American Grindhouse

I really, really enjoyed this. At the same time, though entertaining and informative, it leaves one yearning for so much more. The clips from the films shown are usually VERY short, and quite often, they are not directly discussed by the commentators. Instead, they are used to "illustrate" a more general discussion of one of the sub-genres covered her (ie: pre-code; nudist camp, nudie cuties, etc). I look forward to someone expanding upon this introduction to provide us with a film exploring each of the sub-genres in more depth.

Finally, I was pleased to hear John Landis refer to PASSION OF THE Christ as an Exploitation film, as that's exactly how I viewed it... with total delight, I must say. In fact, given it and APOCALYPTO, an argument could be made for Mel Gibson as the greatest Exploitation film director of the past decade... even if he does not exactly see his own films in that light.

This is a terrific documentary for fans of exploitation cinema and B movies. The documentary charts the history of US exploitation films from the beginnings of cinema to the modern day.

It was Tarantino and Rodriguez that revitalised the term Grindhouse when they made their double feature but it took off in the 1960s with the change of mores and loosening of censorship laws.

It allowed filmmakers to exploit and challenge an area of cinema that was designed for discerning adults that like terror, sex, violence and buckets of blood.

The documentary is narrated by Robert Forster and interviews starts, directors and fans of the genre including Joe Dante, John Landis, Fred Williamson, Larry Cohen, William Lustig, Lewis Teague and others.

However it is not just talking heads, you have clips from grindhouse films and especially a good representation of clips from films of the 1960s and 70s.

Just watched this fascinating documentary on the exploitation movies of the last 100 or so years on Hulu.com. Many interesting insights from various figures like John Landis, Joe Dante, Herschell Gordon Lewis, Jack Hill, Fred Williamson, and the late Don Edmonds, the last one had died not long after filming his interview. He's the one responsible for that infamous Nazi (or possibly anti-) flick that introduced Ilsa (which I have yet to watch in its entirety). This possibly won't be the last word on the various genres that played in various grindhouse and drive-in theatres over the last several decades but it's certainly one of the most essential that I'd highly recommend. Many quotable lines and interesting clips abound here.

'AMERICAN GRINDHOUSE': Four Stars (Out of Five)

A documentary on the history of exploitation films, which are as old as film itself. As the movie points out as soon as man had the power to keep a video recording of things the first thing we naturally wanted to do was record something exploitative. The film is directed by Elijah Drenner (in his feature film debut) and written by Drenner and Calum Waddell. It features interviews with such legendary exploitation filmmakers as John Landis, Joe Dante, Herschell Gordon Lewis, Jack Hill, Larry Cohen, Don Edmonds and many more. The film is narrated by Robert Forster.

The movie follows the history of exploitation film from the turn of the century, when film was invented, to present day and displays a decade by decade examination of it. It intercuts clips from various movies with interviews from different filmmakers, critics and actors discussing them. Some of the earlier clips are the most interesting and shocking. It examines the effects of various things on the industry, like the Motion Picture Production Code as well as the 'Grindhouse' theaters themselves. 'Grindhouse' theaters were movie theaters that almost solely showed exploitation films and usually stayed open all day and night. They were named after the run down burlesque theaters on 42nd Street in New York City. The film follows the history of 'Grindhouse' theaters and the exploitation film industry all the way to it's near extinction in the mid 70's when movies like Steven Spielberg's 'JAWS' finally blurred the lines between indie exploitation and Hollywood films and made exploitation 'B' movies a mainstream excepted thing.

The movie is extremely interesting and educational. It's also very entertaining and never dull. It moves at a remarkably fast pace and finishes in a very quick 80 minute running time. There are a few movies and filmmakers I'm surprised they never touched on, especially considering some of the ones they did, which makes me feel the film is not as complete a film history lesson as it could have been (but then again no movie possibly could be). It is only 80 minutes like I said and I'm sure there were budget restraints as well (It is a very low budget movie itself). The interviews are outstanding and the clips shown are as shocking and disturbing as any movie I've seen. Which makes you wonder if the documentary itself isn't exploitation filmmaking.

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About as interesting as a loosely-related series of sparse conversations with cult-favorite directors is likely to get. The goal seems to have been the assembly of a "straight from the horse's mouth" oral history of exploitation at large in cinema, but none of the subjects could really nail down the outer limits of what the term meant. So, instead, it became a crash-course history of underground film, decorated at all corners with vaguely familiar old men reminiscing about their glory days. The narrative jumps all over the place, sometimes floating from the '20s to the '90s over the course of a single sentence - that's OK, though, because the sheer breadth of knowledge and a shared recollection of the crazy promotional stunts each film undertook to get noticed makes the journey worthwhile. It's also one hell of a Netflix recommendation engine.