The team goes after the CEO of Nate's former insurance company, responsible for denying his late son's medical care, but the situation causes conflict among the crew.The team goes after the CEO of Nate's former insurance company, responsible for denying his late son's medical care, but the situation causes conflict among the crew.The team goes after the CEO of Nate's former insurance company, responsible for denying his late son's medical care, but the situation causes conflict among the crew.
Mark Sheppard
- Jim Sterling
- (as Mark A. Sheppard)
Ron Rogge'
- Pilot
- (as Ron Roggé)
Leor Aigen
- IYS Security
- (uncredited)
John Jason Bailey
- IYS Security
- (uncredited)
Featured reviews
This is the first part of a two-part episode. It begins with Nathan in his usual boozy bad mood and Sophie suggests he get to the heart of the matter and just pull a scam on his old employer, the old evil insurance company. In this case, it means stealing a priceless statue from his former boss....but by the end of the episode, Leverage is in chaos. Their headquarters is gone, the team members go their separate ways, and you assume it's all over. But considering it has another episode to go and it was renewed for further seasons, we can assume this isn't the end of the organization.
All in all, a well written and exciting epsiode that leaves on a nice cliffhanger. Well worth seeing.
All in all, a well written and exciting epsiode that leaves on a nice cliffhanger. Well worth seeing.
There you go! The last story is a two parter. It is filled with all kinds of pyrotechnics, art thievery, and close calls. Also, a loss of the facility where things happen. Ford faces off against a pair of his nemeses who have no remorse about the death of his son. We also meet his ex-wife who is unaware of a serious event.
The theft of the David model is beyond belief. There are just too many stupid people involved in protecting the thing. As is usually the case, they just march into a protected space with lasers and state of the art machinery, and nobody seems to catch on. Then there are things like the girl on the back of the armored car.
The theft of the David model is beyond belief. There are just too many stupid people involved in protecting the thing. As is usually the case, they just march into a protected space with lasers and state of the art machinery, and nobody seems to catch on. Then there are things like the girl on the back of the armored car.
Under Nathan Ford's leadership, the Leverage crew helped numerous clients fight back against the rich and powerful. While this brought its team members personal growth and moral satisfaction, it did little to heal Nate's ongoing pain over the loss of his son. Though he prided himself on being a functioning alcoholic, Nate's drinking at times created problems in the middle of cases (most notably in "The 12 Step Job"), jeopardizing the con and worse. With Nate's personal issues putting the team's safety at risk, the others decide that something needed to be done.
Instead of rehab, however, the team offers Ford a chance to revenge himself against the man who denied his son the treatment that could have saved his life. That man was Ian Blackpoole, the president and C. E. O. Of Ford's former employer, I. Y. S. Taking advantage of Blackpoole's interest in art, the team sets up a con involving two bronze models of Michaelangelo's famous sculpture David made by the artist himself. The plan is to sell him a copy of one of the models (stolen from the Vatican a decade before) to compliment the one Blackpoole owns and plans on displaying at a new wing he financed at a local art museum. When Blackpool insists on having his own art expert, Maggie Collins - Nate's ex-wife - authenticate the model, the team is forced to improvise a theft of the one Blackpoole owns - and this soon proves not to be the only complication facing the team.
The decision to wrap up Leverage's first season with a multi-part climactic story established a pattern that would become a hallmark for the show. This one was arguably the best of the five, in part because the elements within it are so personal for Ford. Nor does it hurt that fan-favorite nemesis Jim Stirling makes an appearance, or that there's an additional twist late in the episode that increases the level of personal drama involved. It also helps, though, that the climactic story did not involve the elaborate season-long set-up that the show would resort to in later seasons, which had the effect of burdening many of the episodes with more exposition than the best episodes deserved. Here it's built upon more subtle developments, and with a level of emotional entanglement that is far more effective than the more overt threats resorted to later in the series' run.
Instead of rehab, however, the team offers Ford a chance to revenge himself against the man who denied his son the treatment that could have saved his life. That man was Ian Blackpoole, the president and C. E. O. Of Ford's former employer, I. Y. S. Taking advantage of Blackpoole's interest in art, the team sets up a con involving two bronze models of Michaelangelo's famous sculpture David made by the artist himself. The plan is to sell him a copy of one of the models (stolen from the Vatican a decade before) to compliment the one Blackpoole owns and plans on displaying at a new wing he financed at a local art museum. When Blackpool insists on having his own art expert, Maggie Collins - Nate's ex-wife - authenticate the model, the team is forced to improvise a theft of the one Blackpoole owns - and this soon proves not to be the only complication facing the team.
The decision to wrap up Leverage's first season with a multi-part climactic story established a pattern that would become a hallmark for the show. This one was arguably the best of the five, in part because the elements within it are so personal for Ford. Nor does it hurt that fan-favorite nemesis Jim Stirling makes an appearance, or that there's an additional twist late in the episode that increases the level of personal drama involved. It also helps, though, that the climactic story did not involve the elaborate season-long set-up that the show would resort to in later seasons, which had the effect of burdening many of the episodes with more exposition than the best episodes deserved. Here it's built upon more subtle developments, and with a level of emotional entanglement that is far more effective than the more overt threats resorted to later in the series' run.
Did you know
- TriviaAt about 23 minutes in, Parker is wearing the same flight attendant outfit she stole and wore in S1E8 The Mile High Job.
- GoofsWhen Sterling and his underlings are communicating via the Leverage team's ear pieces they are holding them out like walkie-talkies. As stated in the pilot episode, Hardison's tech uses bone conduction; the ear pieces do not have speakers so they would have no way of hearing what was being said.
- Quotes
Parker: You want me to break into a secure storage facility with whatever I can scrounge up at the buffet table?
Nathan Ford: Pretty much. Yup.
Parker: Cool.
Details
- Runtime
- 41m
- Color
- Aspect ratio
- 1.78 : 1
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