The enduring friendship between the Walling and Ostroff families is tested when Nina, the prodigal Ostroff daughter, returns home for the holidays after a five-year absence and enters into a... Read allThe enduring friendship between the Walling and Ostroff families is tested when Nina, the prodigal Ostroff daughter, returns home for the holidays after a five-year absence and enters into an affair with David, head of the Walling family.The enduring friendship between the Walling and Ostroff families is tested when Nina, the prodigal Ostroff daughter, returns home for the holidays after a five-year absence and enters into an affair with David, head of the Walling family.
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Featured reviews
A plethora of actors show how to make a dysfunctional family dramedy funny
"The Oranges" centers on two families, each with mom and dad and former teenage daughter (now a twenty-something daughter), living across the street from each other in West Orange, New Jersey. It's kind of like a dysfunctional family dramedy except the families really do function normal enough and well enough prior to the beginning of the plot. And also it's a comedy. It poses some fairly serious questions but presents them all in a light-hearted, humorous fashion.
Paige Walling (Catherine Keener) and David Walling (Hugh Laurie) still have their adult daughter Vanessa (Alia Shawkat) living at home, unable to let go of some hostilities from her teenage years. Carol Ostroff (Allison Janney) and Terry Ostroff (Oliver Platt) are trying to control their daughter Nina (Leighton Meester) but she's off on the other side of the country still acting like a teenager. But after a perceived personal tragedy, Nina comes home. And then comes home Paige and David's successful son Toby (Adam Brody) who's in love with Nina.
Two individuals choose to commit, or almost commit, a morally repugnant act. The good thing is, everything is still funny. In the aftermath though, they decide that they're adults, and choose to question the line of morality. Not only is the audience not expecting that, and thus we're forced to start questioning, or stop judging, but the other characters definitely weren't prepared for it, and they start questioning the directions of their own lives. While of course keeping it funny.
Another interesting choice the film made was to make Vanessa (Shawkat) the narrator. She is not directly involved in the action, she's only involved in the repercussions, but she's also the type of character that we normally don't think about how she would be affected, but now we're forced to. The character that we would normally associate with in the aftermath is Paige (Keener) but here she puts herself on the sidelines.
The highlight of the film, of course, is the incredible cast. The reading of the credits goes something like this: Alia Shawkat – oh, yeah, the girl from Arrested Development, she has some decent comedy skills; Leighton Meester – a new Hollywood "it" girl, let's she what she's got; Hugh Laurie – he's always fun and straight from a string of well-deserved Emmy nominations; Allison Janney – awesome (!); Catherine Keener – awesome (!); Oliver Platt – really?! He's a comic genius, this is doubly awesome (!!); and Adam Brody – well, now we've just topped off a dream come true.
The best news is that the cast completely delivers. Meester and Laurie are expected to carry the majority of the film, and both do it by playing characters that they've never really played before. Laurie pulls of sympathetic so well and Meester goes a little more subtle to be able to show us what her character is thinking and show us what her character wants people to see. Janney is her usual funny self, so is Brody, while Platt is again at top form delivering some hilariously subtle facial reactions and some comic gold physical comedy.
The least famous actor of all of them, Sam Rosen, threatens to steal the whole show as Ethan, Nina's hilariously sympathetic fiancé turned ex-fiancé turned super-apologetic-ex-fiancé. He's relegated to a pretty small role, otherwise the movie would have been about Ethan. And it's not supposed to be.
Now that the highlights are all uncovered, it's time for some warnings. The plot is exceedingly simple and we have to wait for each character to catch up to it before the next turn can proceed. For those that are completely invested in each character, this won't be a problem. For those that like fewer characters, this will be a problem. Also depending on where your moral center lies, you could have a conflict with the film's decidedly ambiguous morality. For all the lines the film attempted to cross they went for a much simpler, more dramatic ending, never crossing into the dark comedy territory. That might stop it from reaching more brilliant heights, but it also keeps "The Oranges" more consistently enjoyable.
Who Might Like This: People who like dysfunctional family dramedies; anybody looking for a comedy that questions some of society's morals; fans of anybody in the main cast.
Paige Walling (Catherine Keener) and David Walling (Hugh Laurie) still have their adult daughter Vanessa (Alia Shawkat) living at home, unable to let go of some hostilities from her teenage years. Carol Ostroff (Allison Janney) and Terry Ostroff (Oliver Platt) are trying to control their daughter Nina (Leighton Meester) but she's off on the other side of the country still acting like a teenager. But after a perceived personal tragedy, Nina comes home. And then comes home Paige and David's successful son Toby (Adam Brody) who's in love with Nina.
Two individuals choose to commit, or almost commit, a morally repugnant act. The good thing is, everything is still funny. In the aftermath though, they decide that they're adults, and choose to question the line of morality. Not only is the audience not expecting that, and thus we're forced to start questioning, or stop judging, but the other characters definitely weren't prepared for it, and they start questioning the directions of their own lives. While of course keeping it funny.
Another interesting choice the film made was to make Vanessa (Shawkat) the narrator. She is not directly involved in the action, she's only involved in the repercussions, but she's also the type of character that we normally don't think about how she would be affected, but now we're forced to. The character that we would normally associate with in the aftermath is Paige (Keener) but here she puts herself on the sidelines.
The highlight of the film, of course, is the incredible cast. The reading of the credits goes something like this: Alia Shawkat – oh, yeah, the girl from Arrested Development, she has some decent comedy skills; Leighton Meester – a new Hollywood "it" girl, let's she what she's got; Hugh Laurie – he's always fun and straight from a string of well-deserved Emmy nominations; Allison Janney – awesome (!); Catherine Keener – awesome (!); Oliver Platt – really?! He's a comic genius, this is doubly awesome (!!); and Adam Brody – well, now we've just topped off a dream come true.
The best news is that the cast completely delivers. Meester and Laurie are expected to carry the majority of the film, and both do it by playing characters that they've never really played before. Laurie pulls of sympathetic so well and Meester goes a little more subtle to be able to show us what her character is thinking and show us what her character wants people to see. Janney is her usual funny self, so is Brody, while Platt is again at top form delivering some hilariously subtle facial reactions and some comic gold physical comedy.
The least famous actor of all of them, Sam Rosen, threatens to steal the whole show as Ethan, Nina's hilariously sympathetic fiancé turned ex-fiancé turned super-apologetic-ex-fiancé. He's relegated to a pretty small role, otherwise the movie would have been about Ethan. And it's not supposed to be.
Now that the highlights are all uncovered, it's time for some warnings. The plot is exceedingly simple and we have to wait for each character to catch up to it before the next turn can proceed. For those that are completely invested in each character, this won't be a problem. For those that like fewer characters, this will be a problem. Also depending on where your moral center lies, you could have a conflict with the film's decidedly ambiguous morality. For all the lines the film attempted to cross they went for a much simpler, more dramatic ending, never crossing into the dark comedy territory. That might stop it from reaching more brilliant heights, but it also keeps "The Oranges" more consistently enjoyable.
Who Might Like This: People who like dysfunctional family dramedies; anybody looking for a comedy that questions some of society's morals; fans of anybody in the main cast.
Not as bad as the reviews make it seem
I'm not giving The Oranges an amazing rating out of 10, but it was fine for a Sunday afternoon movie binge. A lot of people are bagging out the premise, but I actually consider it to be a new take on the usual Hollywood BS of an older guy and a younger girl in a relationship. The story typically goes "Older guy falls in love with younger woman and vice versa, and no one really seems to give a crap about the age difference and they live happily ever after". Fortunately, this one is a little more realistic - "Older guy falls in love with younger woman and vice versa, and everyone reacts as you would expect them to - i.e. they freak the s*** out".
It's an enjoyable film that is worth the hour and a half.
It's an enjoyable film that is worth the hour and a half.
I Don't Know
Not my favourite film, but I was expecting something worse, to be honest. What I saw:
An enjoyable Hugh Laurie, as usual (yet not exceptional). Funny moments, at times. Some cringe-worthy dialogues. Nice directing. Impressively realistic. Thoughtprovoking, which certainly is its strongest feature.
I guess one of the main goals of a filmmaker is to make their audience FEEL things. Well, I honestly can say they did it. Most of them were awkward and negative feelings towards the relationship between these two, but they were there. Is that what they were aiming at? I don't know. I was disgusted by them, and angry. How can you so selfishly base your every decision on whatever seems to make you happy? And by the way, what's with the meddlesome mother? Your daughter's 24 not 18. Anyway, it's only 90 minutes long. Watch it if you have some free time and nothing else worth pressing play on.
An enjoyable Hugh Laurie, as usual (yet not exceptional). Funny moments, at times. Some cringe-worthy dialogues. Nice directing. Impressively realistic. Thoughtprovoking, which certainly is its strongest feature.
I guess one of the main goals of a filmmaker is to make their audience FEEL things. Well, I honestly can say they did it. Most of them were awkward and negative feelings towards the relationship between these two, but they were there. Is that what they were aiming at? I don't know. I was disgusted by them, and angry. How can you so selfishly base your every decision on whatever seems to make you happy? And by the way, what's with the meddlesome mother? Your daughter's 24 not 18. Anyway, it's only 90 minutes long. Watch it if you have some free time and nothing else worth pressing play on.
Embarrassing
This movie is categorized as comedy, drama and romance and fails in all three IMHO. Let's start with the tag lines: there's no sex whatsoever and it's about to get juicy but it never does, reckon that according to your preferences. As a comedy it delivers few smiles and even less laughs. The drama side goes a bit better if nothing else for the ever worried look of David (Laurie), a middle aged husband who could be attractive only to girls in desperate need of a father figure.Unfortunately the drama part is also predictable and without sparkles.Finally the romance: very little dwelled upon and without any surprise. If i haven't been harsher in voting it's because of the actors' effort, in particular Alia Shawkat (perfect in the role of the incredibly obnoxious Vanessa) and Adam Brody (my favorite scene is when he's back from China and discovers the "scandal")
Amusing
Although this film does not have a complicated plot or much depth, I thought it was fun and found myself smiling all the way through. If you are looking for a simple and amusing film this is the one for you.
The story observes many real life feelings and situations even if it does cross over into the surreal sometimes. It doesn't have the scripted feeling that so many comedies seem to fall into and keeps a jovial feeling without leaving you cringing.
I thought Hugh Laurie was brilliant as House and I have wanted to see him in other things but was put off by the rating on this film. It is never going to be an epic but it is fantastic for what it is. A true feel good movie if you are in the mood for a dose of reality and can put aside some scepticism.
The story observes many real life feelings and situations even if it does cross over into the surreal sometimes. It doesn't have the scripted feeling that so many comedies seem to fall into and keeps a jovial feeling without leaving you cringing.
I thought Hugh Laurie was brilliant as House and I have wanted to see him in other things but was put off by the rating on this film. It is never going to be an epic but it is fantastic for what it is. A true feel good movie if you are in the mood for a dose of reality and can put aside some scepticism.
Did you know
- TriviaLeighton Meester (Nina) and Adam Brody (Toby) are married in real life.
- GoofsWhen David is talking to Nina in the coffee shop, the level of Nina's coffee does not remain consistent.
- ConnectionsFeatured in MsMojo: Top 50 Actors Who Fell in Love on Set (2025)
- How long is The Oranges?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- La hija de mi mejor amigo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $366,377
- Opening weekend US & Canada
- $198,461
- Oct 7, 2012
- Gross worldwide
- $2,316,971
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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