The Interrupters

The problem with gang violence in Chicago hasn't changed much (for better or worse) in decades. In that light, "The Interrupters" can't be considered timely, and it certainly doesn't expose a new and growing problem. But in focusing on a group of dedicated violence interrupters, writer Alex Kotlowitz and documentary filmmaker Steve James ("Hoop Dreams"), stepping away from his usual sports focus, capture the cycle of violence in such a complete way that you can finally start to see how it could in fact end.

CeaseFire is a violence prevention group that largely consists of former convicts and people who have spent time in prison. They dedicate a large portion of their time to being present in the communities where violence strikes and stopping conflicts before they escalate into violence. They also make themselves available as resources and confidants to individuals in need of a calming influence.

Essentially, these interrupters do what the police can't, even though none of the subjects come out and say it directly, nor does James imply it in a heavy-handed fashion. The people in these neighborhoods don't trust the police and fear the police, whereas these interrupters are adult role models who they can relate to/who can relate to them, people they respect.

James chronicles a year from summer through spring, or the most violent time of year to a time of year when hope grows anew. He focuses on the efforts of three violence interrupters and a few of the young people they each reach out to during the course of this year.

The first is Ameena Matthews, daughter of notorious Chicago gang leader Jeff Fort, who at one point became involved in a drug ring. She's easily the most magnetic figure in the film and given that families of violence victims seek her comfort specifically, it says a lot about her strength as a community leader. Throughout the film she delivers powerful and moving speeches suggestive of her strength, but as she works with a loving but emotionally troubled teenager named Caprysha, we learn even she has moments of doubt.

Next is Cobe Williams, more soft spoken, but whose prison time give him a street cred that finds him able to talk to and work with some hostile individuals. His work with a gangbanger named Flamo, who he comes into contact with at a serious boiling point, is one of the more powerful arcs in the film.

Lastly there's Eddie Bocanegra, who does art work with students but spent half his life in prison for murder. His redemption story proves more than any that there's hope for those who make these fatal mistakes.

"The Interrupters" explores the deepest depths and root causes of violence, enough to even the most self-assured pacifist consider reality that is the cycle of violence and that it's not simply a matter of just not letting it be an option. Many of the subjects discuss the role of parents being there or not there and how they are role models whether they want to be or not, as well as how violence has become part of the culture because of the value placed on pride and ego.

Like any great documentary, "The Interrupters" is a conversation starter. Yes, it's edited in a powerful way will elicit emotion, but there are so many discussions worth having based on what the subjects say and do and what we observe. It's really hard to capture the entire spectrum of the conversation on a subject as general as violence, but somehow James manages to do it. And nothing he presents is black and white (not referring to race); if you pay attention through the entire film, you rationally cannot make generalizations about the roots of violence.

There are moments when the film drags a bit as it takes a step back to cover the human interest element of the film, the tragedy of it all. That's important, but its call to action is loud and impossible to ignore, so much so that you want it to continue its search for an answer, or in this case, to see if the work CeaseFire does really makes a difference.

It certainly does. "The Interrupters" proves as much. At the same time, we become so aware of how they can only be in once place at a time. A handful of occasions during the film we hear someone talk about some act of violence unfolding somewhere else right now as the camera is rolling. It's a wake-up call that unless the City of Chicago or the government take an extensive, grass-roots approach to ending violence, there's no way that even these amazing individuals can end it.

~Steven C

Thanks for reading! Visit moviemusereviews.com

Only 9 reviews?!! This movie needs to be seen!

I live in Chicago, and every morning the Chicago Tribune has a headline tallying the overnight wounded and dead. It's not at all unlike the beginning days of the Gulf War, where every news hour would begin with the number of soldiers killed that day. The difference being that those stories gradually subsided as the numbers dwindled, and they were based on deaths in an actual military conflict. There are neighborhoods in Chicago that are as much like war zones as any area of Afghanistan, but no one is paying attention.

"The Interrupters" doesn't really try to address why no one is paying attention. It doesn't need to, because everyone pretty much knows the answer even if they're not willing to admit it to themselves. These aren't rural white kids getting killed for their country; these are poor, disenfranchised black kids who most people don't care about. Instead, this documentary follows a few members of CeaseFire, a nonprofit group comprised of past gang members, street criminals, etc. who are now using a tactic of intervention to stop chains of violence before they spiral out of control. These people are deeply admirable. They're not trying to break up gangs, they're not police informers. They're simply trying to make one person understand how pointless it is to shoot another person, no matter what grievances are at play.

This film is by Steve James, the same director who did the tremendous "Hoop Dreams," and if it doesn't have that film's epic scope, it has a more immediate sense of urgency.

After watching "The Interrupters" my wife and I were instantly online looking into ways to support CeaseFire. I hope others do the same.

Grade: A+

Steve James is a remarkable documentary filmmaker who has given us a series of amazing films starting with Hoop Dreams that explore some of the more difficult issues in our society including race, poverty, crime, and violence. His film on the Trial of Allen Iverson revealed the complex racial discourse at work beneath his hometown of Hampton, VA. His most recent film, The Interrupters, screened today at Austin's SXSW Film Festival. It is a powerful film that captures the plague of urban violence that plagues are cities – in this case Chicago – and goes beyond documenting to show a group of activists (many with troubled pasts) working for a group called Ceasefire.

Ceasefire seeks to engage troubled young people and interrupt their dysfunctional behavior patterns of anger, crime, drug use, irresponsibility and violence. The Interrupters are acting heroically to try to save their imploding self-destructive communities. While the footage and the story are compelling, it could still use some editing since at over 2.5 hours it is a little too long. The length is understandable since James filmed over 300 hours, but it still needs to be paired down further to capture a manageable story.

The other problem with the film is more complex. The Interrupters are fighting on the front lines in their efforts to save their communities. But the fight that they are engaged in is almost impossible, because their personal and human efforts to save individuals are divorced from a larger political reality. The film is a deeply personal and human, but it fails to address the deeper social problems in education, unemployment that have created the epidemic of violence. They are treating the symptoms of those who are already infected without searching out the causes of the disease.

Sadly, the problems of the poor have disappeared from our political discourse since the collapse of the "War on Poverty." The current administration – led by our first urban President in decades - has failed to offer any sort of serious urban or anti-poverty agenda. Our political discourse focuses on the "middle class" and pretends as if poverty doesn't exist. Poverty has ceased to exist on American TV and in most of our news media coverage. Middle Class America has stopped seeing poverty which is quietly hidden away outside of our consciousness. The social contract that binds our society together is broken. We need far more films like the Interrupters to confront the American public with the realities of poverty and violence that are eating away at the soul of our society.

Hopefully, many people will watch a film like The Interrupters and ask themselves two questions: What can I do as an individual to help groups like this make a difference in my community? What can I do as a citizen to get my government to act to make the structural changes that are needed to transform these communities?

This film takes a year-long look at the work of a group of volunteers trying to reduce murders and violence in inner-city areas of Chicago. They do this by intervening wherever possible, trying to mediate on the streets between those reading to kill over as little as $5 or a perceived slight, cool the anger before it spills over into bloodshed. The majority of the volunteers have a background in the gangs themselves, have served jail time but were able to get out while they still have their lives. The film follows three of the volunteers during a year where the profile of the Chicago murder rate is raised to the national level.

From the director of Hoop Dreams, this film gets right down onto the streets of Chicago and, while the volunteers are dealing with people ready to kill, the camera is right there too – getting good access and surprisingly natural footage from everyone involved. For the most part it is the capturing of this world that makes the film engaging because while many people (particularly on the internet!) would like to pretend they live in tough situations and are ready to turn to violence over nothing, the majority in the western world are not and certainly for me, I appreciated an insight into the world of those who are ready to pick up a knife and stab someone because of a slight on their family. The camera captures a real natural air when situations are at their most flammable and also in the one-on-one chats, but it doesn't quite manage it when there is a group. Sometimes when break-throughs are being made with groups, it does feel a little uncomfortable and I got the sense that the camera was becoming a little bit of an intrusion.

Likewise, although it isn't overdone, the film also uses sentimental music a bit too often over the top of insights or breakthroughs – and it did annoy me a little bit because none of it actually needed this music. None of these things are bad though, just a little negative in terms of impact. This is covered by how good the chosen subjects are – in particular Ameena and Cobe. To my external ears they occasionally sound uncomfortable or odd or even a bit too much like they are saying platitudes and hyperbole, but yet they work and generally their words and attitudes make an impact – even if they don't always make a lasting impact on a person's life (although the goal is always to get through the immediate threat of violence). James makes good use of them and in Ameena he finds someone likable, charming, intelligent and empathetic – she doesn't just "say" what she is doing and feeling, she lives it and it comes out in every word; wisely she is the heart of the film.

Overall The Interrupters is not a perfect film because it does occasionally overdo the sentimentality and gives the subject a sense of worthiness that they may deserve but that the film doesn't benefit from. It also doesn't have much of a sharp investigatory edge, a little of which it could have done with a little bit of, but otherwise the film is engaging and moving thanks to the ground-level access and the force of the personality and bravery of the volunteers focused on.

This film is recommended.

Flowers and candles, hand-printed messages written on notebook paper tacked to makeshift shrines, all decorated with photographs of young victims. This touching memorials litter the blood-spattered streets of Chicago and are the remains of the day in The Interrupters, a powerful and disturbing documentary by the talented Steve James ( Hoop Dreams ).

His film takes the moviegoer directly into the crime-ridden neighborhoods as we meet a group of peacemakers trying to restore sanity and preaching their anti-violence message to the choir. The group is called CeaseFire and it is made up of ex-gang leaders and former convicts whose motto is Stop the Violence - Save a Life.

James directed and photographed his documentary and focuses on three interrupter and their "scared straight" strategies of tough love and reality checks. We met Cobe Williams, a former gang member and family man now whose father was killed during a street fight, Eddie Bocanegra, a young man easily impressed by the gang's image of fast cars, money, and girls who served 14 years for murder and now uses art as a method of expression and conflict mediation, and the primary spokesperson, Ameena Matthews, the daughter of a gang leader who was physically, emotionally, and sexually abused at an early age and has since let faith and family lead her away from that life-style and keep her grounded.

We also met some of those troubled teens: Caprysha, a defeated Precious type, living in a halfway house, dreaming of a better life while constantly lying and breaking her parole; Lil Mikey, released from prison and wanting to be a better role model for his siblings; and Flamo, a young man enraged with his mother and brother's arrest and wanting his own form of justice. It is impossible not to care about their people and their lives.

The film consists of interviews with gang members, families of their victims, and scenes of escalating violence. At times, The Interrupters becomes slightly repetitive in its interventions and lock-step mindset of anger and frustration. More judicious editing could have made the film even more forceful. But the passion for its compelling subject and James' craft as a filmmaker make up for those minor complaints.

The documentary gives us no easy answers as drugs, unemployment, alcohol, poverty,and guns still are a major reason for the neighborhood's ills. Politicians come and go with each election, giving lip service and promises. Yet these people and their difficult lives become the on-going problem in search of a solution, and groups like CeaseFire seem to be their only course of positive action. The Interrupters allows us to see a world that we can never fathom and acknowledge the spirit of a group of strong-willed survivors, trying to make a difference and save a life or two throughout a normal day. GRADE: B

NOTE: Visit my movie blog for more reviews: www.dearmoviegoer.com