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The Taqwacores

  • 2010
  • Not Rated
  • 1h 23m
IMDb RATING
5.8/10
603
YOUR RATING
Dominic Rains in The Taqwacores (2010)
Yusef, a first-generation Pakistani engineering student, moves off-campus with a group of Muslim punks in Buffalo, New York. His new "un-orthodox" house mates soon introduce him to Taqwacore- a hardcore, Muslim punk rock scene that only exists out west. As the seasons change, Taqwacore influences the house more and more. The living room becomes a mosque during the day, while it continues to host punk parties at night. Ultimately, Yusef is influenced by Taqwacore too, as he begins to challenge his own faith and ideologies. The Taqwacores deals with the complexities of being young and Muslim in modern-day America.
Play trailer1:41
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DramaMusic

A powerful, original, and hilariously irreverent story of punk Islam in the USA and the discovery of oneself within the confines of religion.A powerful, original, and hilariously irreverent story of punk Islam in the USA and the discovery of oneself within the confines of religion.A powerful, original, and hilariously irreverent story of punk Islam in the USA and the discovery of oneself within the confines of religion.

  • Director
    • Eyad Zahra
  • Writers
    • Michael Muhammad Knight
    • Eyad Zahra
  • Stars
    • Bobby Naderi
    • Noureen DeWulf
    • Dominic Rains
  • See production info at IMDbPro
  • IMDb RATING
    5.8/10
    603
    YOUR RATING
    • Director
      • Eyad Zahra
    • Writers
      • Michael Muhammad Knight
      • Eyad Zahra
    • Stars
      • Bobby Naderi
      • Noureen DeWulf
      • Dominic Rains
    • 8User reviews
    • 25Critic reviews
    • 42Metascore
  • See production info at IMDbPro
    • Awards
      • 7 wins & 1 nomination total

    Videos1

    The Taqwacores
    Trailer 1:41
    The Taqwacores

    Photos7

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    Top cast16

    Edit
    Bobby Naderi
    Bobby Naderi
    • Yusef
    Noureen DeWulf
    Noureen DeWulf
    • Rabeya
    Dominic Rains
    Dominic Rains
    • Jehangir Tabari
    Maytha Alhassen
    Maytha Alhassen
    • [Voice of Female Muslim T.V. Personality
    • (voice)
    Jim Dickson
    • Gas Station Bully
    Volkan Eryaman
    Volkan Eryaman
    • Amazing Ayyub
    Denise George
    Denise George
    • Dee Dee Ali
    Winter Jones
    Winter Jones
    • Muzzamil
    • (as Tony Yalda)
    Marwan Kamel
    • Self (Cameo)
    Anne Leighton
    Anne Leighton
    • Lynn
    Nav Mann
    • Umar
    Rasika Mathur
    • Fatima
    John Charles Meyer
    John Charles Meyer
    • Hamza
    Nicholas Riley
    • Harun
    Ara Thorose
    • Lead Singer of The Gilmans
    Phong Tran
    • Fasiq
    • (as Ian Tran)
    • Director
      • Eyad Zahra
    • Writers
      • Michael Muhammad Knight
      • Eyad Zahra
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews8

    5.8603
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    10

    Featured reviews

    9nadiamfreeman

    Underated best movie I have seen in a while

    A fresh perspective on a scene that hasn't really been looked at. 2nd generation groups subcultures is massively under explored in cinema. This film does it well. Excellent acting, the conversations and scenes are fun and sometimes very candid. In a short space of time unpicking the constant conflict that 2nd generation minorities go through internally and within subgroup. It captures the ethos of punk and politics of the two groups. Yet entertaining throughout.
    7natg520

    Anarchy and Islam

    If you liked "Border Radio" or "Clerks" you might like this one. The theme of religion plays a conspicuous role here, though. The characters are young and searching for their own definitions of Islam. It's interesting to see the DIY approach the characters take. It's a sweet story about alienated friends trying to define themselves.

    The editing and periodic black and white with talk radio blaring bigoted messages provides breaks in the story and relates the lives of the characters to the world. The overall feel of the movie is like those independent films of the late eighties and early nineties.

    I think that the movie would have been better with more music, but the film does succeed in conveying the seriousness of the Muslim identity in modern America.
    7stupidknight

    Punk'em

    Interesting concept. Must acknowledge that films like these are the reason why Sundance will always be special.

    The camera work was refreshing and must commend the efforts of the cast. Every small detail was well handled, the punk burkha for example, I've never imagined those black-bland clothes would ever get a creative touch, something I would envy if I were a fashion designer.

    Yusef, this was a character that found its alter-ego in Jehangir and struggles to acknowledge that Jehangir is who he always wanted to be. Yusef will always be that person who reminded you that wanting to have fun and being pious need not always be two different things.

    I really enjoyed watching those tiny clips with a couch, a person and a TV.

    We are a nation of people who believe in liberty but will it ever be possible for Jehangir to wear the crescent and star although he is in no way connected with his religion. I seriously doubt it, but yes, we give Jehagir this ability in our films.

    Applaud the efforts.
    7sildarmillion

    I liked how the film *didn't* try to be politically correct

    Every other film (of not many) I've watched which deals with Muslim identity conflict issues, there is this tendency to try to be politically correct so that you're not alienating non-Muslims or liberals while at the same not offending the more conservatives. In the end it leaves neither party satisfied. I liked how this film unashamedly didn't try to find the middle ground. It told it like it is. Okay, I don't know what it is like. I know nothing of the Muslim punk rock scene or any other punk rock scene. But really, nothing about this movie felt pretentious.

    (Most of) these punk rockers really push the ideals of don't be who your parents want you to be or who society wants you to be or what the Qur'an tells you to be - be who you want to be. That's kind of cliché. I've seen that way too many times. But the film does keep it fresh by having the Taqwacores rebel in unorthodox ways. Like Rabiya who wears a full burqa covering every inch of her body down to her fingers. She doesn't do it out of devotion to Allah or Islam. She does it to make a statement. I could (sort of) relate to that. If you meet someone who doesn't drink or smoke, or someone who's still a virgin, you might assume they're a "good girl / good boy" who is a goody-two-shoes and plays it straight and doesn't dare to embrace who they want to be inside. But isn't it possible they've made a conscious choice - not because they think this is wrong - but because they think they don't need to? Because they're secure in their decisions? Don't get me wrong, I don't think the Taqwacores are secure in their decisions. In fact, beneath all that confident protesting against societal norms, there is a highly veiled layer of deep insecurity. At least that's what I felt. I got that vibe especially from Jehangir. And did I love that character to shreds! I love the message he sends out at the end - who are the Taqwacores to exclude Taqwacores who are "different" when Taqwacores themselves are excluded by other punks because they are "different". People always have the tendency to segregate and to exclude those who are "different". Even those who are excluded themselves. For example, homosexuals might be more accepted by the wider population these days, but bisexuals and asexuals are still weird and even homosexuals find them weird. This might be a bit of a generalization and I may not have a large enough sample to make these generalizations.

    I liked that this film led me to think outside the scope of the film, but I kind of wish it did address some of these ideas on its own.
    9SpyroDungeon

    Why are we closed to difference, heterodox and societies?

    Taqwacores' film is primarily inspired by Michael Muhammad Knight's book. He writes about "autonomous zones and free lands, heterodox perspectives," and this book has garnered considerable attention. In the film, we see young people challenging orthodox discourses, and they are influenced by the Orthodox country that has subsequently overtaken them, and the media is also promoting hostility. The system generally polarizes and taboos a certain segment of society. Taqwacores appears as a response here, rejecting othering and trying to recognize those who are different from them. Yes, they are not faithful to the book, but they are also open to other interpretations. They believe in religion and see it as heterodox. They interpret various events and become active in society, or they oppose the system and protect their culture through heterodox. The film will surprise you with its feminist aspects, its punk demonstrations, and its youthful theme. If you're from an Islamic country, it will certainly surprise you with its striking aspects. Personally, I was surprised, of course. The young people who both preserve their culture and add punk elements, challenge the system and the media, are absolutely fascinating, and at the same time, they challenge orthodoxy without being like them.

    "May God help Cihangir."

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    Related interests

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Prince and Apollonia Kotero in Purple Rain (1984)
    Music

    Storyline

    Edit

    Did you know

    Edit
    • Connections
      Featured in Dateline: Guardian Angels / Stalin World / Punked! (2010)
    • Soundtracks
      Ignorance
      Written by 'Omar Pitras Waqar'

      Performed by 'Diacritical'

      Courtesy of Eugo1st/Such Records

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    Details

    Edit
    • Release date
      • October 22, 2010 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Production company
      • Rumanni Filmworks
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $11,445
    • Opening weekend US & Canada
      • $3,532
      • Oct 24, 2010
    • Gross worldwide
      • $12,839
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 23m(83 min)
    • Color
      • Color
    • Aspect ratio
      • 1.78 : 1

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