baby-food expository dialogue? Well the writer/director of Earthling did the exact opposite to the extreme. Nothing is explained! An hour and half into the film and the audience is still left wondering who the main characters are, what their motivations are, and exactly what the plot of film is. Apparently the writer thought his audience was able to read his mind like the aliens in his screenplay. There are dozens of plot elements which are presented and then left to dry on the vine without any explanation about how they fit into the story. A few examples: the atmospheric disturbance at the beginning of the film - What caused it?, What was it's purpose? Never explained in the film; At one point, the astronaut's wife is referred to as his sister. Why? And there are many, many more...
Over and over again throughout the film, these little plot points are raised and then dropped without explanation, never to be heard from again. And the characters are barely introduced, sometimes appearing without any indication of who they are or how they fit into the story -- they're never explained, let alone developed..
Then there are the bizarre behaviors of the characters. A bunch of school teachers getting plastered at the local bar after school. Really? A student asking his teacher to take a drag off of a joint? What planet did this take place on? Not earth. These aren't crucial plot points and don't really serve to develop any characters, so why put that in the film? These types of behaviors by protagonists just erode civil society and I don't understand why producers insist on putting them into their films. And what's with all those agonizingly long, drawn-out bathtub scenes? Again they serve no point in the plot or tone of the film.
There was an almost-original story to be told here. As Liford says in the promo summary, "After a mysterious atmospheric event, a small group of people wake up to realize that their entire lives have been a lie. They are in fact aliens disguised as humans. Now they have to make a choice. Live amongst men, or try to find a way back home."
That sounds like an interesting story, but Earthing failed miserably in telling that story. At the bare minimum, a film has got to to get the story told! I generously gave it 3 stars because, without exception, the actors' performances were extraordinary despite what they had to work with. Also, the cinematography was well done.
Triggers: strobe effects, incest, child exploitation, graphic violence, suicide, drug promotion, racist language (including the N-word), racist casting, antisocial behavior by the protagonists.
Over and over again throughout the film, these little plot points are raised and then dropped without explanation, never to be heard from again. And the characters are barely introduced, sometimes appearing without any indication of who they are or how they fit into the story -- they're never explained, let alone developed..
Then there are the bizarre behaviors of the characters. A bunch of school teachers getting plastered at the local bar after school. Really? A student asking his teacher to take a drag off of a joint? What planet did this take place on? Not earth. These aren't crucial plot points and don't really serve to develop any characters, so why put that in the film? These types of behaviors by protagonists just erode civil society and I don't understand why producers insist on putting them into their films. And what's with all those agonizingly long, drawn-out bathtub scenes? Again they serve no point in the plot or tone of the film.
There was an almost-original story to be told here. As Liford says in the promo summary, "After a mysterious atmospheric event, a small group of people wake up to realize that their entire lives have been a lie. They are in fact aliens disguised as humans. Now they have to make a choice. Live amongst men, or try to find a way back home."
That sounds like an interesting story, but Earthing failed miserably in telling that story. At the bare minimum, a film has got to to get the story told! I generously gave it 3 stars because, without exception, the actors' performances were extraordinary despite what they had to work with. Also, the cinematography was well done.
Triggers: strobe effects, incest, child exploitation, graphic violence, suicide, drug promotion, racist language (including the N-word), racist casting, antisocial behavior by the protagonists.
Gas to be the worst movie I've ever seen...I will never get back the 90+ minutes of my life that I wasted on this crap
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- ConnectionsReferenced in Cinema Six (2012)
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