The Soviet Story

This is a sledge-hammer documentary that even the most partial viewers would find difficult and hard to digest - many simply cannot or refuse to endure it, the stuff being too heavy. It is important to observe, that the film is Latvian, it is written and directed by a Latvian, and Latvia has a special trauma from the Soviet days, having suffered more from the Soviet ethnic cleansing after the war than both Estonia and Lithuania, large parts of the population being simply abducted to Siberia and concentration camps in other remote parts of the union with no possibility of any return, since most of them died, like people usually do in concentration camps. These Soviet crimes against innocent Latvian people, the Russians have never been brought to account for, in contrast to the Nazis for their crimes, which is one of the major points of the film. Latvia was not alone. The Soviets did the same although on a lesser scale in Estonia and Lithuania and in most east European countries under Russian occupation and above all in Ukraine, where in a single year seven million were intentionally starved to death. Already Lenin started persecutions in Ukraine, but Stalin expanded them into a holocaust from fear of losing Ukraine, and he saw a major reduction of the population as a means of reducing that danger. Edvins Snore, who made the film, points out the fact, which few have been aware of, that already Karl Marx in 1849 professed it as a necessity that all parasites of society and lower races (like Basques and Scottish highlanders) should be cleansed out of humanity to provide room for abler people, an inhuman philosophy that even Bernard Shaw as a socialist advocated and which turned into a trademark for all kinds of socialism, Russian Bolsheviks first of all and later Nazis. The documentary actually shows how Bolsheviks and Nazis learned from each other and instructed each other, Stalin and Hitler collaberated closely all the way up to 1941, Stalin using the Ukrainian harvests for export abroad to let the Ukrainians starve, and Nazis showing Stalin how to organize death camps. There is a grotesque irony in the film, showing Bolsheviks and Nazis partying and toasting each other in one scene to in the next show the harvest of corpses of starvation in Ukraine - the film is full of such horrible social penetrations into the dictatorial system. The film is vital for its message of telling inconvenient truths that so far haven't been generally known and can be seen as actually a resounding cry for retribution for all those millions unknown and buried alive who were intentionally sacrificed to suit the inhuman long term strategy of this ideology and its dictatorships.

The movie is excellent. It is well known that winners are writing the history- so the truth of soviet mass murders and genocide is still not truly known for the world. The movie is well-structured and compares two parallel regimes, so opposite but at the same time so similar. People from the countries that were occupied by red plague, know these stories from they parents and grandparents. it is rough to realize for a western world- but the soviet Russia was in no case better than Nazi Germany. For Baltic States people for example, actually it was in number of times worse, the real "holocaust" was created by red army. I have spoken with a lot of people who were in WW2 (for example my grandpa and grandma and et.) and all of them are describing Germans as "at least culture nation" but red soldiers as "dirty brutal people with no honor and compassion". Number of killed persons was several times bigger by Stalin than by Hitler. So who was the worst dictator? That is the question that this movie adduces and it is good, there are so much to bring to daylight and rewrite the history.

For his in-depth survey of Soviet crimes against humanity, including Soviet cooperation with the Third Reich, Latvian director Edvins Snore was burned in effigy by Neo-Soviet Russians. It is an ominous badge of honor.

Soviet Story acts as an effective corrective to the popular notion that the Communist experiment only turned horrific when Stalin ascended to power. The film documents orders mandating mass executions, estimated in the tens of millions, originating with the father of the revolution, Lenin. Still, it is devilishly difficult to outdo Stalin's sheer capacity for terror. For instance, the deliberate use of famine to pacify Ukraine is explained here in chilling detail. In a crime against humanity largely ignored by the West, seven million Ukrainians were intentionally starved in the cordoned Republic, as foodstuffs were confiscated at gunpoint by the Red Army.

The heart of Soviet Story explores the close ideological similarities and barbaric collusion between the Soviet Socialists of Stalin and the National Socialists of Hitler. There is an eerie sequence juxtaposing thematically similar propaganda posters from both regimes, side-by-side on-screen. Even more damning are the documents Snore uncovers establishing close links between the SS and the Soviet NKVD (the precursor to the KGB), discussing among other issues, the "Jewish Question." They did not just talk—they carved up Poland between themselves, and at Stalin's prompting, staked their claims to the rest of Europe.

Soviet Story is most devastating when discussing the ways in which the more advanced Soviet killing machine served as the inspiration and model for the Holocaust. According former Soviet intelligence officer Viktor Suvorov: "A delegation of German Gestapo and SS came to the Soviet Union to learn how to build concentration camps." Snore has produced a chilling indictment of the Soviet experience with socialism. He calls some very convincing witnesses, including Bukovsky, and the eloquent Cambridge historians Norman Davies and George Watson. As evidence, he produces some shocking archival film and documents. However, as the film makes clear, none of those who did (and still do) the Soviet dirty work has ever faced justice for their crimes. All told, Snore has produced a passionate but thoroughly reasoned case against the Soviet regime.

I have to make a comment for zvesda and its followers (do read his other review and please get that he is a pro-socialism pro-imperialism creature who could theoretically almost justify to the ignorant the enormously tragical mass murders of the Soviet Union). The most unbelievable thing is, though, that some would buy his strange endeavor - could be because of lack of knowledge.

Please also get that Russia has no enemies, as zvesda imperiously sustains, and that the theory of "hatred" is extremely dangerous and entails the majority of the citizens of a nation to incredible crimes justified by noble ideas such as "patriotism" and "defense from the enemy of the state". The documentary shows us the atrocities carried out by some dictators, and is not a personal attack to you, zvesda, or to the citizens of Russia, whether old or young (not to mention those crimes were against the Soviet Union's own citizens!). But stating expressions such as "the Jewish fascism" in today's Russia is mind-blowing (of course, the 20.000.000 killings in the Soviet Union, solely in terms of number, is quite mind-blowing too...).

Those atrocities did exist, whether you acknowledge it or not, and everyone should be reminded of the possible crimes of any dictatorship through fear, censorship, craziness, torture and murder. Whatever dictatorship that might be, at the shadow of whatever ideology.

It's hard to see the harsh images of afflicted children, women and men; but ignorance is never an excuse, and this documentary will definitely wake you up, if only to make you read a bit more about our recent and insane history.

The Soviet Story is a very important contribution for understanding a series of questions about leftism and Marxism outcomes. But other questions remain. First, _how_ is it possible at all that so many young people, as well as oldies, are still impressed by such ideologies? _How_ could it ever be possible that a historian such as Hobsbawn considers himself a communist socialist today, having declared not long ago that if it was not for being a Jew, in the 30s could very well have enthusiastically joined Nazism? With a huge lot of information and discussion nowadays freely available?

Many good comments on the documentary have already been made. But the main question that remains after it is: _how_ came that a Marxist "theory", that started copying the condolent humanitarians in the XIX century, defending egalitarianism ... terminated by practicing the most cruel and extensive genocides of the whole History of mankind?

Unfortunately, the answers to these questions are not short, and not without some work. And perhaps not bound to be contained in movie documentaries, however well performed as is this one. Only through some reading can we begin to see the answers, in analyses made clear along the last century by people such as Isaiah Berlin (as in 'Against the Current') and Karl Popper (as in 'The Open Society and It's Enemies'). Do enjoy them piecemeal.