Love at First Hiccup

The best thing about Love at First Hiccup (also titled as The First Time) is that anyone who appreciates good movies will know within the first five minutes that it's a terrible movie. Unlike an indie film which might take you a half an hour before to realize it's not worth watching, Hiccup/First Time lays its cards on the table right away with shallow characters, lousy dialog, and horrible jokes.

Hiccup/First Time has the acting quality and production values of a movie made for Nickelodeon or the Disney Channel. It might seem that this was the film's target market except Hiccup/First Time has a sprinkling of crass lines and R rated language which seem particularly stupid in a movie that's less entertaining than an episode of iCarly.

The one bright spot in Hiccup/First Time is Ray Wise whose performance as the father of the main character's object of desire is excellent. Wise provides the only moments worth smiling at. But Wise's very small role can't help a film which is mostly obvious, boring, or makes you embarrassed to be part of the same species that would make a movie like Hiccup/First Time.

I remember when I was 17 years old, I fell in love with a girl who mesmerized me, with a lovely face, freckled nose and cheeks, a smile that could make you soar all the way to heaven, lovely, full bosom, and full hips that could make you wish you could wrap your arms around and never let go. Perfect, shapely legs I couldn't keep my eyes from. Yes, that was my 'Anya-itis', even though her name was not Anya.

She didn't love me, though, although we were very fond of each other. There was another boy she fancied, a bit older than I, who, sadly, ended up dumping her. By then, I had moved away, and those pleasant dreams had faded. Pity. But with her domineering mother and my domineering mother, we would never have stood a chance anyway.

However, I must agree with reviewer yeatsforkeats. Even though this is a teen love story, it isn't tiring or boring or stupid like so many others we've seen lately. I don't actually like viewing stupid, teen, movies. Seeing, though, how refreshing this one seemed to be, I decided to give it a chance, and I am glad I did. It was worth it. The whole movie is rather predictable, but somehow, you don't get bored or irritated with it, wondering where this is going, or where and when it will end.

I have never seen the girl that plays Anya before (Scout Taylor-Compton), or the boy that plays Victor. But she made me wish I were Victor's age again. Victor, innocent and a bit of a nerd, learning for the first time what love is about. Makes you wish things could stay that innocent when you grow up. Anya, more a woman than he is a man, of course, behaved like an intelligent girl, going for the guy that was laying all he had at her feet, instead of the rich boy who owned an expensive sports car and was only after sex. Both kids were lucky they had understanding parents too. There were a few things here and there that seemed a bit far fetched, but perhaps it would be better to let you judge these for yourself. Were Victor's hiccups due to nervousness, insecurity, or something else? I couldn't quite decide, but seeing how he got kisses from Anya to help drive them away, I stopped mentally debating the subject. You decide when you view it.

So, did I enjoy the movie? Yes! Would I watch it again when in the mood? Most definitely. Just watching those coy looks Anya gave Victor makes it all worthwhile. You'd wish you were in Victor's shoes, and that is no exaggeration.

It's a cute romantic comedy. I loved, smiled and laughed after watching this movie.

I thoroughly enjoyed this film. No single performance stands out. This film captures and completes it's purpose, which is love at first sight. Young love at first sight that is. Too many times today can this simple concept be manipulated into something that it is not. Excellent dorky, nervous, yet cute and very endearing portrayal by Devon. Scout remains beautiful, and grounded, while remaining sweet and sincere.I love how they are such opposite sides of the spectrum within the film, yet find they relate way more than they initially thought (without revealing any spoilers of course). Overall, I think this is a fine romantic comedy. With great supporting roles, and an overall puppy love feel, this is one of the best of the genre I have seen in a long while.

Growing up and maturing into an adult can bring on a multitude of feelings. Hormones are raging and everything is changing at a faster rate than normal as this process happens. Of course most adolescence experience this as they go through the education system; learning from their parents, friends and their own senses. One particular actor that many could relate to during this period of time was Devon Werkheiser from Nickelodeon's Ned's Declassified School Survival Guide. Young adults were proud to be a part of and go through the motions with Werkheiser's star making show. After the show ended, Werkheiser still had that image of playing a school kid. Here this film plays more into some adult themes which is good, except for how its executed. That's probably the biggest issue with this production.

Directed by Barbara Rothenborg in their first theatrical film and co-writing with Foren Frellesen, this is actually the remake of a Danish movie of the same name from a decade before. Based on a novel from Dennis Jürgensen, the Danish version actually has several sequels. The story is about a geeky freshman Victor (Devon Werkheiser) having an unrealistic crush on a taken senior in his high school Anya (Scout Taylor-Compton). Anya is with a pompous jock named Peter (Ken Luckey) and is friends with Marisa (Tania Verafield). Victor's only got his unhelpful buddies Ernie (Nicholas Braun) and Nick (Sean Marquette). Meanwhile, Victor and Anya's little brothers Zack (Daniel Polo) and Brian (Adam J. Bernstein) play pranks on both their siblings because family stereotypes. Victor's problem is that he doesn't have the confidence to talk to Anya, and when he does, he gets hiccups.

At the same time, Anya hopes to lose her virginity to someone she finds truly special. At the moment she's not sure if Peter's the one. The biggest red flag in this story is Anya's character arc. Not sure what the legal age of consent is for the people of Denmark but in the US, a senior in high school, who should be 18, looking to fornicate with anyone younger than them is a no. Why couldn't Victor and his friends also be geeky seniors in high school? That would be one less counter against this film. The story itself is also fairly cliché. What teen drama hasn't depicted a down on their luck rejected protagonist that somehow pulls all kinds of stops to get the attention of their ever so out of reach love of their life? There isn't really much to go into how things occur because a familiar viewer of this genre could guess how most scenes that are set up will go.

It's unfortunate because there are some interesting actors attached to this project. And because this is a comedy, there is going to be dialog that's supposed to be funny but not much of it is. Most of it just strange in how it's executed or just completely nonsensical when thinking about how it makes any logical sense. The characters of Zack and Brian are the worst little brothers and are actually quite crass. Also their moms and dads are even worse as parents. Perhaps the conversations between Victor and Anya's friends respectively are more in line with what viewers would expect from those particular characters. But the others just seem a little too out there. Despite all this though the cast of actors perform the best they can given the material. Being that Devon Werkheiser came from Ned's he naturally fit the bill.

Scout Taylor-Compton at the time just got off playing in Rob Zombie's remake of Halloween (2007) and Halloween II (2009). There's also appearances from James Eckhouse, Ann Cusack, Octavia Spencer and even Ray Wise, who by far is the most entertaining even if he shows up only once and a while. The cinematography was adequately shot for the production. Handled by Steven Bernstein who also worked on The Waterboy (1998), Monster (2003) and White Chicks (2004), the shots filmed fit the right scene even though it won't blow anyone's mind. Lastly the music by Raney Shockne worked for the film too. By no means should any viewer think that a score would be available because it wouldn't seeing that it's no blockbuster production. Overall though the cues work with the scenes even if they aren't memorable.

The actors all do what they can, the music is appropriate for the style of the film as well as the camerawork. Unfortunately, the writing is not strong enough though. The premise is an awkward setup dealing with differing legal ages, the dialog feels a bit out of place and the story itself has been done many times before.